Maison Gerard Side Chairs

Franck Evennou has a poetic language inspired by nature, and by all subjects that carry the residue of their pasts. His works, particularly in bronze, possess a powerful nostalgic qu...

Guillerme placed equal emphasis on function and aesthetics, creating an aesthetic as staid as it was arresting. While his work was in many ways distinctively conservative and recogni...

This charming Louis XVI side chair possesses a remarkable solidity for a piece of its size. Built out of hand carved, painted wood, it is appointed in elegant lines of brass detailing, which perfectly frame its upholstered cushions. Provenance: Private collection of Hubert de Givenchy, Paris. Private collection of Mrs. Susan Gutfreund.

The house of Leleu rose to prominence in the 1920s during the Art Déco period, and became known for the ornate classicism of its richly refined furniture and lavish interiors. In the...

After 1910 Dufrêne’s work took on the forms of neoclassicism, and at last, an aesthetic that would coalesce into the Art Deco. While he didn’t shy from metal, ceramic, glass, or fabr...

René Joubert & Philippe Petit for DIM for DIM (Décoration Intérieure & Moderne) A pair of side chairs with inverted U shaped backs (each with a sloping...

Franck Evennou has a poetic language inspired by nature, and by all subjects that carry the residue of their pasts. His works, particularly in bronze, possess a powerful nostalgic qu...

Carved fruitwood Art Deco side chair by Léon Jallot. Provenance: This set of furniture, comprised of a pair of armchairs, a pair of side chairs,...

Set of four George III dining chairs, likely 1775-1800.

Franck Evenou's "Club" chair is a piece that unites striking symmetry with a focus on the curved line. The chair's four hand-hammered legs bow out from the corners of plump square se...

These chairs, remarkable for their form, their cantilevered arms, and the material used in their execution -- cast aluminum -- were designed by Henri-Albert Kahn...

Set of three side chairs by Jules Leleu in mahogany with gilt bronze sabots For an illustration of identical armchairs, see: Ensembles Mobiliers....

Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical creation...

A pair of Chippendale side chairs with simple geometric seats and elegant harped backs carved from oak.

Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical creation...

A lacquered walnut side chair designed by Jules Leleu with an elegant, tall back covered in a round upholstered cushion, and beautifully carved, tapered legs.

The house of Leleu rose to prominence in the 1920s during the Art Deco period, and became known for the ornate classicism of its richly refined furniture...

Upholstered in Dedar fabric. Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of...

Upholstered in Dedar fabric. Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical...

These elegant set of six limed oak dining chairs by the celebrated French designer Robert Guillerme, was created as part of a line of design he produced for the company Votre Maison....

Stamped Jean Touret moved to Pezay, a rural area near Marolles, in 1946. While there, he became highly conscious of the uncertainty that Industrial development would bring to the ...

Bibliography: For illustrations of a similar model, see: Watelet, Jacques-Gre´goire. Serrurier-Bovy. Brussels: Ateliers Vokaer, 1986. 87, 92. For an illustration of this identical model, see: Bigot du Mesnil du Buisson, Franc¸oise & Etienne du Mesnil du Buisson. Serrurier-Bovy un cre´ateur, pre´curseur. Dijon: Editions-Faton, 2008. 93-168. Plaque: Serrurier-Bovy Paris Nice...

Per design supplied by Maison Gerard.

This neoclassical daybed by the renowned Michel Duffet, who was chosen to create the French Pavilion at the 1939 World's Fair, is an early example of his fine output, dating from the...

Pair of dining chairs in original Beka lacquer by Sain and Tambute´, with gilt bronze sabots. Each chair is numbered: 33341 through 33348 For an illustration of a similar model, s...

Upholstered in Dedar fabric. Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of...

Set of four unusual mid-century side chairs in solid white oak.