Lions Gallery Art

Beverly Pepper is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. She was married to the wr...

Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

In this Menorah Chaim Hendin takes a personal approach, and turns it into a more anatomical, almost pelvic, looking piece of artwork. The sculpture is rich in texture and the candle ...

Bernard Reder (29 June 1897 – 7 September 1963) was an artist, sculptor, etcher, engraver and architect, born in Czernowitz, Bukovina, (Chernivtsi, Bokov...

Margaret Reventlow, American born London, 1915 - 2014, "Ten Fathoms Deep", (swimming fish) bronze with green and red slag glass, unsigned, with artist n...

Painting with plaster and gilt details. Attributed to Edgar levy. A modernist still-life painter whose style leaned towards Cubism, Edgar Levy had a studio...

David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Buddhist and avid surfer as well as a sculptor, Anderson has given way to 4 decades of work that revere beauty in nature and beauty in industry within his signature aesthetic. For Anderson, steel girders, dry leaves, machine parts and distant train lights are equally as compelling as strawberry flowers, begonias, Asian antiquities and the night sky. Editing down to essential form while adding a touch of embellishment allows his work to embody both minimalist formal truth and decorative adornment. Anderson’s art practice is a beauty-driven way of knowing the world. BIOGRAPHY 1946 Born in Los Angeles 1967-1971 San Francisco Art Institute Currently lives and works in Santa Cruz, California. SELECTED AWARDS AND GRANTS 1993 John Michael Kohler Art Center Residency 1988 National Endowment for the Arts, individual fellowship 1986 Pollack-Krasner Foundation, individual grant 1981 National Endowment for the Arts, individual fellowship 1974 National Endowment for the Arts, individual fellowship SELECTED ONE PERSON EXHIBITIONS 2018 “Snow Pictures”, Columbus Museum, Columbus, Georgia 2014 “Ranchland”, The Great Highway Gallery, San Francisco, CA “The Manresa Seasons”, New Museum Los Gatos, Los Gatos, CA 2013 “Altitude”, Robischon Gallery, Denver, CO “to Morris Graves”, The Morris Graves Museum, Eureka, CA 2012 “Travel: Rome”, Namche, Bellas Artes Gallery, Santa Fe, NM 2011 Selections from “to Morris Graves”, Anderson Ranch Art...

Chain measures 19.5 inches in length Pendant measures 2.4 X 1.5 X .5 inches Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculptures of small and medium format, jewelry and miniature decorative pieces, all made by hand, without any machinery. Wearable art. Sculptural pendant on matching chain cast in polished bronze or brass. Reminiscent of Harry Bertoia. Organic Modernism. Mod, space age, handmade artisan, studio jewelry. Pal Kepenyes, wearable art pioneer. sculptor, goldsmith, jeweler, artist, was born in 1926 in Hungary. His creative talent, specifically in creating sculpted works, was evident early on. He moved to Budapest, where he first studied at the University of Arts and Crafts and later at the Academy of Fine Arts. His professor, Beni Ferenczy was one of Hungary's most influential sculptors. Pal Kepenyes (20/21st century) is active/lives in Hungary, Mexico. Pal Kepenyes is known for sculpture, jewelry making, miniature decorative pieces especially influenced by Mexican folk art and folklore. His work also includes animals, lions, tigers, fish, nude figures and milagros. He began his studies at the School of Decorative Arts in Budapest, and then was a prisoner of war during the Stalinist regime. In 1956, at the end of the Hungarian Revolution, he finally was released and left the country for Paris, where he studied at the School of Fine Arts. In 1956, he also traveled to Mexico, a country to which he has been devoted for the rest of his life because of his attraction pre-hispanic cultures. Along with Pedro Friedeberg, Arnold Coen, Vladimir Cora, Byron Galvez, Mathias Goeritz, Leonardo Nierman, Gabriel Orozco...

Small Jewish Portrait Relief Plaque Signed and numbered in Roman numerals from limited edition Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk...

John Kearney, 1924-2014, "Auto w/4 Passengers", Bronze, signed and dated "J. Kearney Roma '68." From the estate of Dr. Adrian Zorgniotti, 1925-1994, noted American urologist, medical director and house physician for the Metropolitan Opera. Kearney was represented in Chicago, New York, the Berta Walker Gallery in Provincetown and in Wellfleet, His work is fashioned from chrome car bumpers, not the current plastic variety, but chrome plated steel, and welded into great and seemingly alive creatures; a little horse about to leap, a pig, large and strong, and, noble and kingly as it looks over the gallery, a life-size gorilla. Now 78 years old, John and his wife Lynn founded the Contemporary Art Workshop 53 years ago in Chicago and have contributed through his art to the life and style of the Windy City. Chicago and environs is gifted with many pieces, noteably the city's Oz Park, wherein live the Tin Man and the bronze Cowardly Lion. his work is in the collections of Chicago's Museum of Contemporaray Art, the Detroit Children's Museum, the Chrysler Art Museum in Virginia, and the Provincetown Art Association and Museum, to name a few. His work is in the private collections of Norman Mailer, Diane Feinstein, Johnny Carson, Françoise Gilot, Studs Terkel, and Mrs. Robert Motherwell. Profiled by People magazine, a guest on the Tonight Show with Johnny Carson, and written of by Norman Mailer, Kearney studied at Cranbrook Academy of Art in Bloomfield Hills, Michigan, and Universita per Stranieri, Perugia, Italy. Awards and honors include: Fulbright Award to Italy in 1963-64; Italian Government Grant in 1963-64; Visiting Artist American Academy in Rome, 1985, 1992, and 1998; Wallace Truman Prize, National Academy of Design in 1953 and others. brass and marble Numerous One Man exhibitions since 1951 include: New York City at A.C.A. Gallery, 1964 to 1979; Berta Walker Gallery, Provincetown, MA, 1992 to 1997; and in Rome, Venice, Chicago, Detroit, Wichita, Wellfleet, and others with group exhibitions in Rome, N.Y., Santo Domingo, Niamey, Nigeria, Indianapolis, St. Paul, Omaha, Art Institute of Chicago, Art Chicago, Taipei, Sarasota and others. Art gallery; Detroit, Mich. Founded in 1963 by Lester and Kathleen Arwin. Specialized in contemporary art. Closed in 1981. Arwin Galleries records, 1948-1981 9.2 Artists' files, 1948-1981 contain correspondence, photographs, art work, printed material, writings and business records on 86 artists, including Harold Altman, Irving Berg, Harry Bertoia, William Bostick,Irma Cavat...

