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Period: Mid-20th Century
Mod Abstract Expressionist Modernist Lithograph Edward Avedisian Color Field Art
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian (1936-2007)
Cleo, Fur Queen, 1969
Lithograph in color on Arches wove paper.
Hand signed, dated and numbered in pencil.
Edition 100
Dimensions:
22.25 inches X 30.25...
Category
1960s Abstract Expressionist Abstract Prints
Materials
Lithograph
Mod Abstract Expressionist Modernist Lithograph Edward Avedisian Color Field Art
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian (1936-2007)
Green Gold, 1969
Lithograph in color on Arches wove paper.
Hand signed, dated and numbered in pencil.
Edition 100
Dimensions:
22.25 inches X 30.25 inch...
Category
1960s Abstract Expressionist Abstract Prints
Materials
Lithograph
Colorful Russian French Judaica Jewish Shtetl Wedding Lithograph Mourlot Paris
By Mane Katz
Located in Surfside, FL
Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Large Israeli Watercolor Gouache Painting Jerusalem Landscape Moshe Gat
By Moshe Gat
Located in Surfside, FL
A signed watercolor gouache painting in frame.
Framed: 26.5 X 32.5
Image: 19 X 25
Moshe Gat was born in Haifa in 1935.
in 1952 he began his studies at the Bezalel School, in Jeru...
Category
Mid-20th Century Expressionist Figurative Drawings and Watercolors
Materials
Watercolor, Gouache
1959 Israeli Aharon Kahana Modernist Aquatint Etching Judaica Rabbi & Students
Located in Surfside, FL
Abstract color composition, 1959 aquatint lithograph "the Master and his Pupils".
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, A...
Category
1950s Modern Figurative Prints
Materials
Aquatint
1959 Israeli Yosl Bergner Modernist Color Woodcut Woodblock Print
By Yosl Bergner
Located in Surfside, FL
Abstract Composition, 1959 Silkscreen Lithograph "Phoenix".
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob We...
Category
1950s Modern Figurative Prints
Materials
Lithograph, Screen
1959 Israeli Moshe Tamir Color Modernist Mixed Media Serigraph Phoenix
By Moshe Tamir
Located in Surfside, FL
Abstract Composition, 1959 Silkscreen Lithograph "Phoenix".
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob We...
Category
1950s Modern Abstract Prints
Materials
Lithograph, Screen
1959 Israeli Avraham Ofek Leviathan Modernist Lithograph, Bull, Bezalel School
By Avraham Ofek
Located in Surfside, FL
Bright, vibrant purple, red and black bull or ox.
1959 Lithograph "Bull".
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob Wexler, Moshe Tamir and Michael Gross.
Avraham Ofek (August 14, 1935 – January 13, 1990 was an Israeli sculptor, muralist, painter and printmaker.
Avraham Ofek was born in Burgas, Bulgaria. He immigrated to Israel in 1949, and he lived in Ein Hamifratz, a kibbutz near Haifa. He studied at the Academy of Fine Arts in Florence, as well as in Spain and in London, and later taught art in Jerusalem before being appointed head of the Art Department at the University of Haifa. In 1975, he established the Leviathan Group school together with Michail Grobman and Shmuel Ackerman (prominent Post Soviet avant garde Russian artists), seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” He represented Israel at the Venice Biennale in 1972.
Avraham Ofek's early paintings of landscape were at both lyrical and rugged; later in his career the landscape was undefined and receded into the background. Near the end of his life, the landscape of Jerusalem became an important motif, reflecting loss and despair. Many of Ofek's landscapes convey a sense of alienation and solitude, as well as nostalgia for the city of his birth, Sofia.
His mural paintings and sculpture can be seen across Israel, notably at Kfar Uria and the Central Post Office Building (Jerusalem). His sculpture "The Binding of Isaac...
