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Period: Early 1900s
Moonlight Over the Promenade
Located in Sheffield, MA
Wilhelm von Gegerfelt Swedish, 1844-1920 Moonlight Over the Promenade Oil on canvas 27 by 45 in. W/frame 39 by 57 in. Signed lower right Wilh...
Category

Early 1900s Post-Impressionist Landscape Paintings

Materials

Oil

A Day at the Beach
Located in Sheffield, MA
Leonce De Joncieres French, 1871-1947 A Day at the Beach Oil on canvas Signed and dated 'L. de Joncieres/ 1903' (lower right) 46 1/2 by 65¼ in. W/f...
Category

Early 1900s Impressionist Landscape Paintings

Materials

Oil

Vase de Fleurs
By Leon Herbo
Located in Sheffield, MA
Leon Herbo Belgian, 1850-1907 Vase de Fleurs Oil on canvas 22 ½ by 18 in. W/frame 34 ½ by 30 in. Signed and dated 1906 Leon exhibited in Brussels, Munich, Gand, Cologne and Paris....
Category

Early 1900s Post-Impressionist Still-life Paintings

Materials

Oil

White Angora Cats
By Arthur Heyer
Located in Sheffield, MA
Arthur Heyer German, 1872 – 1931 White Angora Cats Oil on canvas 22 by 27 in. w/frame 30 by 35 in. Arthur Heyer was born in Haarhausen. He studied at...
Category

Early 1900s Post-Impressionist Animal Paintings

Materials

Oil

Girl Reading a Book
By Lucien Pissarro
Located in Sheffield, MA
Lucien Pissarro French, 1863-1944 Girl Reading a Book Oil on canvas 18 ¼ by 15 in. W/frame 24 ¼ by 21 in. Signed lower right and dated 1907 Born in Pa...
Category

Early 1900s Post-Impressionist Figurative Paintings

Materials

Oil

Lady at her Vanity
By Henry Mayo Bateman
Located in Sheffield, MA
Henry Mayo Bateman English, 1887–1970 Lady at her Vanity Watercolor on paper 9 ½ by 10 ½ in. W/frame 18 ½ by 19 ½ in. Signed & dated 1904 lower on left H. M. Bateman was noted for his "The Man Who..." series of cartoons, featuring comically exaggerated reactions to minor and usually upper-class social gaffes, such as "The Man Who Lit His Cigar Before the Loyal Toast", "The Man Who Threw a Snowball at St. Moritz" and "The Boy Who Breathed on the Glass at the British Museum." He was born in the small village of Sutton Forest in New South Wales, Australia. His parents were Henry Charles Bateman and Rose Mayo. His father had left England for Australia in 1878 at the age of 21 to seek his fortune, then returned to England briefly in 1885 before going back with an English wife. Soon after Henry was born, his strong-willed mother insisted that they return to London 'and civilisation'. He had one sister, Phyllis, three years younger. Henry remained in England for the remainder of his life except for one disappointing visit to his birthplace.[citation needed] Henry was always drawing from an early age, consistently producing funny drawings...
Category

Early 1900s Art Nouveau Interior Drawings and Watercolors

Materials

Watercolor

Still Life
By William Samuel Horton
Located in Sheffield, MA
William Samuel Horton American, 1865-1936 Still Life Signed “William S.Horton”, l.r. Oil on board 25 by 30 in. w/frame 35 by 40 in. Circa 1903 Studied: William studied at the Art...
Category

Early 1900s American Impressionist Still-life Paintings

Materials

Oil

Figures in the Forest
Located in Sheffield, MA
Carl Carlsen Danish, 1855-1917 Figures in the Forest Oil on canvas Signed and dated ‘Carl Carlsen 1900’ lower right 24 ½ by 30 ½ in. w/frame 31 by 36 i...
Category

Early 1900s Impressionist Landscape Paintings

Materials

Oil

Versailles
Located in Sheffield, MA
Marie-Paule Carpentier French, 1876-1915 Versailles Pastel / Paper 12 by 16 in. W/frame 18 by 22 in. Signed on lower left Marie-Paule Carpentier Marie-Paule Carpentier painted i...
Category

Early 1900s Impressionist Landscape Drawings and Watercolors

Materials

Pastel

Fruit and Porcelain
Located in Sheffield, MA
William Merrit Chase American, 1849-1916 Fruit and Porcelain Signed "Wm M Chase." l.l., identified on labels from the Corcoran Gallery of Art, B...
Category

Early 1900s American Impressionist Still-life Paintings

Materials

Oil

Woman with Strawberries
By Myron Barlow
Located in Sheffield, MA
Myron Barlow American, 1873-1937 Woman with Strawberries Oil on canvas 29 by 29 in. W/frame 35 by 35 in. Unsigned Studied: Art Institution of Chicago; Ecole des Beaux-Arts, Gerome...
Category