Large Modern Brutalist bronze sculpture in Manner of Arnaldo or Gio Pomodoro. We cannot locate a signature or any markings. it has an abstract quality to it. heavily textured with or...

American sculptor Hana Geber (1910 - 1990) She was born in Prague of Czechoslovakian heritage and eventually settled in New York. Her sculptures deal with Jewish themes...

Moshe Oved (aka Edward Good) was a Polish-British, jeweler, artist, sculptor and Yiddish author and founder of the antique jewelry shop Cameo Corner. He le...

David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Buddhist and avid surfer as well as a sculptor, Anderson has given way to 4 decades of work that revere beauty in nature and beauty in industry within his signature aesthetic. For Anderson, steel girders, dry leaves, machine parts and distant train lights are equally as compelling as strawberry flowers, begonias, Asian antiquities and the night sky. Editing down to essential form while adding a touch of embellishment allows his work to embody both minimalist formal truth and decorative adornment. Anderson’s art practice is a beauty-driven way of knowing the world. In this sculpture David Kimball Anderson assembles an arrangement of Metal artifacts...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk...

Agnes Yarnall LePage, began studying sculpture at the age of 6 at the Liberty Tadd School of Modeling. She went on to study with Charles Grafly at the Pennsylvania Academy of the Fine Arts before opening her own studio in the late 1920s, with the support of her parents, Anna B. Coxe and Charlton Yarnall. Over the years, Ms. Yarnall's work included numerous portraits, human figures and animal sculptures. Among her proudest achievements were busts of George Washington and General Lafayette, displayed at the Valley Forge Historical Society, and of Abraham Lincoln, at the Union League of Philadelphia. She also counted among her premier accomplishments busts she sculpted of Ronald Reagan, Jack Nicklaus and Pope John Paul II. One reviewer who had seen her depictions of Edna St. Vincent Millay, Dame Judith Anderson, Carl Sandburg and Sir John Gielgud lauded her work for its ''sensitivity, grace and dynamism," her family said. During her early career Ms. Yarnall studied and worked with such great artists as Boris Blai, Paul Manship and Alexander Archipenko. In addition to her long career in sculpture, she also was an accomplished poet. Her books included Indian Summer, Hesperides and Other Poems and Pandora and Other Poems. In 1987 Ms. Yarnall was presented with the Living Legacy Award as ''Evocatrix Extraordinary" by the Women's International Center, joining such honorees as Dame Judith Anderson, Clare Boothe...

