Art

Tim Fowler’s Pink Elephant is a striking, vibrant painting that explores bold contrasts and fluid abstraction within botanical forms. The composition features large, expressive leave...

Danny O’Connor is an artist based in Liverpool, he graduated from Liverpool John Moores Art School where he studied graphic arts. Danny is predominately a figurative and portrait ar...

Danny O’Connor is an artist based in Liverpool, he graduated from Liverpool John Moores Art School where he studied graphic arts. Danny is predominately a figurative and portrait ar...

Danny O’Connor is an artist based in Liverpool, he graduated from Liverpool John Moores Art School where he studied graphic arts. Danny is predominately a figurative and portrait ar...

Signed and numbered Fine art print on Hahnemuhle photo rag paper Tim Bret-Day always felt like the odd one out and connected with the outsiders. Tim's dad was French, chic, and gre...

A multidisciplinary artist and experimental musician with synaesthesia, Jake-Andrew's practice is centred around the way the mind can perceive audio stimulus as colour, texture, shape and movement. Exploring sensory perception, Jake-Andrew documents the emotional and physical response to the relationships that exist between colour and sound, and how they can reflect the minutiae and melancholia of the human condition through gestural abstraction and introspective layering; exploring the progression of his physical practice for the digital renaissance by introducing pixel manipulation to digital gesture and occasionally physical attributes through coding. Jake-Andrew's work exists as an expressive, physical performance that allows him to create projected installation environments and immersive experiences; either on screen or in situ. Which affects the relationship that all of us have with colour and sound. Undertaken projects with Glenfiddich, Braun Audio...

Glasgow artist James Klinge is renowned for some of the city’s finest street art. Specialising in stencils, spray-paint and acrylics he has easily made his name as one of the top st...

Glasgow artist James Klinge is renowned for some of the city’s finest street art. Specialising in stencils, spray-paint and acrylics he has easily made his name as one of the top st...

Glasgow artist James Klinge is renowned for some of the city’s finest street art. Specialising in stencils, spray-paint and acrylics he has easily made his name as one of the top st...

Glasgow artist James Klinge is renowned for some of the city’s finest street art. Specialising in stencils, spray-paint and acrylics he has easily made his name as one of the top st...

Signed by the artist Layered and dyed canvas float mounted within a box frame with non reflective glass Part of Henry Woolway's 'Sunday Sessions' series, Always Yours, Forever More...

Signed by the artist Layered and dyed canvas float mounted within a box frame with non reflective glass Henry Woolway’s Over the Hills, The Sky is a striking abstract composition t...

Signed by the artist Layered and dyed canvas float mounted within a box frame with non reflective glass Part of Henry Woolway's 'Sunday Sessions' series Over and Away is a refined,...

Signed, Stamped & Numbered Edition of 25 Plus 3 Artist's Proofs From installment of 4 lavish tableaux vivants for Agent Provocateur campaigns The Season of the Witch was shot for Agent Provocateur in May 2009 at Dorney court. It was commissioned by Joe Corre and Serena Rees the original owners. Joe and I had been looking at Hogarth's etchings for A Rakes Progress, which later became an opera by Stravinski depicting the decline of Tom Rakewell, “For idle hearts and hands and minds the Devil finds work to do.” We decided we would create our own version of Bedlam but with Agent Provocateurs seductive point of view. The challenge was to shoot their whole collection, over thirty-five pieces of lingerie and put them into one image. Despite the misconception that it is a huge multi composition in photoshop, the truth is, it isn’t. Camera position locked off and working to a very specific layout conceived with all the girls from the shop, the picture is assembled in three parts. The right-hand side of the image using our ten models and extras was shot first, then as individual scenarios. Then came the balcony shot as they changed costumes to shoot the left-hand side. Fenton Bailey son of David played Tom, and Chloe Hayward his prospective wife who stumble into the witches coven, a twisted version of The Rocky Horror show. The witches included Alice de Lal, Daisy Lowe, Peaches Geldof, Marina Jameson, Raquel Nave, Awoui, Alex Jenny and Paz de la Huerta from Broadwalk Empire. Charlie Anderson brought a rack of costumes which everyone was persuaded to dress up in, whether it was the snake wrangler, who at one point “mislaid” a nine-foot boa constrictor, photo assistants, strip club doormen, some random punks we found roaming the streets of Windsor and the entire hair and makeup team. Joe Corre, son of Malcolm McClaren and Vivienne Westwood made a cameo performance in all four tableaus and can be seen behind the chandelier with all the girls from their offices all suitably attired. We actually flew the owl across the set but the wolf that belonged to the owner of the house was brought in and shot separately. On my first presentation of the artwork there was a degree of disapproval, perhaps cutting the brides throat was a tad over the top but Joes only reaction was “ couldn’t we have a bloody great big pentagram painted on the floor?” I returned to my office that afternoon and duly painted the floorboards with the devil's insignia which was then comped onto the shot. With productions like this, so many people go unmentioned such as my producer Jenny, Jess Morris, Sarah Shotton, Kirstin Piggott and Eamonn Hughes on hair and make up my dear friend Peter Smith who styled all the food, and most importantly my partners in crime Lee Stuart who assembled everything without any hesitation and a huge degree of inspiration, and Mark Townsend who balanced the light and made the 5x4 plate camera...

A multidisciplinary artist and experimental musician with synaesthesia, Jake-Andrew's practice is centred around the way the mind can perceive audio stimulus as colour, texture, shape and movement. Exploring sensory perception, Jake-Andrew documents the emotional and physical response to the relationships that exist between colour and sound, and how they can reflect the minutiae and melancholia of the human condition through gestural abstraction and introspective layering; exploring the progression of his physical practice for the digital renaissance by introducing pixel manipulation to digital gesture and occasionally physical attributes through coding. Jake-Andrew's work exists as an expressive, physical performance that allows him to create projected installation environments and immersive experiences; either on screen or in situ. Which affects the relationship that all of us have with colour and sound. Undertaken projects with Glenfiddich, Braun Audio...

A multidisciplinary artist and experimental musician with synaesthesia, Jake-Andrew's practice is centred around the way the mind can perceive audio stimulus as colour, texture, shap...

A multidisciplinary artist and experimental musician with synaesthesia, Jake-Andrew's practice is centred around the way the mind can perceive audio stimulus as colour, texture, shape and movement. Exploring sensory perception, Jake-Andrew documents the emotional and physical response to the relationships that exist between colour and sound, and how they can reflect the minutiae and melancholia of the human condition through gestural abstraction and introspective layering; exploring the progression of his physical practice for the digital renaissance by introducing pixel manipulation to digital gesture and occasionally physical attributes through coding. Jake-Andrew's work exists as an expressive, physical performance that allows him to create projected installation environments and immersive experiences; either on screen or in situ. Which affects the relationship that all of us have with colour and sound. Undertaken projects with Glenfiddich, Braun Audio...

Tim’s main concern within his work is exploring the colour field. Although vivid Tim’s works are invariably balanced, using a signature colour palette of extremely bright and intense...

Each panel in the diptych is 164cm in width, total width is 328cm Tim’s main concern within his work is exploring the colour field. Although vivid Tim’s works are invariably balance...