Loveday

A Very Fine and Extremely Large Mahogany Empire Period Console Dessert With Finely Cast Gilt Bronze Mounts French Paris Circa 1815-25 The present piece of furniture is rather ...

A fine 18th Century George II Period Giltwood mirror with swan neck pediment and central cartouche retaining its original vauxhall soft bevelled mirror plate. English, c.1730 This...

A Very Fine and Unusual George III Period Mahogany Serpentine Tea Table of Exceptional Colour and Patina English c.1780 This fine table is a riot of serpentine curves. Broadly spe...

An Exceptional 17th Century William and Mary Period Kingwood Strong Box or Coffre Fort of Excellent Colour and Patina on George I Period Walnut Stand England circa 1690 -1710 Thi...

An Extremely Fine and rare Rosewood and Brass Inlaid Writing Table Attributed to the Oxford Street Workshop of Gillows. English c.1820-1830 With a raised back comprising a thre...

An Exceptionally Fine Early 18th Century French Regence Commode Attributed to Thomas Hache of Grenoble French Circa - 1720 The rectangular moulded geometrically top banded wit...

Impressive and Chic Mid Century French Ceramic Lamp of Monumental Size and Scale French circa 1970 This table lamp measures 138cm in height and 37cm in diameter and is of truly eno...

A quality leather upholstered buttoned back armchair. This well-proportioned armchair has been upholstered in a hand-dyed leather Hyde. The unique design is a one-off and very comfortable and will work in a traditional and contemporary setting. Having a feather cushioned seat and deep buttoned back with individual brass nailed finished. Standing on turned wooden front legs and antiqued brass castors...

A Fine and Important mixed stoneware vase with flaring lip by Dame Lucie Rie one of the 20th Century’s most important and pioneering ceramic artists. Made c.1985 and signed with the ...

A Fine and Important beautifully minimalist vase in the Japanese style with wavy rim and dripping manganese ‘bronze’ glaze by Dame Lucie Rie one of the 20th Century’s most important ...

An Extremely Italian Rare Bronze Locking Vessel With Latin Inscription, Possibly with Maritime Associations. Italy circa 1780-1820 This very unusual bronze...

Mid 18th Century Italian Rococo Armchair in Walnut with Extravagantly Carved Head Rail Italian Circa 1760 This beautiful armchair is executed in walnut and, in its basic form, is h...

A Fine 18th Century German Walnut shaped oxbow-fronted Commode inlaid with Ivory and Pewter German - Probably made in Braunschweig Circa 1740 A masterful example of a fine 18th ce...

A Fine and Decorative Pair of French Grand Tour Bronze and Siena Marble Tazzas of Large Scale French circa 1820 These fine tazzas retain an impressive patination and are of a well ...

A Pair of Early 19th Century French Bronze and Marble Tazzas of Particularly High Quality and Large Size French Circa 1820 These tazzas are incredibly finely detailed and of the fi...

A pair of exceptionally elegant and important late Empire five-light figural candelabra ‘A la Victoire’ in gilt-bronze, attributed to Pierre-Philippe Thomire, after a design by Charles Percier. Imposing size at 81cm in height. French Paris c.1820 Superbly cast, in the Neo-Classical style, the five scrolling foliate candle branches enclosing central sconces issuing from a circular wreath supported by the winged figure of Victory (Nike), wearing diaphanous robes gathered by a sash above a long underskirt splaying out from above her ankles, with beautifully feathered wings flowing behind her as she looks straight ahead. Each figure standing on one foot, the other bent, resting on a plain sphere over a reeded palmette-cast baluster pedestal raised on square plinth. Wonderful colour and patina, pierced for electricity, old inventory label to the underside. We are delighted to have been able to acquire these important candelabra as rarely does one get the opportunity to purchase items by P P Thomire...

Very fine late 18th Century Italian gilt wood console table with marble top possibly from Florentine. Italian Possibly Florentine - Circa 1780 This exceptionally fine table, of rec...