Category
1950s Modern Animal Prints
Materials
Lithograph
Israeli Josef Zaritsky Abstract Modernist Lithograph Print "Composition"
Located in Surfside, FL
Abstract Composition, 1959 Lithograph
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross....
Category
1950s Modern Abstract Prints
Materials
Lithograph
Israeli Tumarkin Abstract Modernist Graffiti Art Lithograph Print "Broken Hour"
Located in Surfside, FL
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross.
Yigal Tumarkin (also Igael Tumarkin...
Category
1950s Modern Abstract Prints
Materials
Lithograph
Polish French Ecole de Paris Mid Century Modernist Oil Painting Clown Juggler
By Abram Krol
Located in Surfside, FL
Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland.
Abram Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at the be...
Category
1950s Modern Figurative Paintings
Materials
Oil, Canvas
Steinhardt Woodcut Marian Anderson Signed African American, Israeli Bezalel Art
By Jacob Steinhardt
Located in Surfside, FL
Portrait in black and white, woodblock print. Pencil signed by both Jacob Steinhardt 1887-1968 and Marian Anderson. Very rare thus. (Commissioned by Dr. Leon Kolb, San Francisco)
3...
Category
1950s Expressionist Figurative Prints
Materials
Woodcut
Gold Gilt Bronze Sculpture Pendant Israeli Tumarkin Abstract Modernist Jewelry
Located in Surfside, FL
Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...
Category
1960s Modern Abstract Sculptures
Materials
Gold, Bronze
Gold Gilt Bronze Sculpture Brooch Art Israeli Tumarkin Abstract Surrealist
Located in Surfside, FL
Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...
Category
1960s Modern Abstract Sculptures
Materials
Gold, Bronze
Gold Gilt Bronze Sculpture Necklace Art Israeli Tumarkin Abstract Surrealist
Located in Surfside, FL
Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...
Category
1960s Modern Abstract Sculptures
Materials
Gold, Bronze
Gold Gilt Bronze Sculpture Pendant Art Israeli Tumarkin Abstract Surrealist
Located in Surfside, FL
Measures about 5.25 X 3.75 inches. Box is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know if ...
Category
1960s Surrealist Abstract Sculptures
Materials
Gold, Bronze
Gilt Bronze Sculpture Brooch Wearable Art Israeli Tumarkin Abstract Surrealist
Located in Surfside, FL
Measures about 3.75 X 3.5 inches. Box is 11 X 11 inches. (Piece is in excellent condition. box frame has some minor wear and piece might need to be remounted, it has been removed and...
Category
1960s Surrealist Abstract Sculptures
Materials
Gold, Bronze
Irene Rice Pereira Modernist Gouache Drawing Painting Abstract Expressionist Art
By Irene Rice Pereira
Located in Surfside, FL
Irene Rice Pereira,
Mixed Media on Paper (American, 1902-1971)
Titled "The East Wind Carries the Seed"
Hand signed l.r. "I. Rice Pereira".
Paper: 14.1/8"h x 18.25"w
Irene Rice Pe...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Paper, Gouache
Abstract Expressionist Gestural Oil Pastel Drawing Women Figures Anthony Triano
Located in Surfside, FL
Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, especially the human form, and tend towar...
Category
1960s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Oil Pastel
Pop Art Aspen Road Sign D'arcangelo Silkscreen Chiron Press Vintage Art Poster
Located in Surfside, FL
Allan D'Arcangelo (American/New York, 1930-1998),
"Aspen Center of Contemporary Art",
1967
silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Pre...
Category
1960s Pop Art Abstract Prints
Materials
Lithograph, Screen
Henry Moore 1949 School Prints Red Sculpture Lithograph "sculptural Objects"
By Henry Moore
Located in Surfside, FL
Henry Moore (British, 1898 - 1986)
"Sculptural Objects" - 1949
Lithograph, signed in the plate.
Mounted to backing sheet support
Image Size: 19.5 x 30 in.
Sheet Size: 22 x 32.5 i...
