McNaught Fine Art Figurative Prints

A mid-century, stone lithograph titled 'Christopher' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A bright and...

A stone lithograph titled 'David, Walter and Blake' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A crisp and f...

A color, stone lithograph titled 'Edward' by Nura Woodson Ulreich (American, 1899–1950) stamped verso with certification of authenticity. A crisp and fresh image from 'Nura's Childre...

A mid-century, stone lithograph titled 'Mimi and Bemi' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. Accompanie...

A mid-century, stone lithograph titled 'Anabel & Millicent' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. Accom...

Vintage, 1984, James Goodwin New York Gallery exhibition poster; signed, lower right, in pencil, 'R. Lichtenstein' for Roy Lichtenstein (American, 1923-1997) and accompanied by certi...

Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950. A substantial monotype showing a young woman seated, her kimono fallen open, and brushing her...

Signed lower left, 'May' for Dan May (American, 1952-2019) with number and limitation, '1/50'. Titled, lower center, 'Bowling Angel' and dated, lower right, '2003'. Sheet dimensions:...

Vintage, 1975, Leo Castelli New York Gallery exhibition poster; signed, lower right, in felt pen, 'R. Lichtenstein' for Roy Lichtenstein (American, 1923-1997). Roy Lichtenstein firs...

Signed lower right, 'W.Georgetti', and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

Signed lower center, 'Gooch', for Gerald Gooch (American, born 1933) with number and limitation, '5/16' and dated 1965. Born in Mainington, West Virginia, Gerald Gooch first studied...

Signed lower center, 'Miharu Lane' (Japanese-American, born 1948), titled, 'Happy Tidings' and with number and limitation, '193/350'. Paper dimensions: 19 x 24 inches. Miharu Lane ...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A Post-Impressionist figural monotype showing a woman standing beneath a tree in t...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A sensitively colored and modeled monotype by this Paris-trained, California Post-...

Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952). Paper dimensions: 13.25 x 19.75 inches A atmospheric, sugar-...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Signed lower right, 'Pla Domenech' for Jordi Pla Domenech (Spanish, 1917-1992) and created circa 1975. Paper dimensions: 19 x 13.5 inches Jordi Pla...

Signed lower right, 'Hirano' for Yoshito Hirano (Japanese, born 1938) and created circa 1970; titled, verso, 'Mimosa Tree Restaurant'. Paper dimensions: 28...

Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise of a swan, reclining and cradling Lida in his wings while King Tyndareus ponders the mutability of human circumstance. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950 on Cannery Row sardine paper. Winner of the Prix Othon ...

Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950. A substantial monotype and gouache showing a young woman seated, her kimono fallen open and b...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A dynamic, mid-century monotype by this Paris-trained, California Post-Impressioni...

Stamped, verso, with certification of authenticity for 'Marion Cunningham' (American, 1908-1948) and created in 1948. Paper dimensions: 17.75 x 16 inches A substantial and rare, mid-century silkscreen showing a Samoan family seated beneath a traditional tent of tapa cloth and being served by a young woman. To realize this complex work, Cunningham used as many as one dozen hand-drawn screens, each of which varied in pigment, hue and opacity. Created during the extraordinary creative ferment that characterized the last year of the artist's life, this work represents a remarkable achievement for both artist and medium. Born in Indiana, Marion Osborn Cunningham moved to California in 1911. She first studied art with the American Impressionist, Ruth Heil Emerson, before continuing her education at Santa Barbara City College and receiving her Bachelor of Arts from Stanford University. She subsequently furthered her studies at the California School of the Fine Arts and at the Art Students League in New York City, where she met and married the American abstract artist Ben Cunningham. Returning to San Francisco...

Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947) A large, early-20th-century, hand-colored Japanese woodblock showing elegantly-robed figures seated beside musical instruments in a panoramic landscape and viewing the full moon through golden clouds. An elegant example composed with clear artistic vision and printed with a consummate mastery of a challenging medium. Nihonga style painter Ogyu Tensen was born in present-day Nihonmatsu City, Fukushima Prefecture. He studied at the Tokyo Fine Arts School, where he was taught by the well-known Kanō school painter Gahō Hashimoto (1835-1908), who was instrumental in the development of nihonga painting. Tensen was selected to participate in the first Bunten exhibition (Ministry of Education Fine Arts Exhibition) in 1907, in which he won an award. He went on to win many other awards at the Bunten exhibitions and the exhibitions of its successor organizations, the Teiten (Imperial Academy of Fine Arts) and Shin Bunten along with exhibitions of the Japan Arts Institute (Nihon Bijutsuin) and the post-war 1946 Nitten (Japan Fine Arts Exhibition). Along with his work in printmaking, the Imperial Court commissioned paintings by him. Tensen was a member of the Futaba kai artist...