A Rare and Unusual Pair of 18th Century Spanish Colonial 'Enconchado' Mirrors Veneered in Tortoiseshell and Inlaid With Bone and Mother of Pearl Made in Lima (Peru) or Mexico Circa 1720 Provenance One of the mirrors with a fragmentary label printed with "Bodmer", possibly relating to one of the branches of the Bodmer family in Switzerland, some of whom were renowned collectors of South American art The mirrors of rectangular form with ripple moulded outer borders framing tortoishell veneered inner borders inlaid with fine bone stringing and sinuous floral motifs inlaid in mother of pearl. The sight edges also veneered and inlaid with a repeating geometric motif. The mirrors are notable for the fine quality of the inlay, their unusually large size for this date, in particular the size of the plates themselves (possibly original) and the fact that they are a pair. The term 'Enconchado' comes from Spanish colonial art, particularly associated with Mexico, comprising of oil paintings inlaid with mother of pearl and other iridescent minerals. This form of art is discussed in great detail by Miguel Arisa in his essay Luminosity in Mexican Enconchado Paintings and Conceptions of the Sacred in Visual Culture and Indigenous Agency in the Early Americas, The Early Americas: History and Culture, Volume: 10 Chapter 4 (October 2021). He argues that the development of this style was an attempt to combine pre-Hispanic indigenous South American traditions regarding the sacred properties of "shiny objects" and "Baroque concepts of the miraculous", the sparkling inlay adding to the power of the European religious imagery. Mirrors such as the present pair are likewise cross-cultural objects, fusing European form and aesthetic concerns with indigenous craftsmanship to create objects of great prestige and decorative appeal. The ripple mouldings are clearly the result of a 17th century Dutch...

An Exceptional Boulle and Ormolu Mounted Games Table in the French Louis XVI style attributed to Thomas Parker (active 1805-1830) English Circa 1825 C...

Impressive Pair of Huge Italian Portasanta and Rosso Antico Marble Obelisks Italy circa 1910. Of choice cuts of Portasanta marble, visually supported on spheres carved of Rosso A...

An Exceptional and Highly Important Micromosaic Gold Mounted Jasper Snuff Box, most probably by Gioacchino Barberi with the box likely by Moulinié, ...

An exceptional quality and rare Central European Nero Portoro serpentine marble topped gilt-wood console table of large proportions and fine original patina. Probably Austrian - c...

A wonderfully impressive large gilt bronze and cut glass lustre, twenty-five-light two-tier chandelier in the Louis XV style. French late 19th Century - Circa 1890-1900. Of Rococo design with tiers of glass lustres, the foliate cast corona supporting two graduated tiers of leaf cast scrolling candlebranches, issuing from a pierced leaf and lily-cast compound baluster stem, finishing with a pierced finial. In excellent condition having been recently cleaned, rewired and PAT tested, having the original gilt bronze ceiling...

A highly impressive rare French carved Régence period giltwood fauteuil / armchair of imposing proportions with needlework upholstery. French - circa 1715 Of grand scale, this ...

An unusual French Empire mahogany reclining wing back armchair of high proportions. French, Circa 1820. Of elegant proportions, having an un...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

A fine late 18th Century George III Satinwood and sabicu ladies writing cabinet with important provenance. (Possibly by George Simpson) English London made - Circa 1785 Provenance Exhibited by W. R. Harvey in their Old Bond Street showrooms in 1986 and 1987, the piece being chosen to be advertised in Country Life magazine in 1986 and in the Grosvenor House...

An elegant and rare early 19th century burr root maple drum top table on splayed triform base. Scandinavian circa 1820. The circular top with ra...