Category
1940s Modern Abstract Prints
Materials
Lithograph
Large Abstract Expressionist Oil Painting on Rice Paper Modernist John Von Wicht
Located in Surfside, FL
John von Wicht (American, 1888-1970)
Oil on Japanese Rice Paper. Hand signed and dated in pencil lower right.
Sheet Size: 21 x 29.25 in.
Johannes Von Wicht was born in Holstein, ...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Oil Pastel, Oil, Rice Paper
Vintage Signed SIlver Gelatin Photograph Christo Wrapped Kunsthalle Cugini Photo
By Christo and Jeanne-Claude
Located in Surfside, FL
Christo and Jeanne-Claude
Wrapped Kunsthalle, Bern Switzerland (1968)
Vintage silver gelatin print
signed by Christo lower right
Photographed by Thomas Cugini, Swiss (b. 1938)
10 1/...
Category
1960s Abstract Black and White Photography
Materials
Silver Gelatin
Large Drawing of Boy by French Armenian Modernist Jean Jansem Ecole De Paris Art
By Jean Jansem
Located in Surfside, FL
Jean Jansem (Hovhannes Semerdjian) 1920-2013
Young Boy (sad young man)
Hand signed lower left corner
Provenance: Marble Arch Gallery NYC
Measurements Image size: 25 by 18 inches, ove...
Category
1960s Modern Figurative Drawings and Watercolors
Materials
Paper, Ink
Machpela Cave Chevron 1969 Israeli Judaica Lithograph Baruch Nachshon Chabad Art
By Baruch Nachshon
Located in Surfside, FL
Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa.
Nachshon began to paint in early childhood, and developed his relationship to art and to artists throu...
Category
1960s Modern Interior Prints
Materials
Lithograph
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
French Semi Abstract Expressionist Color Field Impasto Oil Painting Jean Helleu
Located in Surfside, FL
Jean Helleu (French, 1894-1985)
A painter, watercolorist and designer born in Paris, France.
The son of Paul-César Helleu.
(a French oil painter, pastel artist, drypoint etcher, an...
Category
Mid-20th Century Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
Photo Lithograph Jannis Kounellis Arte Povera Italian Avant Garde Etching
By Jannis Kounellis
Located in Surfside, FL
'Lo faro il litterato tutta la vita'
Photo Lithography on rag paper
hand signed lower right in pencil: Kounellis
numbered 37/90.
Provenance: The Collection of Ileana Sonnabend (Mrs L...
Category
1960s Arte Povera Figurative Prints
Materials
Lithograph
Elettra, Music Score Lithograph Jannis Kounellis Arte Povera Italian Avant Garde
By Jannis Kounellis
Located in Surfside, FL
It depicts a musical score or music notes.
Offset Lithography on rag paper
hand signed lower right in pencil: Kounellis
numbered 37/90.
Provenance: The Collection of Ileana Sonnabend...
Category
1960s Arte Povera Abstract Prints
Materials
Lithograph
Brutalist Hand Forged Iron Mosaic Sculpture Menorah Israeli David Palombo
By David Palombo
Located in Surfside, FL
Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra
David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Lan...
Category
Mid-20th Century Arte Povera Abstract Sculptures
Materials
Stone, Iron
American Modernist Oil Painting Expressionist Vase, Flowers WPA Artist Ben ZIon
By Ben-Zion Weinman
Located in Surfside, FL
Ben-Zion (1897-1987)
Flower Piece with Black Vase
Oil on board, Hand signed 'Ben-Zion ' lower right, with the artist 's label and label from Duveen-Graham gallery, NY.
16 x 7 3/4 i...
Category
Mid-20th Century Expressionist Figurative Paintings
Materials
Oil, Wood Panel
Israeli Modernist Arts & Crafts Copper Lion Plaque Bezalel Schatz Yaad Studio
By Bezalel Schatz
Located in Surfside, FL
Hand made in israel handwrought tray, platter in Silver plated copper modernist tray, engraving and hammer work, with a whimsical mod lion and design decorations. From the YAAD works...