Very rare cast. (edition of 1 or 2) This work was featured in an article "The Appropriation of Marginal Art in the 1980s Author: Donald Kuspit Source: American Art, Vol. 5, No. 1/2 (Winter - Spring, 1991), pp. 132-141 Published by: The University of Chicago Press on behalf of the Smithsonian American Art Museum. This appears to be modeled after a figure by HR Giger. it was cast by Polich Tallix Foundry. Born in Brooklyn, 1953 Robert Longo became synonymous with American pictorial art during the 80s, his ambitious large-scale works seemingly synchronized with the booming economy and boisterous values of the Reagan era. In 1974, whilst studying at State University College, Buffalo, Longo co-founded Hallwalls. As a studio and exhibition space for contemporary art, Hallwalls was the precursor of Longo's ongoing concern for utilizing art's multi-disciplinary potential. His partner in this venture was Cindy ShermanAfter graduation Longo showed in 1979 at The Kitchen, a downtown space which encouraged artistic experimentation and collaboration. In the following year, he had his first one-person exhibition in Europe, at Studio d'Arte Cannaviello in Milan. Since then, Longo has shown continuously in Europe and America. However, it was his first solo exhibition at Metro Pictures, New York, in 1981 that brought him international critical acclaim. This installation of Men in the Cities presented his charcoal, graphite and dye studies of office workersThis interruption of a smooth linear reading, notably used in Dada and Surrealist collage, undermines assumptions, whether they be cultural, social or political. In 'Men in the Cities' Longo cuts anonymous people from their environments, then splices their portraits in amongst blocks of buildings. The association is made between the private and the corporate, the human and the industrial, the fragile and the impervious. Engagement with the social and political can be seen in Longo's work throughout the 80s, setting him apart from fellow artists David Salle and Julian Schnabel. Following a major retrospective at The Los Angeles County Museum of Art in 1989, Longo began to focus on single themes, rather than montages of associations. Furthermore, he moved to Paris the following year. The 'Black Flag' series resulted from this change in direction, and location. Taking the Stars and Stripes as his subject, Longo re-worked the treatment of the spangled banner by Pop artist Jasper Johns. J Longo is a multi talented artist who works equally successfully in a variety of media. He is equally well known as a sculptor and film director as he is as a draftsman/painter, and like the best of the contemporary film directors, his aim is to seduce, elucidate, transform, and instruct. SELECTED PERMANENT COLLECTIONS Art Institute of Chicago, USA Guggenheim Museum, New York Los Angeles County Museum of Art, Los Angeles, USA Musee d'Art Contemporain, Montreal, Canada Museum of Modern Art, New York Saatchi Collection, London Stedelijk Museum, Amsterdam, The Netherlands Tate Gallery, London Walker Art Center, Minneapolis, USA The Whitney Museum of American Art, New York SELECTED SOLO EXHIBITIONS 'Das Magellan Projekt', Kunsthalle Tubingen, Germany, 1997 'Das Magellan Projekt', Kunsthal Rotterdam, Rotterdam, The Netherlands, 1997 'Das Magellan Projekt', Kunsthalle Bielefeld, Bielefeld, Germany, 1997 'Robert Longo: Kreuze', Museum Fridericianum, Kassel, Germany, 1996 'Robert Longo: A Retrospective', The Isetan Museum of Art, Tokyo, 1995 'Robert Longo: A Retrospective', Ashikaga City Museum, Kirin Plaza Art Space, Osaka, Japan, 1995 'Faith in Zero' Project: Galerie Daniel Templon, Galerie Antoine Candau, Galerie Thaddaeus Ropac, A.B. Galleries, Galerie Gordon Pym et Fils, Paris, France, 1991 'Black Flags', Galerie Daniel Templon, Paris, 1990 'Robert Longo 1976 - 1989', The Los Angeles County Museum of Art, Los Angeles, 1989 'Robert Longo 1976 - 1989', Museum of Contemporary Art, Chicago, USA, 1989 'Robert Longo 1976 - 1989', Wadsworth Atheneum, Hartford, CT, USA, 1989 'Sequences/Men in the Cities', University Art Museum, California State University, Long Beach, USA, 1986 'Sequences/Men in the Cities', Contemporary Arts Museum, Houston, Texas, USA, 1986 'Sequences/Men in the Cities', Fort Wayne Museum of Art, Fort Wayne, Indiana, USA, 1986 Stedelijk Museum, Amsterdam, The Netherlands, 1985 Metro Pictures, New York, 1981 SELECTED GROUP EXHIBITIONS La Biennale di Venezia: XLVII Esposizioione Internationale d'Arte, Venice, Italy, 1997 'Views From Abroad: European Perspectives on American Art 3', Whitney Museum of American Art, New York, 1997 'Allegories of Modernism: Contemporary Drawing', The Museum of Modern Art, New York, 1992 'A Forest of Signs: Art in the Crisis of Representation', The Museum of Contemporary Art, Los Angeles, USA, 1989 'Documenta 8', Kassel, Germany, 1987 L?epoque, La Mode, La Morale, La Passion, 1977 - 1987', Mus'e National d'Art Moderne, Centre Georges Pompidou, Paris, France, 1987 "New York '85" (with Jasper Johns, Elsworth Kelly...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...

Bronze figurative sculpture Unknown Israeli Artist

Bronze figurative sculpture Unknown Israeli Artist

This is an equestrian sculpture of a Race Horse or Polo Pony of exquisite beauty. It is signed Delabrierre and does not appear to have any foundry marks. from my research I think this might be cast iron, A material he was known for. it might be bronze I am not positive. it is not dated but it definitely has age to it. Paul-Edouard Delabrierre (1829-1912) Edouard Delabriere was born in Paris in 1829. Delabrierre was an important member of the Animalier school in the late 19th Century. Having been educated by the painter Jean Baptiste-Delestre, he found his true talent in sculpture and later made his debut at the Salon of 1848, where he showed a wax model titled ‘Terrier holding a Hare’. Between 1848 and 1898 he regularly exhibited his lifelike sculptures...

Salvador Dali (1904-1989) – The Two Nikes, Lilith, The Double Victory of Samothrace, Homage to Raymond Roussel Literature: Descharnes, Robert, Salvador Dalí, and Nicolas Descharnes. "Dalí, the hard and the soft: spells for the magic of form : sculptures & objects." (Azay-le-Rideau: Eccart, 2004), p, 114 (entry 270). Rare original bronze from edition of 6. This is exceedingly rare as most of his editions run into the hundreds. this is a true authentic Dali original sculpture. This was recently authenticated and comes accompanied by a Report of Authenticity from Frank Hunter, the Director of the Salvador Dalí Archives. Löpsinger 270 Executed in 1966, this bronze statue is incised with the artist’s signature and numbered ‘5/6’ on base. Published by Berrocal Foundry, the work measures 7 3/8 inches in height. Salvador Dalí (Spanish, 1904-1989) A leading proponent of Surrealism, Salvador Dalí is perhaps as well-known for his flamboyant personality as his superb technical skill. Dalí became acquainted with André Breton, a key figure of the Surrealist movement, in 1929. “The Persistence of Memory” is often cited as the most important work of this style. The Museum of Modern Art, New York, held a retrospective of the artist’s work in 1941. The next year, he began a more classical series of paintings, incorporating history, science and religion. In addition to painting, Dalí also made prints, photographs, films, jewelry and sculpture. His works can be found in collections worldwide, including the National Gallery, Washington, DC and the Salvador Dalí Museum. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Girl Seated a la Japonaise, 1964, polished bronze. It was exhibited at The Chapman Gallery NYC in 1968. Cast at Morris Singer Foundry and numbered 4/6 signed with the artists monogram. Helaine Blumenfeld OBE (born, New York 1942) is an American Sculptor working in Britain and Italy, best known as an artist who has pioneered new methods of carving in stone and for her semi-abstract marble, granite and bronze sculptures which are located around the world as Public art. Her forms are often abstractions of human forms and of elements in nature. She is widely recognized as the most significant sculptor of her generation and "the heir apparent to HenryMoore and Barbara Hepworth." In 1973, Blumenfeld, who had recently moved to England, exhibited at Kettle's Yard in Cambridge England. These early sculptures, which were mostly cast in bronze were largely figurative work in the tradition of sculptors such as Constantin Brâncuși, Jacob Epstein, Jean Arp, Henri Gaudier-Brzeska, Henry Moore and of course her one time teacher Ossip Zadkine. In 1985, the Alex Rosenberg Gallery in New York showed her sculpture in dialogue with Henry Moore In 1978, Blumenfeld's first visit to Pietrasanta in Italy marked a turning point in her work as she started carving in marble, mostly at Studio Sem, founded in the 1950s by Sem Ghelardini (1927-1997) who gained international notoriety producing the large scale works of Henry Moore, César Baldaccini, Emile Gilioli, Joan Mirò, Georges Adam and many other celebrated sculptors during the first wave of modern abstract sculpture in the 1960s. Throughout the 1980s and 1990s Blumenfeld's sculpture, now less clearly figurative but still often of portraying couples and family units in multiple configurations, was exhibited at the Bonino Gallery in New York and in solo and group shows around the world. A member of the Visual Arts Panel of the Arts Council of Great Britain between 1981 and 1988, Blumenfeld was elected a member of the Royal British Society of Sculptors in 1993. Blumenfeld has created over 80 large scale sculptures in bronze, granite, marble and steel in Europe and the United States for private and public clients, including the British Petroleum headquarters in London, the Lincoln Center in New York the Cass Sculpture Foundation at Goodwood and Family (Blumenfeld) at the Henry Reuss Plaza in Milwaukee and The Lancasters at Lancaster Gate in London. At Cambridge University, her sculpture has been commissioned by Clare Hall (Flame, 2004) and Newnham College...

Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...

Mans Best Friend C.M. Junghans 1985 This is done in a German Expressionist style. It is bronze over some sort of fill. It depicts a man gentleman and his dog. a Cocker Spaniel or Co...

Leonard Baskin, American 1922-2000 Homage to the Un-American Activities Committee Bronze relief sculpture plaque This is not editioned, nor signed or numbered, on the piece but according to the catalog there was 12 or less. A number of these are in museum and university art collections and one of them was exhibited at MoMA NY. This was done to commemorate the communist witch hunts of the Mccarthy era. An important, historic piece. Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine, small edition, book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Cortege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his signed work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond Casarella...

Leonard Baskin (1922-2000) Fruitfulness From Permanence signed, edition 3/8 Bronze, 1967 19.5 X 16 X 1.5 inches The inspiration for this work was a Bernini sculpture Elephant Carrying Obelisk, a 17th century commission outside an ancient temple dedicated to Minerva the goddess of wisdom. It was one of several works from 1967 on a theme of continuity Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed with the artist initials and dated. It is unique. Seena Donneson (1924 - 2020) was an artist, sculptor and printmaker She studied at the Pratt Institute, NYC Pratt Graphic Art Center, NYC, with Michael Ponce de Leon and the Art Students League with Morris Kantor. Collections Smithsonian American Art Museum Museum of Modern Art, New York Brooklyn Museum Portland Art Museum Amon Carter Museum of American Art Select Individual Exhibitions Danville Museum of Art, Virginia; Galerie #836, Santa Fe, New Mexico; Greenville Museum of Art, North Carolina, 1987; Benson Gallery, Bridgehampton, NY. Group Exhibitions NY Upper East Side Outdoor Sculpture exhibition, 78; Fort Lauderdale Museum of Art, Florida; CAPS Travelling Exhibition; Ben Shahn Gallery, New Jersey; "The Collograph", NY State Council on the Arts/Pratt Institute. She was included in Group Shows Conceived and Curated by Dorothy Gillespie at the Women's Interart Center, New York, NY 1974. Artists included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed with the artist initials and dated. It is unique. Seena Donneson (1924 - 2020) was an artist, sculptor and printmaker She studied at the Pratt Institute, NYC Pratt Graphic Art Center, NYC, with Michael Ponce de Leon and the Art Students League with Morris Kantor. Collections Smithsonian American Art Museum Museum of Modern Art, New York Brooklyn Museum Portland Art Museum Amon Carter Museum of American Art Select Individual Exhibitions Danville Museum of Art, Virginia; Galerie #836, Santa Fe, New Mexico; Greenville Museum of Art, North Carolina, 1987; Benson Gallery, Bridgehampton, NY. Group Exhibitions NY Upper East Side Outdoor Sculpture exhibition, 78; Fort Lauderdale Museum of Art, Florida; CAPS Travelling Exhibition; Ben Shahn Gallery, New Jersey; "The Collograph", NY State Council on the Arts/Pratt Institute. She was included in Group Shows Conceived and Curated by Dorothy Gillespie at the Women's Interart Center, New York, NY 1974. Artists included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Untitled (it depicts acrobats, trapeze artists or gymnasts in mid pose) bronze cast sculpture signed and numbered from small edition (1 of 3). Gerard Koch...