A highly Important, Regency period mahogany, ebonised and parcel-gilt partners writing table on monopodia legs of exceptional quality and design, in the manner of George Smith, stamped Chas Norman, whom was associated with the work of Gillows. Labelled ‘Morning Room’. English, Regency period, circa 1810-20. Rarely seen, the crescent shaped ended rectangular top, beautifully lined with the original gilt tooled leather writing surface, enclosed by a mahogany cross-banded border and reeded edge. The frieze, containing four finely chosen fiddle-back mahogany drawers, two pairs to opposing sides, each retaining the original gadrooned carved ebonised knob handles. The perimeters having a finely ebonised cockbead, whilst the drawer liners being executed in mahogany retain the original recessed brass locks, which look to have never been removed. Flanking the drawers are bead-moulded ebonised panels which conform to either end above a reeded mould. Raised on four boldly designed and imposing, crisply carved, ebonised and parcel-gilt leopard monopodia supports, of wonderful original waxed condition. The Egyptian leopards mask above a bold breast decorated with carved gilt anthemion and guilloche motifs, finishing on a finely detailed carved leg and paw foot. The condition is excellent, retaining the original hand-dyed and gilt tooled waxed leather writing surface along with original locks, handles and ebonising with gilt-work to the legs. Commissioned for what presumes to be a private collection and due to its condition, being obvious to see, this writing table has been home to an important household. Labelled ‘Morning Library’ to the underside, whilst in this exemplary condition strongly suggests this striking piece of Regency furniture has furnished the library of the said house for the majority of its life. As can be noted, this is an extremely rare, elegant, early Regency writing table of exceptional colour, which corresponds with designs of the celebrated furniture maker and designer George Smith, workmanship of Gillows, being stamped to the underside Chas Norman four times. George Smith (1756 - 1826) was one of the most influential furniture designers of the English Regency Period (1811-1830). Smith, who began his pattern-book in 1804, wrote of ‘the great taste and elegance’ of this design. In 1808 he published his influential and definitive text on Regency interior Design titled ‘ A Collection of Designs for Household Furniture and Interior Decoration’ and classed himself as ‘Upholder Extraordinary to His Royal Excellency the Prince of Wales’…The Prince Regent. Smith was inspired in his designs from his earlier career as an Egyptologist, producing drawings incorporating motifs of Leopards heads and paws, Lions, sphinx’s, anthemia, and griffons amongst others. Charles Heathcote Tatham (1772-1842) published ‘Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and Other Parts of Italy During the Years 1794, 1795, and 1796’, in which he illustrated an antique tripod table...

An extremely rare pair of Regency cast-iron sarcophagus shaped strong boxes. Regency, circa 1820 Painted to simulate palisander wood and with parcel-gilt, the cavetto-moulded hinged lids cast with flower sprays above foliate-cast bands over front panels relieved with river gods within canted corners cast with standing muses, the sides with lion mask and ring handles over leafy aprons on massive lion’s paw feet; the Brahmah type lock stamped “T. Davis from London” and impressed with the Royal Crown. These extraordinary pieces are modelled on Regency wine coolers. The forms are classic Greco-Roman revival with the boat-hook handles, mythic figures and the overall sarcophagus pattern. You would struggle to find one let alone a pair. Good items for any collection. Research on going into these strong boxes but we have found possible information on the lock stamped Davis….(historyoflocks ) The relationship of King George III and George Davis of Windsor, who was locksmith in ordinary to His Majesty. Davis, in 1799, invented and patented a unique style of lock, which was also beautifully engraved with a warning not to make duplicate keys. Sensitive government secrets always demanded, then as today, locks that were state of the art. Davis locks ended up on government dispatch boxes...

A rare early 18th century Louis XV provincial burr elm shaped front mazarin commode of excellent colour and proportions. French Circa 1710. Constructed with thick cuts of tight burr elm dowelled to the carcass, the rectangular burr elm panelled top with a fruitwood banding, over three inverted breakfront drawers...

A wonderful 18th century George III quill work (scrollwork) tea caddy of hexagon form. English circa 1790 Finely executed, this very attractive caddy ...

A very fine pair of late 18th century original painted demilune pier tables reminiscent of the work of Seddon, Sons and Shackleton. English circa 1795. An elegant and rare pair...

A rare 18th century Louis XV period bombe shaped chestnut provincial commode. French circa 1750 Of an unusual curvaceous waisted form having a shaped front (often referred to a...

A very decorative and impressive pair of Italian Venetian giltwood wall sconces late 18th Century. Italian circa 1780. The two leaf carved up-scrolled candlebranches issuing fr...

An imposing and fine quality pair of early 19th century French Tole Peinte and parcel gilt wall lanterns with outstanding original finish. French early 19th century - circa 1820. These extremely impressive unique wall lanterns of imposing scale have a wonderful original finish. Of frosted glass vase shaped form, the imbricated “fish scale” domes...