Category
1960s Modern Abstract Sculptures
Materials
Copper
Ben ZIon Expressionist Judaica Rabbi Watercolor Painting Jewish Modernist WPA
By Ben-Zion Weinman
Located in Surfside, FL
Frame measures 13.5 X 11.5
Paper measures 6.5 X 5 inches
Hand signed lower right
Watercolor painting of prophet or Rabbi, Judaica artwork
Born in 1897, Ben-Zion Weinman celebrated h...
Category
Mid-20th Century Expressionist Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Judaica Oil Painting Chassidic Jewish Rabbi Holding A Sefer Torah Scroll
By Mark Siegband
Located in Surfside, FL
Judaic oil painting by Krakow, Poland born artist Mark Siegband.
Signed and framed, An elderly Hasidic rabbi holding a Torah.
He is one of many great Jewish Polish artists that inclu...
Category
Mid-20th Century Post-Impressionist Figurative Paintings
Materials
Oil
Chicago Modernist Line Drawing Reclining Nude WPA Artist. Exhibited Work
By William S. Schwartz
Located in Surfside, FL
Reclining Nude.Early modernist line drawing, by American artist William S. Schwartz, c. 1940, gouache painting, signed with initials, framed. (size includes frame). Work is reminisce...
Category
Mid-20th Century American Modern Nude Drawings and Watercolors
Materials
Paper, Charcoal
Coming Home Woodblock Print c.1930's WPA Woodcut Print Hand Signed
By Albert Abramovitz
Located in Surfside, FL
Some of his prints were published by the WPA some were done in Soviet Moscow in Russia.. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963...
Category
1930s American Impressionist Figurative Prints
Materials
Woodcut
The Worker Woodblock Print c.1930's WPA Woodcut Print Hand Signed
By Albert Abramovitz
Located in Surfside, FL
Some of his prints were published by the WPA some were done in Soviet moscow in Russia.. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963...
Category
1930s American Impressionist Figurative Prints
Materials
Woodcut
Ben ZIon Expressionist Judaica Rabbi Watercolor Painting Jewish Modernist WPA
By Ben-Zion Weinman
Located in Surfside, FL
Frame measures 13.5 X 11.5
Paper measures 6.5 X 4 inches
Hand signed lower right
Watercolor painting of prophet or Rabbi, Judaica artwork
Born in 1897, Ben-Zion Weinman celebrated h...
Category
Mid-20th Century Expressionist Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Carzou French Modernist Color Lithograph Harem Nude L'Odalisque Vibrant Red
By Jean Carzou
Located in Surfside, FL
This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in vivid shades of red, yellow and or...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Carzou French Modernist Color Lithograph Saint Tropez Harbor with Boats
By Jean Carzou
Located in Surfside, FL
This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of sea blue, black and gree...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Carzou French Modernist Color Lithograph Paris Cathedral Architecture with Boat
By Jean Carzou
Located in Surfside, FL
This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of red, orange, green, yell...
Category
1960s Modern Abstract Prints
Materials
Lithograph
1968 Carzou French Modernist Color Lithograph Volcano Flaming Orange Color
By Jean Carzou
Located in Surfside, FL
This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of red, orange, green, yell...
Category
1960s Modern Abstract Prints
Materials
Lithograph
60s Carzou French Modernist Color Lithograph Paris Train Station LeChemin de Fer
By Jean Carzou
Located in Surfside, FL
This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of pink, black, white. Similar to iconic works by Saul Steinberg.
Jean Carzou (Armenian: Ժան Գառզու, 1 January 1907 – 12 August 2000) was a French–Armenian artist, painter, and illustrator, whose work illustrated the novels of Ernest Hemingway and Albert Camus.