"What Remains" Cast bronze with patina, 1985. Cast at Johnson Atelier, Hamilton NJ Exhibited at Guggenheim Museum 1985 Provenance: Sold through Grace Borgenicht Gallery, NY The second photo is the picture in the catalogue. I received it from the artist. I do not have the catalogue available. Studio handcrafted solid cast bronze Biomorphic shell wall sculpture. Abstract exoskeleton theme. This is a corner piece as can be seen in the catalogue photo (we do not have the catalogue). To be mounted on left side wall of corner, piece reached across to right side across corner (as per artists instructions). Phoebe Adams is an American female Post War & Contemporary artist who was born in 1953. Their work was featured in several exhibitions at key galleries and museums, including the Locks Gallery and the David Richard Gallery, New York. Phoebe Adams has been featured in articles for the ARTFORUM and the "New York Times". Phoebe Adams has emerged as one of the Philadelphia area's most prominent artists and has also achieved national recognition. Her unique cast bronze sculptures, to which she occasionally adds copper and wood, are rooted in physiological phenomena, appearing by turns archeological and anatomical. They derive from the tradition of biomorphism as pioneered by Jean Arp, Joan Miro and, more recently, Louise Bourgeois. Adams' sculptures evoke a wide range of associations with organic processes such as fossilization and decomposition and with natural forms such as shells, ammonites, human organs and bones, crustacean appendages, pods and cocoons. In her oeuvre images of growth and transformation are metaphors for psychic processes: the manner in which ideas grow, turn in on themselves and give birth to new thoughts. Her work has the organic aesthetic qualities found in the work of Michele Oka Doner, Lynda Benglis and Nancy Graves. Her work was included in the fourteenth International Sculpture Conference in Philadelphia, 1992. Featuring works by Phoebe Adams, Anthony Caro, John Chamberlain, Mark Di Suvero, Joel Fisher...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink, hand signed in pencil lower right. It is not titled on it. Michele Oka Doner...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the artists intentions. Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right. It is not titled on it. Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008. In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. Oka Doner participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. A Death Mask, one of her first works, was selected as the cover of Generation, the University's avant garde journal, as campus unrest over the Vietnam war escalated. Her Tattooed Porcelain Dolls were adopted by students protesting the U.S.'s use of napalm... their heads (when they have them) with eyes closed, moth half-open and brain visible, fall into the category of surrealistic objects, but with a surrealism filled with a sap which is naive, barbaric and young." Oka Doner received a Bachelor of Science and Design from the University of Michigan (1966), a M.F.A. (1968), was Alumna-in-Residence (1990), received the Distinguished Alumna Award from the School of Art (1994) and was a Penny Stamps Distinguished Speaker (2008). She was awarded the honorary degree, Doctor of Arts (2016). Upon graduation in 1968, Oka Doner established a studio in downtown Ann Arbor behind the art gallery "Editions, Inc.," where physicist Lloyd Cross and sculptor Jerry Pethick were experimenting with holography. Using a krypton laser, they created the first art holograms. One of Oka Doner's sculptures was appropriated for this experiment. The "Ceramic Doll" opened in the world's first exhibition of holograms at the Cranbrook Academy Art in 1970. Oka Doner moved to Detroit and exhibited at the Gertrude Kasle Gallery in 1971. In 1975, a new body of work, Burial Pieces was laid out on the floor of Gallery 7, then a Cooperative Gallery of black artists, led by Charles McGee. It was the first of many installations that shed pedestals and traditional ways of displaying sculpture. A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props. Oka Doner installed on the floor of the North Court thousands of pieces of clay depicting images of writing and seeds in the process of germinating. In 1979, the DIA initiated a small group exhibition, "Image and Object in Contemporary Sculpture," including Michele Oka Doner, Scott Burton, Dennis Oppenheim, and Terry Allen, which traveled to P.S. 1, New York. In 1981, Oka Doner moved to New York City and embarked on a series of public art installations. In 1987, she won a national competition sponsored by the MTA's Arts For Transit Program with Radiant Site a 165 ft. long wall for the Herald Square subway station in New York City. The late architect Morris Lapidus said of "Celestial Plaza," "By laying these forms at our feet, she encourages us to stop and search the sparkling expanse for landmarks just as we would search the night sky." In 2009–2010, Oka Doner installed SoulCatchers, approximately 400 shamanistic sculptures in the kiln room at the Nymphenburg Porcelain Manufactury, Munich, Germany.). Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck, Diane Brown...

Guitar or Mandolin playing musician. Music themed bronze sculpture Signed and numbered Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabbalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk...

Minna Rothenberg Harkavy (1895-1987) Estonian-American This is not signed bronze portrait bust Provenance: Estate of the artist by descent Minna Harkavy (1887 – 1987) (birth occasionally listed as 1895) was a Jewish American sculptor born in Estonia to Yoel and Hannah Rothenberg and immigrated to the United States around 1900. She studied at the Art Students League, at Hunter College and in Paris with Antoine Bourdelle. Harkavy was a WPA Federal Art Project artist, for whom she created a 1942 wood relief piece, Industry and Landscape of Winchendon for the post office in Winchendon, Massachusetts. She was a founding member of the Sculptors Guild and showed a work, My Children are Desolate Because the Enemy Prevailed in the Second Outdoor Sculpture Exhibition Negro Head in the 1940-1941 and Woman in Thought in 1941. Harkavy was an early feminist, a founding member of the New York Society of Women Artists. Politically she was known as a leftist and anti-fascist with a strong social consciousness. In 1931 she exhibited a bust of Hall Johnson in the Museum of Western Art in Moscow and the work was purchased for the Pushkin Museum there. Abraham, Walkowitz sat for a portrait by her. In 1932 she represented the John Reed Club at an anti-war conference in Amsterdam. A bust of Italian- American anti-fascist (and her lover) Carlo Tresca who was assassinated in New York in 1943 was installed in his birthplace of Sulmona, Italy. She showed at Associated American Artists gallery, along with Max Weber, Waldo Peirce...

After Georges Braque (French, 1882-1963) "L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned...

Pierre Fernandez Arman (French-American, 1928-2005) Telemann, 1992 Cast bronze 27.25" height Gold patina. Hand signed (inscribed) by the artist and numbered 18/30 (small edition) t...