Signed lower right, 'Alan Evan Feltus' (American-Italian, born 1943), dated 1981 and with number and limitation, '58/60'. Blind stamped, lower right, 'E.P.' for Editions Press and stamped, verso, 'Editions Press'. Paper dimensions: 20.5 x 26 inches. This contemporary classical painter of the human figure first studied at the Tyler School of Art at Temple University in Philadelphia and, subsequently, at Cooper Union in New York City, where he received his BFA in 1966. In 1968, he earned his MFA from Yale University. Over the course of a distinguished career, Alan Feltus has been the recipient of numerous prizes, medals and juried awards including the Prix de Rome...

A fresh, hand-colored stone lithograph titled 'Tom, Dick and Harry' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and stamped wit...

A mid-century, stone lithograph titled 'Sylvia' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stam...

Signed lower center, 'Alan Evan Feltus' (American-Italian, born 1943), dated 1980 and with number and limitation, '44/60'. Blind stamped, lower right, 'E.P.' for Editions Press and embossed, lower left, 'Arches' for Arches artist laid paper. This contemporary classical painter of the human figure first studied at the Tyler School of Art at Temple University in Philadelphia and, subsequently, at Cooper Union in New York City, where he received his BFA in 1966. In 1968, he earned his MFA from Yale University. Over the course of a distinguished career, Alan Feltus has been the recipient of numerous prizes, medals and juried awards including the Prix de Rome...

Signed lower left, 'R. Carruthers' for Roy Carruthers (American, 1938-2013), inscribed lower right, 'Presentation Proof' and created circa 1983. This is a proof apart from the edition of 60. Printed and published by Editions Press, San Francisco and with their blindstamp. Four prints by this artist, including this one. Painter, printmaker, illustrator, graphic designer and art director, Roy Carruthers was born in Port Elizabeth, South Africa and first studied at the Port Elizabeth Technical College Art School. From 1956, he worked as an art director and graphic designer in South Africa and, after 1960, in London. In 1968, he immigrated to the United States and worked in the advertising industry in New York. In 1974, Carruthers started his own graphic design firm while pursuing his career as a fine artist producing original paintings, drawings and etchings. His collaboration with Editions Press in San Francisco produced both sculpture and color lithographs, of which this work is a pristine example. He also maintained an academic career, teaching graphic techniques at Manhattan's School for the Visual Arts. Over the course of a distinguished career, Roy Carruthers exhibited widely and with success and was the recipient of numerous prizes, medals and juried awards including a gold medal from the Society of Illustrators (1973). His work continued to be exhibited in South Africa and the United States and throughout Europe. In 1982, he returned to South Africa as a guest of the South African Government and was honored with a touring museum exhibition of his work. Roy Carruthers is represented in private and public collections worldwide including the permanent collections of the San Francisco Museum of Fine Arts...

Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp. A bold, expressionist monotype showing two young women seated side b...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Provenance: Janet Ament De La Roche, from estate stamp verso. A cabinet sized, Pos...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A cabinet sized, Post-Impressionist figural monotype of a young woman, shown seate...

A hand-colored linocut created circa 1950 by Wedo Georgetti (American, 1911-2005) and stamped verso with Certification of Authenticity. Born in Italy, this California Post-Impressi...

A mid-century. stone lithograph titled 'Judy and Jessica' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A brigh...

A mid-century, stone lithograph titled 'Angel and Harmony' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification o...

A mid-century, stone lithograph titled 'Greta and Grace' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of ...

Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally titled lower left, 'Peggy and Dot' with numb...

An amusing view of an academic wagging his finger in disapproval as a young lady in a rope seat is pulled up to a college dorm window by a group of revelling students. Thomas R...

Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931), inscribed lower left, 'Epreuve d' Artiste' (Artist's Proof), titled 'Tulipes' and created circa 197...