Carzou was born Karnik Zouloumian (Armenian: Գառնիկ Զուլումեան) in Aleppo, Syria to an Armenian family. Carzou later created his name from the first syllables of his name and surname, and added a Parisian nickname, "Jean". He was educated in Cairo, Egypt before moving to Paris in 1924 to study architecture. Carzou belonged to the art movement called "La Jeune Peinture" ("Young Picture") of the School of Paris, with painters like Bernard Buffet, Yves Brayer, Jansem, Jean Carzou, Louis Vuillermoz, Pierre-Henry, Daniel du Janerand, Gaston Sébire, Paul Collomb, Jean Monneret, Jean Joyet and Gaëtan de Rosnay.
He started working as a theater set decorator but quickly realized he preferred drawing and painting. In 1938, more than a hundred exhibitions of his works were organized in Paris, in the French provinces and abroad. In 1949, he received the coveted Hallmark prize. Carzou, like his contemporaries Salvador Dali, and Pablo Picasso was part of a generation that witnessed many wars and was deeply affected by it. Carzou made his first lithograph in 1951 and was prolific in both the lithographic and etching medium. He had solo exhibitions throughout the world and was elected to the French Academy of Fine Arts in 1977.
In 1952, he created costumes and sceneries for Les Indes Galantes of Rameau at the Opéra de Paris. He continued with Le Loup (1953) for "Les Ballets" of Roland Petit, Giselle (1954) and Athalie (1955) at the Opéra and "La Comédie française". Carzou mastered a number of mediums, though his line drawing and engraving would become well known as illustrations for some of the 20th century's most revered writers, including Hemingway, Albert Camus, Ionesco and Rimbaud. Carzou produced stunning work of painted glass and porcelain, in pencils, gauche and pastels as well as oil painting, often choosing to work on textured or irregular fabrics and papers rather than traditional canvas.
Carzou was elected a member of the Institut de France, Académie des beaux-arts, succeeding in the seat left vacant by the death of painter Jean Bouchaud in 1977. He was also awarded the National Order of Merit of France. Among his closest friends were the painters Daniel du Janerand, Gabriel Deschamps, Louis Vuillermoz, Pierre-Henry, André Vignoles, Pierre Gaillardot, Rodolphe Caillaux...
Category
1960s Modern Abstract Prints
Materials
Lithograph
1968 Carzou French Modernist Color Lithograph Louvre Museum Paris
By Jean Carzou
Located in Surfside, FL
This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of blue, green, yellow.
Jean Carzou (Armenian: Ժան Գառզու, 1 January 1907 – 12 August 2000) was a French–Armenian artist, painter, and illustrator, whose work illustrated the novels of Ernest Hemingway and Albert Camus.
Carzou was born Karnik Zouloumian (Armenian: Գառնիկ Զուլումեան) in Aleppo, Syria to an Armenian family. Carzou later created his name from the first syllables of his name and surname, and added a Parisian nickname, "Jean". He was educated in Cairo, Egypt before moving to Paris in 1924 to study architecture. Carzou belonged to the art movement called "La Jeune Peinture" ("Young Picture") of the School of Paris, with painters like Bernard Buffet, Yves Brayer, Jansem, Jean Carzou, Louis Vuillermoz, Pierre-Henry, Daniel du Janerand, Gaston Sébire, Paul Collomb, Jean Monneret, Jean Joyet and Gaëtan de Rosnay.
He started working as a theater set decorator but quickly realized he preferred drawing and painting. In 1938, more than a hundred exhibitions of his works were organized in Paris, in the French provinces and abroad. In 1949, he received the coveted Hallmark prize. Carzou, like his contemporaries Salvador Dali, and Pablo Picasso was part of a generation that witnessed many wars and was deeply affected by it. Carzou made his first lithograph in 1951 and was prolific in both the lithographic and etching medium. He had solo exhibitions throughout the world and was elected to the French Academy of Fine Arts in 1977.