Rachid Khimoune (Algerian, b. 1953) Les enfants du monde bronze. signed and numbered artist's edition of 4 foundry mark - L. Cappe 7.5 x 4.63 x 2.38 Overall: 8.25 x 4.63 x 2.38 RACHID KHIMOUNE, Algerian-French artist and sculptor. Born in 1953 in Decazeville, France. Lives and works in Paris, France. Rachid Khimoune graduated from the School of Art of Paris in 1974; he initially started to work with painting before choosing sculpture. In 1980 he won the first prize of the Foundation of France. He works in an Art Brut, Naif art style similar to Jean Dubuffet and Enrico Baj. Being the recipient of numerous prestigious awards and an extensive oeuvre, Rachid Khimoune has been exhibiting since 1975 and his work can be found in several museums, and public and private collections. The artist behind the project Rachid Khimoune, has been responsible for a number of major, successful public art installations in France. Most famously, the installation close to the Bibliothèque Nationale (National Library) ‘Les Enfants du Monde’ (The Children of the World). Rachid’s newer works are masks and totems cast in bronze: poetic images forged in a furnace. Rachid uses discarded objects and disused parts of machines, to create new human and animal forms. Here his interest in metal-working and Arab art-African art coincides with the assemblage of found objects; one mask is a collage constituted by a large model of the Eiffel Tower stuck into the end of a trumpet. Another has a jerry-can for a face, and the golden patina and surface-working of the bronze does not dispel the idea which this image creates: of a human mouth drinking oil. Born in France to parents from Algeria, Khimoune embraces the role of the artist as a global citizen, using art as a universal language. Select Awards Lauréat du Prix de la Fondation de France (1980) Chevalier des Arts et Lettres (2002) Grande Médaille de la Ville de Paris (2004) Chevalier de la Légion d’Honneur (2007) EXHIBITIONS SOLO EXHIBITIONS 2017 Ar[T]senal, Dreux, France 2016 Musée Tavet Delacour, Pontoise, France 2015 Parvis de l’Hotel de ville, Paris 2015 Beirut Art Fair, Beyrouth, Liban 2015 Galerie Francoise Souchaud, Lyon 2014 Musée Rabelais, Seuilly, France 2013 Galerie Vallois...

Alan Johnston (Scottish, born 1945), Untitled, 1988, cast bronze, edition of 2, cast #2 Incised A.J. 2/2 88 on underside Provenance: Jack Tilton Gallery, NY This is a weighty, solid bronze sculpture mounted to a clear, lucite, acrylic or plexiglass base Alan Johnston, one of the leading British geometric abstract artists of his generation. Known for his large-scale architectural interventions and wall drawings including collaborations with architects such as Diener & Diener in Basel, Reiach & Hall architects Edinburgh, Shinichi Ogawa architects Tokyo and Hiroshima and Shinichi Ogawa in Japan, in 2013, he was commissioned to create a large ceiling drawing as part of the refurbishment of Tate Britain. His work has its roots in the practice of art, architecture and visual thinking in the West and the East, and relates to concepts and practices such as Wabi Sabi and Minimalism. His work is also related to the work of Patrick Geddes. He has engaged in collaborative initiatives in art and architecture with Professor Shinichi Ogawa, Tokyo, and Neil Gillespie, Edinburgh. Lives and works in Edinburgh, Scotland EDUCATION 1972 - 73 Kunstakademie, Düsseldorf 1969 - 72 Royal College of Art, London 1964 - 69 Edinburgh College of Art, Edinburgh SELECT SOLO EXHIBITIONS 2015 Alan Johnston, H-I-C-A, Inverness-shire, Scotland, UK 2015 SAFN, Berlin, Germany Mies van der Rohe Haus, Berlin, Germany 2013 Bartha Contemporary, London, UK Wall Drawing, Tate Britain, London, UK 2012 Drawing A Shadow: No Object. Henry Moore Institute, Leeds, UK 2011 Spazio attivo ovvero struttura: Renata Fabbri Contemporary Art, Milano, Italy 2010 Drawing House of Art. Budejovice, Czech Republic 2010 exhibition at the Henry Moore Institute 2009 Wall Drawing Peloton, Sydney Australia 2008 Wall Drawing U8, Nagoya, Japan Tanizaki’s Mountains. Concept Space. Gunma, Japan 2007 Encased A.P.U.F.A.M. Museum, Aichi, Japan Shadow Without Object, NSA Gallery, Hiroshima, Japan Wall drawing, New Bedford Art Museum. New Bedford, USA 2005 Cairn Gallery Pittenweem Fife, Scotland, UK 1999 Northern Mirror Bury Museum, Bury, Greater Manchester, UK. Exhibition and installation Two Cubes, I.A.V.A Akiyoshidai International Contemporary Art and Architecture Academy. An Architectural Collaboration with Shinichi Ogawa, Akiyoshidai, Japan 1998 The Norwich Gallery, N.S.A.D. Norwich Jack Tilton Gallery, NYC, USA 1996 The Lisson Gallery, London. 1994 Jack Tilton Gallery, NYC, USA Haus Wittgenstein, Vienna, Austria 1993 Shimada Gallery, Yamaguchi, Japan 1979 Graeme Murray Gallery, Edinburgh, Scotland, UK 1978 Museum of Modern Art, Oxford, UK 1977 Graeme Murray Gallery, Edinburgh, Scotland, UK 1975 Nigel Greenwood Gallery, London, UK 1974 Von Der Heydt Museum, Wuppertal, Germany SELECT GROUP EXHIBITIONS 2012 A Parliament of Lines, CAC Edinburgh, UK. Including Charles Avery, Paul Chiappe, Layla Curtis, Nathalie De Briey, Moyna Flanagan, Luca Frei, Euan Gray, Sam Griffin, Marie Harnett, Callum Innes, Andrew MacKenzie, David Shrigley, Graeme Todd, Ainslie Yule 2011 Faster and Slower Lines - From the Collection of Pétur Arason and Ragna Róbertsdóttir, The Reykjavik Art Museum, Reykjavik, Iceland. Curated by Birta Gudjondottir and Petur Arason. Including Ingolfur Arnarsson, Birgir Andresson, Stanley Brouwn, Helmut Federle, Ian Hamilton Finlay, Roni Horn, Kristjan Gudmundsson, Donald Judd, Richard Long, Dieter Rot, Karin Sander, Lawrence Weiner Presente Futuro, Bordarier, Renata Fabbri arte contemporanea, Milano, IT. Inlcuding McLune, Radi, Sartorio, Shanahan, Thurston 2010 IFF, Marseilles, FR. curated by Gavin Morrison. Including Douglas Gordon, Sean Shanahan, Fraser Stables 2009 Tactile Vision, Slewe Gallery, Amsterdam, Netherlands. Curated and participated group exhibition including Roger Ackling, David Connearn, Yoko Terauchi, Thomas Clark, Andreas Karl Schulze, Eiji Watanabe, Taka Iwasaki, Ragna Robertsdottir, Ian Hamilton Finlay, Takaya Fujii, Thomas Struth, Hideo Shimada, Richard Tuttle, Adam Barker-Mill, On Kawara, Tom Benson, Takashi Suzuki, John McLaughlin, Atsuo Hukuda, Kenzo Onada, Shinichi Ogawa, Yasuko Otsuka, Masayuki Yasuhara SNO Contemporary Art Projects. 48, Sydney, Australia. Curated by Richard Dunn. Including Mark Brown, Richard Dunn, Marita Fraser, Manya Ginori, Alex Lawler, Adrian McDonald, Ragna Robertsdottir, Tsong Eng Tan 2007 The Secret Theory of Drawing, The Drawing Room, London Niland Gallery Model Arts Sligo Ireland. Including David Austen, Trisha Donnelly, Olafur Elliasson, Ceal Floyer...

