Le Trianon Abstract Prints

Robert Motherwell Limited Edition Lithograph as Exhibition Catalogue Cover, Signed and Dedicated to Jacqueline Brody (Editor of the Print Collectors' Newsletter), 1974 Lithograph on Limited Edition Catalogue, Ink Signed and Dedicated 10 x 24 inches Boldly signed n 1974 and dedicated in black felt tip pen to Jacqueline Brody, editor of the Print Collectors Newsletter from 1972 - 1996. This poignant 1974 Robert Motherwell lithograph...

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This limited edition paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

Damien Hirst Butterfly Heart (Small) H7-4, 2020 Laminated Giclée print on aluminium composite panel in original publisher's packaging Signed by Damien Hirst & numbered 1483/3510 on t...

Mark di Suvero Untitled Abstract Expressionist Print, ca. 2010 Digital photo lithograph Boldly signed and numbered in graphite pencil from the limited edition of only 58. 13 x 17 in...

"Redness of Red" Lithograph Screenprint Collage Contemporary Abstract Abex 1/100 Redness of Red by Robert Burns Motherwell (1915-1991) Lithograph Scree...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been shown in...

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

MARIANNA STUHR Graduated from Faculty of Graphic Art at Academy of Fine Arts in Cracow as well as doctoral studies at Academy of Fine Arts in Warsaw. For a few years, she works in fi...

"...Blue has no dimensions, it is beyond dimensions, whereas the other colours are not.... All colours arouse specific associative ideas, psychologically material or tangible, while ...

Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Editions...