In 1952, he created costumes and sceneries for Les Indes Galantes of Rameau at the Opéra de Paris. He continued with Le Loup (1953) for "Les Ballets" of Roland Petit, Giselle (1954) and Athalie (1955) at the Opéra and "La Comédie française". Carzou mastered a number of mediums, though his line drawing and engraving would become well known as illustrations for some of the 20th century's most revered writers, including Hemingway, Albert Camus, Ionesco and Rimbaud. Carzou produced stunning work of painted glass and porcelain, in pencils, gauche and pastels as well as oil painting, often choosing to work on textured or irregular fabrics and papers rather than traditional canvas.
Carzou was elected a member of the Institut de France, Académie des beaux-arts, succeeding in the seat left vacant by the death of painter Jean Bouchaud in 1977. He was also awarded the National Order of Merit of France. Among his closest friends were the painters Daniel du Janerand, Gabriel Deschamps, Louis Vuillermoz, Pierre-Henry, André Vignoles, Pierre Gaillardot, Rodolphe Caillaux...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Vintage Russian Ukrainian Soldiers in Forest Scene Judaica Lithograph Jewish Art
By Anatoli Lvovich Kaplan
Located in Surfside, FL
Pencil signed and dated, Russian Soviet Judaica Lithograph.
Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins.
His...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Figural Abstract Mid Century Modern Lithograph Portraits, Judaica, Jewish Print
By Rita Gombinski
Located in Surfside, FL
This is a proof print and is unsigned. it has Jewish Hebraic motifs, a menorah with a Jewish star, a mezusah or megilla scroll by this talented Jewish woman artist. Her whole life lo...
Category
Mid-20th Century Cubist Figurative Prints
Materials
Canvas, Oil
Fernand Leger School Prints Colorful Modernist King of Hearts Drawing Lithograph
By (after) Fernand Léger
Located in Surfside, FL
Bright vibrant blue, orange, red, yellow, green lithograph in color. This is signed in the plate and dated. Leger's abstract drawing lithograph was drawn by the artist direct on to p...
Category
1940s Modern Abstract Prints
Materials
Lithograph
Raoul Dufy School Prints Colorful Modernist Drawing Lithograph Marching Band
By (after) Raoul Dufy
Located in Surfside, FL
Bright vibrant blue, yellow lithograph in color. This is signed in the plate and dated. Dufy's abstract drawing lithograph was drawn by the artist direct on to plastic plates newly d...
Category
1940s Modern Abstract Prints
Materials
Lithograph
Jewish Shtetl Hasidic Wedding Dance Judaica Lithograph Yiddish Social Realism
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. ...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Jewish Shtetl Klezmer Wedding Tanz Judaica Lithograph WPA Yiddish Social Realist
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Klezmer Musicians. humorous...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Jewish Shtetl Peddlar Pushcart Judaica Lithograph WPA Yiddish Social Realist
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Peddler Merchant. humorous ...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Jewish Shtetl Machers Americana Judaica Lithograph WPA Yiddish Social Realist
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Peddler Merchant. humorous ...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Jewish Shtetl Peddlar Americana Judaica Lithograph WPA Yiddish Social Realist
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Peddler Merchant. humorous ...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Jewish Shtetl Peddlar Americana Judaica Lithograph WPA Yiddish Social Realist
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Peddler Merchant. humorous ...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Sephardic Jew Fez Hat Jewish Shtetl Americana Judaica Lithograph WPA Yiddish Art
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Yenta gossips in the kitchen peeling. hum...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Women, Dishes, Shtetl Americana Judaica Lithograph WPA Social Realist Artist
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Orthodox Jewish Rabbi having a glass of t...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Rabbi, Cup of Tea, Shtetl Americana Judaica Lithograph WPA Social Realist Artist
By William Gropper
Located in Surfside, FL
Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition.
Old Lower East Side of New York or East European Shtetl. Orthodox Jewish Rabbi having a glass of t...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph