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Framing Options Available
New College, Oxford chapel window engraving after Joshua Reynolds' design
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Engraving, Aquatint
Trinity College, Cambridge library colonnade engraving by Stadler after Westall
Located in London, GB
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Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Colonnade under Trinity Library...
Category
1810s Realist Prints and Multiples
Materials
Engraving, Aquatint
Peterhouse, Cambridge engraving by Stadler after Westall
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Engraving, Aquatint
Peterhouse, Cambridge 'Chapel of St Peter's College' engraving by Havell
Located in London, GB
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Category
1810s Interior Prints
Materials
Engraving, Aquatint
Trinity College, Cambridge Great Court engraving by Bluck for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Trinity Gate, Trinity College, Cambridge engraving by Stadler after Westall
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Engraving, Aquatint
Kitchen of Trinity College, Cambridge engraving by Stadler after WH Pyne
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Engraving, Aquatint
Chapel of Trinity College, Cambridge engraving by John Bluck for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Façade lithograph by John Piper Modern British Art William Walton Eaton Hall
By John Piper CH
Located in London, GB
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John Piper (1903 - 1992)
Façade (1987)
Lithograph
45 x 60 cm
Numbered 96/108 lower left and signed lower right, both in pencil. Printed by Piper and the screenprinter Chris Prater in 1987 after the original designs from 1942.
'Façade' was a sequence of poems written by the English poet Edith Sitwell. They were set to music by William Walton in 1922, four years after they were first written. 'Façade' premiered in 1923 in London, and was praised for its experimental modernist style. The choreographer Frederick Ashton made Façade into a ballet in 1931; Sitwell did not wish her poems to be included, but Walton's orchestral arrangements were used.
John Piper was commissioned as set designer for a 1942 performance of Facade. This lithograph is the design for the performance's curtain; the poetry and music of the performance were played behind the curtain, unseen by the audience. The Gothic house to the right was inspired by Eaton Hall...
Category
1970s Prints and Multiples
Materials
Lithograph
Henry VIII Founder of Trinity College, Cambridge engraving for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Engraving, Aquatint
Trinity College, Cambridge Bridge engraving by Stadler after Westall
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint, Engraving
Trinity College, Cambridge Hall engraving by Bluck after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint, Engraving
Gentleman Commoner, University of Oxford 1814 engraving by John Agar
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Doctor in Physic, University of Oxford 1813 engraving by John Agar
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Library of Trinity College, Cambridge engraving by Havell after Pugin
Located in London, GB
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Category
1810s Interior Prints
Materials
Aquatint, Engraving
St John's College, Cambridge engraving Pieter van der Aa after David Loggan ii
By Pieter Van Der Aa
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
St John's College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of St John's, Cambridge, engraved by P...
Category
Early 18th Century Realist Prints and Multiples
Materials
Engraving
University of Cambridge student Pensioner engraving by John Agar
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Vice Chancellor, Esquire Beadle, Yeoman Beadle, Oxford engraving for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Proctor, University of Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Merton College Chapel engraving by J Sutherland after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Crypt of St Peter's Church, Oxford engraving by Bluck after Nash for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
St Mary's Church, Oxford engraving by Lewis after Nash for Ackermann
Located in London, GB
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Frederick Christian Lewis (1779 - 1856) after Frederick Nash (1782 - 1856)
St Mary's Church, Oxford (1813)
Aquatint with original hand colouring
21 x 27 cm
Published by Rudolph Ackermann (1764 - 1834).
Frederick Nash was born in Lambeth. He studied architectural drawing under Thomas Malton and then enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Nash became primarily a landscape painter and toured the rivers of Germany.
Frederick Christian Lewis was an English etcher, aquatint and stipple engraver, landscape and portrait painter. He studied under J. C. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris...
Category
1810s Prints and Multiples
Materials
Aquatint
View of Oxford engraving by Bluck after Turner for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
All Souls College, Oxford engraving by Bluck after Pugin for Ackermann
Located in London, GB
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John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832)
All Souls...
Category
1810s Prints and Multiples
Materials
Aquatint
Quadrangle of Balliol College, Oxford engraving by John Bluck for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
The Clarendon Building, Oxford engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Gate of Christ Church, Oxford engraving by Reeves after Mackenzie for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Tom Tower, Christ Church, St Aldate's, Oxford by Hill after Pugin for Ackermann
Located in London, GB
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John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Aldate's From Carfax (1813)
Aquatint with original hand colouring
27 x 21 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Prints and Multiples
Materials
Aquatint
Magdalen College, Oxford Old Gate engraving by Bluck after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Chapel of Caius College, Cambridge engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
John Alcock, Founder of Jesus College, Cambridge engraving for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Mary, Countess of Pembroke, Pembroke College, Cambridge engraving for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Frances Sidney, Sidney Sussex College, Cambridge engraving for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Elizabeth de Clare, Clare College, Cambridge engraving for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Margaret Countess of Richmond, Christ's College, Cambridge engraving
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Brasenose College, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Sidney Sussex College, Cambridge engraving by John Le Keux after Mackenzie
Located in London, GB
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Category
1840s Landscape Prints
Materials
Engraving
Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
The Radcliffe Camera library Oxford engraving by John Bluck for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Chapel of Magdalen College, Oxford engraving by Havell for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
University of Oxford The Divinity School by Lewis after Mackenzie for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Chapel of Lincoln College, Oxford by Lewis after Mackenzie for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Radcliffe Library, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
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Category
1810s Realist Prints and Multiples
Materials
Aquatint
Britain Delivers the Goods original vintage poster by Frank Wootton
By Frank Wootton
Located in London, GB
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Frank Wootton (1914 - 1998)
Britain Del...
Category
1940s Prints and Multiples
Materials
Lithograph
Save for Prosperity - Export and Thrive original vintage poster
Located in London, GB
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Category
1950s Prints and Multiples
Materials
Lithograph
Save for Prosperity - Build for the Future original vintage poster
Located in London, GB
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Category
1950s Prints and Multiples
Materials
Lithograph
Save for Prosperity - Building Homes for Heroes original vintage poster
Located in London, GB
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Category
1950s Prints and Multiples
Materials
Lithograph
Save for Prosperity - The Road Ahead original vintage poster
Located in London, GB
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Category
1950s Prints and Multiples
Materials
Lithograph
We've Got To Keep On Saving original vintage WW2 RAF Short Stirling poster
Located in London, GB
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Category
1940s Prints and Multiples
Materials
Lithograph
You Know More Than Other People original vintage WW2 poster
Located in London, GB
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You Know More Than Other People
Original vintage pos...
Category
1940s Prints and Multiples
Materials
Lithograph
Austria Bregenz am Bodensee original vintage skiing poster Risch Lau
Located in London, GB
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Risch Lau (publisher)
Bregenz am Bodensee, Vorarlberg, Bodensee, Österreich (c. 1960)
Original vintage poster
86 x 60 cm
A church in beautiful Bregenz in Vorarlberg in Austria, from the Austrian poster...
Category
1960s Prints and Multiples
Materials
Lithograph
Newcastle Station original vintage poster by Brendan Neiland
By Brendan Neiland
Located in London, GB
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Category
1990s Modern Landscape Prints
Materials
Screen
Les Arcs 1992 Winter Olympics skiing original vintage poster by Meaux
Located in London, GB
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Category
1990s Prints and Multiples
Materials
Lithograph
La Plagne 1992 Winter Olympics bobsleigh original vintage poster by Meaux
Located in London, GB
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Category
1990s Prints and Multiples
Materials
Lithograph
Les Menuieres 1992 Winter Olympics slalom original vintage poster by Meaux
Located in London, GB
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Category
1990s Prints and Multiples
Materials
Lithograph
Christ's College, Cambridge 1690 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Christ's College, Cambridge (1690)
Engraving
39 x 48 cm
Loggan's view of College, Cambridge from the 'Cantabrigia Illustrate', with later hand colouring.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
1670s Realist Landscape Prints
Materials
Engraving
Exeter College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Exeter College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Brasenose College, Oxford etching by Andrew Ingamells
By Andrew Ingamells
Located in London, GB
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Category
21st Century and Contemporary Landscape Prints
Materials
Etching
Mathematical Bridge Queen's College, Cambridge etching by Mabel Oliver Rae
Located in London, GB
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Mabel Oliver Rae (1868 - 1956)
Queens' Bridge, Cambridge
Etching
13 x 9 cm
Titled lower left and signed lower right in plate, and again in pencil outside plate.
The college's famed Mathematical Bridge, which reflects in the ruffled waters of the River Cam.
Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck...
Category
1920s Modern Landscape Prints
Materials
Etching
Christ's College, Cambridge engraving by Pieter van der Aa after David Loggan
By Pieter Van Der Aa
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 18th Century Realist Prints and Multiples
Materials
Engraving
