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Period: Early 1900s
Moonlight Over the Promenade
Located in Sheffield, MA
Wilhelm von Gegerfelt
Swedish, 1844-1920
Moonlight Over the Promenade
Oil on canvas
27 by 45 in. W/frame 39 by 57 in.
Signed lower right
Wilh...
Category
Early 1900s Post-Impressionist Landscape Paintings
Materials
Oil
A Day at the Beach
Located in Sheffield, MA
Leonce De Joncieres
French, 1871-1947
A Day at the Beach
Oil on canvas
Signed and dated 'L. de Joncieres/ 1903' (lower right)
46 1/2 by 65¼ in. W/f...
Category
Early 1900s Impressionist Landscape Paintings
Materials
Oil
Vase de Fleurs
By Leon Herbo
Located in Sheffield, MA
Leon Herbo
Belgian, 1850-1907
Vase de Fleurs
Oil on canvas
22 ½ by 18 in. W/frame 34 ½ by 30 in.
Signed and dated 1906
Leon exhibited in Brussels, Munich, Gand, Cologne and Paris....
Category
Early 1900s Post-Impressionist Still-life Paintings
Materials
Oil
White Angora Cats
By Arthur Heyer
Located in Sheffield, MA
Arthur Heyer
German, 1872 – 1931
White Angora Cats
Oil on canvas
22 by 27 in. w/frame 30 by 35 in.
Arthur Heyer was born in Haarhausen. He studied at...
Category
Early 1900s Post-Impressionist Animal Paintings
Materials
Oil
Girl Reading a Book
By Lucien Pissarro
Located in Sheffield, MA
Lucien Pissarro
French, 1863-1944
Girl Reading a Book
Oil on canvas
18 ¼ by 15 in. W/frame 24 ¼ by 21 in.
Signed lower right and dated 1907
Born in Pa...
Category
Early 1900s Post-Impressionist Figurative Paintings
Materials
Oil
Lady at her Vanity
By Henry Mayo Bateman
Located in Sheffield, MA
Henry Mayo Bateman
English, 1887–1970
Lady at her Vanity
Watercolor on paper
9 ½ by 10 ½ in. W/frame 18 ½ by 19 ½ in.
Signed & dated 1904 lower on left
H. M. Bateman was noted for his "The Man Who..." series of cartoons, featuring comically exaggerated reactions to minor and usually upper-class social gaffes, such as "The Man Who Lit His Cigar Before the Loyal Toast", "The Man Who Threw a Snowball at St. Moritz" and "The Boy Who Breathed on the Glass at the British Museum."
He was born in the small village of Sutton Forest in New South Wales, Australia. His parents were Henry Charles Bateman and Rose Mayo. His father had left England for Australia in 1878 at the age of 21 to seek his fortune, then returned to England briefly in 1885 before going back with an English wife. Soon after Henry was born, his strong-willed mother insisted that they return to London 'and civilisation'. He had one sister, Phyllis, three years younger. Henry remained in England for the remainder of his life except for one disappointing visit to his birthplace.[citation needed]
Henry was always drawing from an early age, consistently producing funny drawings...
Category
Early 1900s Art Nouveau Interior Drawings and Watercolors
Materials
Watercolor
Still Life
By William Samuel Horton
Located in Sheffield, MA
William Samuel Horton
American, 1865-1936
Still Life
Signed “William S.Horton”, l.r.
Oil on board
25 by 30 in. w/frame 35 by 40 in.
Circa 1903
Studied:
William studied at the Art...
Category
Early 1900s American Impressionist Still-life Paintings
Materials
Oil
Figures in the Forest
Located in Sheffield, MA
Carl Carlsen
Danish, 1855-1917
Figures in the Forest
Oil on canvas
Signed and dated ‘Carl Carlsen 1900’ lower right
24 ½ by 30 ½ in. w/frame 31 by 36 i...
Category
Early 1900s Impressionist Landscape Paintings
Materials
Oil
Versailles
Located in Sheffield, MA
Marie-Paule Carpentier
French, 1876-1915
Versailles
Pastel / Paper
12 by 16 in. W/frame 18 by 22 in.
Signed on lower left Marie-Paule Carpentier
Marie-Paule Carpentier painted i...
Category
Early 1900s Impressionist Landscape Drawings and Watercolors
Materials
Pastel
Fruit and Porcelain
Located in Sheffield, MA
William Merrit Chase
American, 1849-1916
Fruit and Porcelain
Signed "Wm M Chase." l.l., identified on labels from the Corcoran Gallery of Art,
B...
Category
Early 1900s American Impressionist Still-life Paintings
Materials
Oil
Woman with Strawberries
By Myron Barlow
Located in Sheffield, MA
Myron Barlow
American, 1873-1937
Woman with Strawberries
Oil on canvas
29 by 29 in. W/frame 35 by 35 in.
Unsigned
Studied: Art Institution of Chicago; Ecole des Beaux-Arts,
Gerome...
Category
Early 1900s American Impressionist Figurative Paintings
Materials
Oil
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A charming painting of an iconic plant, the thick tendril leaves reaching out from the centre ground surrounded by the ancient oaks and olive tress in the landscape. Bernard has used browns and ochres for the ground surrounding the plant and trees which gives the painting almost an abstract quality. His use of material gives a vivacity to the composition and texture to the surface of the painting. A wonderful addition to any collection or interior.
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Red Couch, Black Cat - Contemporary Fauvist Interior Scene in Primary Colors
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By Achille Laugé
Located in Marlow, Buckinghamshire
Stunning pointillist landscape oil on panel circa 1920 by French neo-impressionist painter Achille Lauge. The work depicts a path leading to the small village of Belveze du Razes in the South of France on a bright spring day. To the left are white blossom trees in bloom and the houses of the village can be seen in the distance.
Signature:
Signed and dated 1909 lower left
Dimensions:
Framed: 28"x36"
Unframed: 21"x29"
Provenance:
This work is included in the Catalogue Raisonne of the artist under preparation by Nicole Tamburini
A certificate of authenticity from Mme. Tamburini accompanies the painting
Achille Laugé...
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"The Naked Soil", Warm Ochre Rural Landscape Impressionist Oil Painting
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This artwork depicts a rural landscape.
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H 31.89 in W 39.38 in D 0.79 in
1880s Figurative Sackett's Calvary Charge of the 9th New York Volunteers
Located in Soquel, CA
Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W.
Military History Prior to 1865
The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864.
From the Albany Evening Journal, July 20, 1864:
Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received.
Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer.
During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age.
When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863.
It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion.
City Point, Va., July 7, 1864.
General R. E. Lee, Commanding Confederate Army,
Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...
Category
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H 25.75 in W 41.75 in D 1.25 in
Woman by The Lake - Late 19th Century Figurative Landscape
Located in Soquel, CA
Gorgeous 19th Century figurative landscape of a woman by a lake looking wistfully at boaters by J. Glover (American, 19th Century), c.1870's. Signed lower left "J. Glover." Unframed....
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Materials
Oil, Canvas