This piece appears unsigned and unmarked. It came from an important estate in the Palm Beach area. It is an abstract flame or torch in a bronze vase. Venetian glass (Italian: vetro ...

Nancy Graves, American (1939-1995) Borborygmi (1988) aquatint, drypoint, gold leaf and screenprint on Fabriano Artistico paper pencil hand signed by arti...

Large and heavy with magnificent patina. This is the large version of this piece. we cannot find any markings on it and it might be unique. Nicky Imber (Vienna, Austria, 1920 -1996) was a multidisciplinary Jewish artist best known for his sculptures on Jewish themes. Grand nephew of Naftali Herz Imber, author of the Israeli national anthem 'Hatikva'. After escaping the Nazi concentration camp in Dachau, he pledged to dedicate his art to perpetuating the memory of the Holocaust. Among his more famous works are "The Hope" and "The Love of Torah". His work can be seen around the world, in Northern Israel, the United States, and the Venezuelan Museum of Natural History in Caracas. Nicky Imber was born in Vienna, Austria. During his studies at the Academy of Arts in Vienna, he drew anti-Nazi caricatures for Jewish student publications. After several thwarted attempts by the family to leave Vienna, in 1938, in the wake of the 'Anschluss', Imber was deported to Dachau. Witnessing the murders of family and friends, he plotted his escape. Using skills he had learned in art school, he made a face mask out of bread and sand, stole a Nazi soldier's uniform and walked out the front gate unnoticed. In 1940, he boarded a ship...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an ...

Minna Rothenberg Harkavy (1895-1987) Estonian-American signed bronze portrait bust, marble, stone base. Minna Harkavy (1887 – 1987) (birth occasionally listed as 1895) was a Jewish American sculptor born in Estonia to Yoel and Hannah Rothenberg and immigrated to the United States around 1900. She studied at the Art Students League, at Hunter College and in Paris with Antoine Bourdelle. Harkavy was a WPA Federal Art Project artist, for whom she created a 1942 wood relief piece, Industry and Landscape of Winchendon for the post office in Winchendon, Massachusetts. She was a founding member of the Sculptors Guild and showed a work, My Children are Desolate Because the Enemy Prevailed in the Second Outdoor Sculpture Exhibition Negro Head in the 1940-1941 and Woman in Thought in 1941. Harkavy was an early feminist, a founding member of the New York Society of Women Artists. Politically she was known as a leftist and anti-fascist with a strong social consciousness. In 1931 she exhibited a bust of Hall Johnson in the Museum of Western Art in Moscow and the work was purchased for the Pushkin Museum there. Abraham, Walkowitz sat for a portrait by her. In 1932 she represented the John Reed Club at an anti-war conference in Amsterdam. A bust of Italian- American anti-fascist (and her lover) Carlo Tresca who was assassinated in New York in 1943 was installed in his birthplace of Sulmona, Italy. She showed at Associated American Artists gallery, along with Max Weber, Waldo Peirce...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery...

Bronze Double Bass Player Klezmer Musician Sculpture signed Mane-Katz at base. Numbered 8/8. -Katz (1894-1962) was a Litvak painter born in Ukraine best known for his depictions of the Jewish shtetl in Eastern Europe. Emmanuel Mané-Katz (Hebrew:מאנה כץ), born Mane Leyzerovich Kats (1894–1962), was a Litvak painter born in Kremenchuk, Ukraine, best known for his depictions of the Jewish shtetl in Eastern Europe. Particularly music figures and Jewish wedding scenes. Mane-Katz moved to Paris at the age of 19 to study art, although his father wanted him to be a rabbi. During the First World War he returned to Russia, at first working and exhibiting in Petrograd; following the October revolution, he traveled back to Kremenchuk, where he taught art. In 1921, due to the ongoing fighting in his hometown during the civil war, he moved once again to Paris. There he became friends with Pablo Picasso and other important French artists, and was affiliated with the art movement known as the School of Paris; together with other outstanding Jewish artists of that milieu, he is sometimes considered to be part of a group referred to specifically as the Jewish School of Paris. Includes Russian, Ukrainian and Polish painters Jankel Adler, Arbit Blatas, Marc Chagall, Jacques Chapiro, Michel Kikoine, Pinchus Kremegne, Sigmund Menkes, Jules Pascin, Issachar Ryback, Jacques Lipchitz,Chana Orloff, and Ossip Zadkine. Ecole de Paris In 1931, Mane-Katz's painting The Wailing Wall was awarded a gold medal at the Paris World's Fair. Early on, his style was classical and somber, but his palette changed in later years to bright, primary colors, with an emphasis on Jewish themes. His oils feature Judaic Hasidic characters, rabbis, Jewish musicians, beggars, yeshiva students and scenes from the East European shtetl made famous in the west by Sholem Aleichem and Tevye. Mane-Katz made his first trip to Mandate Palestine in 1928, and thereafter visited the country annually. He said his actual home was Paris, but his spiritual home was Eretz Yisrael, the Land of Israel. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

