Louis Michel Bernard

Orientalist Post Impressionist Garden Landscape, The Agave.

French oil on panel still life of sunflowers in a typical provencal glazed vase by Deldos. The work is signed and dated bottom right and presented in a wood, plaster and gilt frame. ...

Mid 20th Century oil on board Post-Impressionist still life by Polish painter P Mostowski, signed bottom right, presented in modern contemporary frame. ...

French Mid 20th Century oil on board Fauvist still life, flowers in a vase in an interior scene, by Hyppolite Roger. The painting is signed bottom righ...

French, Early 20th century 'Bateau-Lavoir' oil on board by Jeanne de Labeaume. Jeanne became part of the 'Bateau-Lavoir' movement in Montmartre which came in to being at the end of the 19th century. This piece is clearly influenced by Van Gogh ( briefly a resident at the Bateau-Lavoir ) with its brightly coloured flower petals, thickly painted with great movement. The Bateau-Lavoir (" Boat Wash House") is the nickname of a building in the Montmartre district of the 18th arrondissement of Paris that is famous in art history as the residence and meeting place for a group of outstanding early 20th-century artists, men of letters, theatre people, and art dealers. It is located at No. 13 Rue Ravignan at Place Emile Goudeau, just below the Place du Tertre. Formerly a ballroom and piano factory, Bateau Lavoir was squatted and divided into 20 small workshops in 1889. Distributed along a corridor, small rooms were linked without heating and with a single point of water. The name "Le Bateau-Lavoir" was coined by French poet Max Jacob. The building was dark and dirty, almost seeming to be a scrap pile rather than a dwelling. On stormy days, it swayed and creaked, reminding people of washing-boats on the Seine River, hence the name. The building stands on a small cobblestone square that was known as Place Ravignan. In 1911, it was rechristened Place Émile Goudeau for Émile Goudeau (1849–1906), a popular novelist, poet, and journalist who founded Les Hydropathes, a renowned and famous literary club. The square now has a Wallace fountain and is planted with horse chestnut trees. Maxime Maufra (1863–1918) was the first noted artist to take up residence in Bateau-Lavoir, around 1890. Kees van Dongen and Pablo Picasso took up residence between 1900 and 1904. After 1904 more artists and writers moved in, including Otto van Rees, Amedeo Modigliani, Pierre Mac Orlan, Juan Gris, André Salmon, Pablo Gargallo, Max Jacob and Pierre Reverdy. It became an unofficial club that included artists Henri Matisse, Georges Braque, André Derain, Raoul Dufy, Marie Laurencin, Modigliani, Jean-Paul Laurens, Maurice Utrillo, Jacques Lipchitz, María Blanchard, Jean Metzinger and Louis Marcoussis; writers Guillaume Apollinaire, Alfred Jarry, Jean Cocteau, Gustave Coquiot, Cremnitz (Maurice Chevrier), Paul Fort, André Warnod, Raymond Radiguet...

Mid 20th Century still life oil on canvas by noted French artist Jean Arène. Signed bottom middle, presented in fine wood frame with gilt filet. A very cha...

Contemporary still-life mixed-media, oil and acrylic on board by Dutch artist Menno Modderman, signed and dated 2022 to the bottom left. Working for several years now as an artist ...

"The Secret Garden" Painting Polyptych 71" x 120" in by Nikita Makarov Polyptych. 260x180 cm total size. The size of one part is 65x180. The work created in the author's techniqu...

"Mirabell Gardens. Salzburg" Painting Polyptych 61" x 79" in by Nikita Makarov The painting is created in the author's technique, which consists of a complex synthesis of classical ...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Stunning signed post impressionist oil on panel circa 1920 by French painter Emile Octave Denis Victor Guillonnet. The work depicts a summer garden filled with vibrant flowers in reds, pinks, yellows and whites, with green lawn and trees beyond. Signature: Signed lower left Dimensions: Framed: 28"x32" Unframed: 20"x24" Provenance: Private US collection Émile Guillonnet was a student of Lionel...

Signed post impressionist landscape oil on panel circa 1910 by French painter Henri le Sidaner. The work depicts a view of Lake Maggiore, a large lake located on the south side of th...

Signed oil on panel landscape circa 1900 by French post impressionist painter Henri Lebasque. The work depicts a field lined with trees with a haystack to the left. There is a view o...