Early 1900s American Impressionist Figurative Paintings

Materials

Oil

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Maternite - Post Impressionist Figurative Interior Oil Painting - Henri Lebasque
By Henri Lebasque
Located in Marlow, Buckinghamshire
Signed figurative oil on canvas circa 1910 by French post impressionist painter Henri Lebasque. The work depicts a mother seated on a yellow change feeding her young baby. Signature...
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1910s Post-Impressionist Figurative Paintings

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“Ship at Full Sail”, post-impressionist seascape of Clipper ship, oil on canvas
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Michael Stephanon (b. 1937) A well executed oil on canvas painting of a clipper at full sail by the Scandinavian artist Michael Stephanon. Although there are very few recorded det...
Category

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Materials

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Frances and Ruth Jennings in a Field of Flowers
Located in Concord, MA
MABEL E. DICKINSON POND (1869-1960) Frances and Ruth Jennings in a Field of Flowers, 1909 Oil on canvas on paperboard 7 x 5 inches Signed at lower right: M. E. Dickinson Inscribed v...
Category

Early 1900s American Impressionist Figurative Paintings

Materials

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Chez Maxim's - Post Impressionist Oil Figures in Interior by Pierre de Belay
By Pierre de Belay
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Signed and dated figures in interior oil on canvas by French post impressionist painter Pierre De Belay. The work depicts a gentleman in a black morning suit ...
Category

1930s Post-Impressionist Figurative Paintings

Materials

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Pont Aven
By Gustave Loiseau
Located in Marlow, Buckinghamshire
A very beautiful large signed oil on canvas by Gustave Loiseau depicting figures in the street at Pont Aven in brittany. The work is signed lower left and unlined on its original canvas. This work will be included in the forthcoming catalogue raisonné of Gustave Loiseau currently being prepared by Didier Imbert...
Category

1920s Post-Impressionist Landscape Paintings

Materials

Oil

Pont Aven
Pont Aven
H 30 in W 35 in D 3.5 in
Orientalist Post Impressionist Garden Landscape, The Agave.
Located in Cotignac, FR
Oil on board study of a Blue Agave in its landscape by French artist Louis Michel Bernard. Signed bottom right and with atelier stamp to the rear of the panel. Presented in fine custom carved wood, gesso, silver leaf and patinated frame. A charming painting of an iconic plant, the thick tendril leaves reaching out from the centre ground surrounded by the ancient oaks and olive tress in the landscape. Bernard has used browns and ochres for the ground surrounding the plant and trees which gives the painting almost an abstract quality. His use of material gives a vivacity to the composition and texture to the surface of the painting. A wonderful addition to any collection or interior. Louis Michel Bernard (1885–1962) was a French artist who primarily focused on landscapes, and he gained recognition as an Orientalist painter...
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Mid-20th Century Post-Impressionist Landscape Paintings

Materials

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Red Couch, Black Cat - Contemporary Fauvist Interior Scene in Primary Colors
By Jonathan Taylor
Located in Soquel, CA
Fun and colorful contemporary Fauvist interior scene of a black cat lounging on a red couch in a brightly hued room in primary colors, by Jonathan Taylor (American, b.1966). Signed...
Category

2010s Fauvist Interior Paintings

Materials

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Belveze du Razes - Neo-Impressionist Pointillist Oil, Landscape by Achille Lauge
By Achille Laugé
Located in Marlow, Buckinghamshire
Stunning pointillist landscape oil on panel circa 1920 by French neo-impressionist painter Achille Lauge. The work depicts a path leading to the small village of Belveze du Razes in the South of France on a bright spring day. To the left are white blossom trees in bloom and the houses of the village can be seen in the distance. Signature: Signed and dated 1909 lower left Dimensions: Framed: 28"x36" Unframed: 21"x29" Provenance: This work is included in the Catalogue Raisonne of the artist under preparation by Nicole Tamburini A certificate of authenticity from Mme. Tamburini accompanies the painting Achille Laugé...
Category

Early 1900s Pointillist Landscape Paintings

Materials

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"The Naked Soil", Warm Ochre Rural Landscape Impressionist Oil Painting
By Yves Calméjane
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This artwork depicts a rural landscape. Yves Calméjane usually uses light impasto techniques, with the weft of the canvas often still visible. The reliefs are quite thin, the paint...
Category

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1880s Figurative Sackett's Calvary Charge of the 9th New York Volunteers
Located in Soquel, CA
Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...
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1880s American Impressionist Figurative Paintings

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Woman by The Lake - Late 19th Century Figurative Landscape
Located in Soquel, CA
Gorgeous 19th Century figurative landscape of a woman by a lake looking wistfully at boaters by J. Glover (American, 19th Century), c.1870's. Signed lower left "J. Glover." Unframed....
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