From small limited edition of 7, this is a signed and dated hollow cast bronze sculpture. Provenance: Important Miami Beach estate that included many paintings and sculpture by Post Impressionist masterpieces and works by Latin American masters. Felipe Castaneda (Mexican, b.1933) was born in 1933 in La Palma in the state of Michoacan, Mexico. His artistic career began at the National Museum of Anthropology in Mexico City where he became an assistant to the renowned sculptor Francisco Zúñiga (French, 1867–1947), Zuniga helped the artist realize his aptitude for sculpting and carving. Castañeda finished his studies in 1963, and by 1970, he was showing his work in exhibitions. Castañeda experimented with many media in order to master molding clay for his sculptures, preferring to work in marble, onyx, and bronze. The heavy influence of pre-Columbian artifacts is evident in his traditional approach to representing the human form. His stylized depictions of the female body are just one example of his expressive use of the media he works with. His sculptures have appeared in exhibitions all over the world, including commissioned public sculptures in Mexico and California. His works are part of the permanent collections of the Los Angeles County Museum of Art and the Museum of Art History in Ciudad Juarez, Mexico. Select Exhibitions 2002 “Images of Latin America,” with Vladimir Cora...

Alfred Van Loen signed 32 piece chess set. In heavy solid bronze. Rare Chess Game: Liberty versus Slavery Dimensions: a) Joy-Tenderness H. 6 3/16 in. a...

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...

A cast bronze sculpture depicting an elderly jewish peddler carrying a basket of geese going to the shtetl market. Signed on base. This is not editioned. there is no edition number. this might be an early cast from Palestine/Israel. Issachar Ber Ryback, also Riback (Іссахар-Бер Рибак; born 1897 in Elisavetgrad, today Kirovohrad, Ukraine; died 1935 in Paris, France) was a Ukrainian-French Jewish Expressionist painter. Ryback attended the art school in Kiev until 1916. He joined a progressive group of painters and was influenced by advocates of a modern Jewish literature such as David Bergelson and David Hofstein. The painters Alexander Bogomazov and Alexandra Exter...

Carlos Aguilar y Linares, Mexican Sculptor (1945-2010) Sculpture chose him. In his hands and his soul he always had the necessary impulse to create wi...

Bronze sculpture signed in Hebrew and numbered from small edition of 6 BIOGRAPHY "I was born in Czechoslovakia in the year 1925, of traditional parents. I spent my youth partly in a little town on the Moravian border, and to a greater part in Bratislava, the capital of Slovakia. Having been attracted by the arts from early childhood on, I studied functional art at a school in Bratislava, as long as this was still possible under the Nuremberg Laws which, at that time, were also in force in Slovakia. In 1942 I was taken to a concentration camp in Poland and at the beginning of 1945 I succeeded in escaping together with a friend of mine. Until our liberation by the Russians we were hiding in the forests of Northern Poland. At the end of the War I found myself wandering about Europe, together with thousands of survivors from the Holocaust, until, in 1948 I came to Israel via the Camps of Cyprus. From 1954 onwards I have been a permanent resident of the Artists Village at Ein-Hod, together with my family. In the course of that time I studied and worked in most of the creative techniques of the arts. During various periods of my life at Ein-Hod I taught painting and handicraft at different schools. In 1965 I gave up teaching and have since devoted myself exclusively to pure art." Gedalia Ben Zvi. Exhibitions 1962-1963 Design Exhibition, Tel Aviv 1964 Middle East Fair, Tel Aviv 1965 Ceramic Mural for school in Kiryat Gat a the Housing Exhibition in Tel Aviv 1966 Israel Fair and Exhibition, Paris One man show, Ein Hod International Symposium on “Ceramics in Architecture” Tel Aviv Ceramic Museum Museum or Modern Arts, Heavy Museum of Acre 1968 Painters Israeliens dans I’Art de Gobelins, Jerusalem Ein Hod Artists Village - Tenths Year Anniversary Exhibition 1963, Artists: Zvi Aldouby, Marcel Janco, Rudi Lehmann, Moshe Mokady, Aviva Margalit Mambush, Yohanan Simon, Dov Feigin, Ovadia Alkara, Mark Tochilkin...

Vintage stylized figural sculpture by J James Akston (1898-1983 Poland/New York/Florida) Crafted of cast bronze with a rich dark brown patina. A sports figure, depicting a snow skiing or water surfing figure in a Mid Century Modern Brutalist style. Segmented torso with movable parts. Mounted to a variegated green marble base. Signed with artist signature on edge of ski or surf board. Bronze statue measures 13" x 10 1/2" Overall height with marble base 19 inches. (it is either a surfboard or a snowboard) Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie d'aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business. Intermittently he studied painting, first with Jerry Farnsworth...

This listing is just for the sculpture. (the picture of the ad is for reference and is not included.) Marie Zoe Greene-Mercier was an artist, writer and arts activist who worked in t...