Jakob F. Mueller Antiquitaeten Berlin

A pair of Regency style Maison Bagues three branch wall sconce or wall lights, each with splays of flowerheads on top, its back plate issuing ...

Early 18th Century French Louis XIV / Régence Marquetry Armoire or Wardrobe The rectangular Louis XIV Régence armoire or wardrobe with rounded corners standing on a short base with bracket feet and curved apron with gilt-bronze Apollo head mount; the two doors can be opened by a Pasquil lock to reveal the inside with four removable shelves. The doors decorated with gilt-bronze framed rectangular cartouches displaying elaborate trellis pattern marquetry and gilt-bronze paterea mounts at the corners; the inner sides of the doors each with a large marqueted rhomb motif; the sides of the armoire with quatre-foil mirrored marquetry. Rich gilt-bronze banding, the upper corners and the bracket feet at the front with Louis XIV style gilt- bronze foliage appliques. Although this exceptional Louis XIV / Régence armoire or wardrobe does not bear a stamp (stamping furniture only became commonplace after 1745), its shape, its quality of manufacture and its luxurious yet well-balanced use of Louis XIV/Régence gilt-bronze mounts on an elaborate geometrical marquetry all lead to the workshop of the important cabinet maker Etienne Doirat (1675-1732). Étienne Doirat came from a family of cabinet makers that had been established in Paris from the beginning of the 1600s. Doirat only began to stamp his furniture at the end of his career, and accordingly only few pieces bear his stamp and can serve as comparison pieces for newly discovered pieces of furniture. He constructed various furniture forms, including commodes, armoires, corner cupboards, and tables, often veneered with simple marquetry in exotic woods. Although he did not do the casting, chasing and gilding, Doirat tried to keep exclusive control over the models for his bronze furniture mounts...

Napoleon III / Louis XVI Gold Holz White Marmor Center Table 1860s A rectangular table made of gilded wood is resting on four slender richly sculpted spindle shaped legs with lanceolate leaf decration. The front and both sides decorated with laurel leaf friezes between stylized floral paterae which surmount the legs. The table is topped by a red and grey marble slab which is framed by a neoclassical Lesbian leafs and darts frieze. Charming small center table...

Early 19th century French Empire Large Neoclassical Walnut Console Table An elegant Empire period console table with a with marble top above a frieze d...

18th Century French Louis XV/Transition Marquetry Gilt Bronze Commode An 18th century gilt bronze-mounted marquetry transition style commode with ...

Rare Pair of 19th Century Italian Baroque Style Mythological Figures table lamps The tripod bases with scroll feet featuring cla...

A late 18th century Louis XVI daybed or 'lit de repos', in the manner of Georges Jacob (1739-1814). Constructed in walnut with the swept ends of scrolled form, carved with flower hea...

Late 19th century French large Louis XV sculpture of a Putto with Zephyr. A figure of a boy standing on a rectangular plinth, looking aside while holding a ball or stylised poppy ...

Late 19th century French large Louis XV Sculpture of a Putto Representing Summer A small girl standing in ancient Roman style sandals on a rectangular plinth against a rocaille moti...

French 19th century empire gilt bronze and cut crystal glass amphora vase A slender ovoid crystal glass vase standing on a round gilt bronze foot with a rectangular plinth which i...

Set of 8 partially Early 19th German Biedermeier Saxe-Coburg provenance chairs: 3 chairs with inventory stamp of Ehrenburg Palace in Coburg (soth Germany)/House of Saxe-Coburg and Gotha, 5 chairs hand-crafted after their model in the late 20th century: a trapezoidal seat on four slender saber-shaped legs; curved, shovel-shaped back with carved and ebonized central motif depicting a lyre. All chairs upholstered with black horsehair fabric. 3 chairs of the set of 8 show the inventory stamp of the famous Ehrenburg Palace in Coburg / South Germany and are documented in the Ehrenburg inventory register. According to a letter from the Bayerische Verwaltung der Staatlichen Schlösser, Gärten und Seen, Munich from 1991, the chairs were sold or disposed of in the 1920s at the latest (see photo). In order to be able to use the chairs in a dining room, the former owner had added five more chairs in the late 20th century, which had been elaborately hand-crafted after the model of the three Ehrenburg Palace chairs by a German furniture maker. Ehrenburg Palace was built and used by the Dukes of Saxe-Coburg (and Gotha from 1826 on) as a representative town residence. Duke Ernst I (reigned 1806–1844) began to remodel Ehrenburg Palace only a few years after he came to power. It was then that the building acquired its impressive neo-Gothic façade, designed by the architect Karl Friedrich von Schinkel. For the furnishing of the rooms, Duke Ernst I commissioned the French architect André-Marie Renié-Grétry. Between 1816 and 1840 the apartments were renovated in the French Empire style on the basis of his designs and filled with magnificent furniture...

Pair of end of 18th/early 19th century Russian neoclassical figural gilt and patinated bronze candelabra. Gilt-bronze circular pedestal on rectangular plinth, the base with neoclassical foliate frieze, the pedestal with surrounding frieze of stylized female masks with Russian-style headdresses, which are connected by draperies. Each pedestal with the patinated bronze figure of either a young man or a young woman in classical garments, each holding a baluster vase from which emerge naturalistically designed, cast and chiselled branches of leaves and roses, the rose flowers serving as bobeches for candles. The detailed and naturalistic design of the rose branches...