An early twentieth-century, hand-colored lithograph showing an idyllic scene of two young lovers in medieval dress seated in a rural bower beneath fruit...

Certification of Authenticity for Wedo Georgetti (American, 1911-2005) stamped verso and created circa 1950. Born in Italy, this California Post-Impressionist came to the United St...

Signed lower right, "Hal Stuart" (American, 1892-1982) and inscribed "Tahiti". Color woodblock print showing a Tahitian dancer in traditional dress accompanied by two musicians playing a to'ere and a drum, with lush banana leaves in the background. Hal Steward (Stuart) Wilcox was born in California on March 14, 1892. Wilcox used several aliases for his art works: Piko Siska, Hal Stuart, Michelle Stuart, and Harold Stuart Wilcox. He lived in Laurel Canyon (Los Angeles) in 1931-32 and then made a trip to Tahiti and the Cook Islands. Later in his life he owned a fabric company in Honolulu where he designed native patterned fabric, and was enlisted in the WWI army working on camouflage alongside the "Camofleurs". He went on to do paintings of Mexico...

Signed lower right, "Edinah L. Jewett", inscribed lower left, "1/2" and titled "Ballerina and Friend". Substantial sugar-lift aquatint and etching showing a young woman in coral se...

An energetic and dynamic figural work showing a parade of figures from the Commedia dell'arte marching in step. Signed lower right, 'Liz Maxwell' (American, born 1936) and dated 1987. This notable California artist lived in New York before settling in Napa, California. Influenced by the Bay Area Figurative Painters, Maxwell has exhibited widely and with success and is the recipient of numerous prizes, medals and juried awards, including first place in the 'Watermedia National' from Long Beach Arts in California in 1998. She has also exhibited at SFMOMA and at the Oakland Museum. EDUCATION 1976 BA, Statistics, University of California, Berkeley, California, BA SELECTED SOLO EXHIBITIONS 2016 “Horizons”, Hang Art, San Francisco, CA 2013 “Pro Arts at Lathan Square”, Liz Maxwell, Oakland, CA 2011 “Liz Maxwell: Recent Paintings,” Montclair Gallery, Oakland CA 2006 “Interaction: New Paintings by Liz Maxwell,” Joyce Gordon Gallery, Oakland, CA 2003 “Liz Maxwell: Paintings and Monotypes,” Joyce Gordon Gallery, Oakland CA 2003 “Liz Maxwell: Recent Monotypes,” The Corridor Project 410, San Francisco, CA 2002 “Unencumbered Views: Recent Paintings by Liz Maxwell,” Studio 7, Pleasanton, CA 2002 “Liz Maxwell: Landscapes Left Alone,” Hang Art, San Francisco, CA 2000 “Recent Paintings by Liz Maxwell,” Hang Art, San Francisco, CA 1999 “Liz Maxwell: Linoleum Block Prints,” The Albatross, Berkeley, CA SELECTED GROUP EXHIBITIONS 2016 “GLASS SLIPPER TO GLASS CEILING”, City College of San Francisco, CA 2015 “Same, Same, But Different 4.0,” Hang Art, San Francisco, CA 2015 “EBB/FLOW”, Artist’ Annual Exhibition, Pro Arts, Oakland. CA 2014 “HERE”, Berkeley Art Center, Berkeley, CA 2014 “Collect”, Berkeley Art Center, Berkeley, CA 2014 “Same, Same, But Different 3.0,” Hang Art, San Francisco, CA 2013 “Same, Same, But Different 2.0,” Hang Art, San Francisco, CA 2012 “Shine,” Berkeley Art Center, Berkeley, CA 2011 “Oscillating Landscapes,” Hang Art, San Francisco, CA 2011 “Statewide Painting Competition,” Triton Museum, Santa Clara, CA 2011 “Arts on Fire XV,” Sanchez Art Center, Pacifica, CA 2011 “Scapes Exhibition,” Long Beach Arts, Long Beach, CA 2011 “Green,” Berkeley Art Center, Berkeley, CA 2011 “Untitled,” Caldecott Art Gallery, Oakland, CA 2010 “West Coast Prints...

Signed lower left, 'Pras Lewchalermwong A.P.' and dated, lower right, November 1976.

Signed lower right, 'L. Russomanno', inscribed lower left, 'A.P.' (artist proof) and titled lower center, 'La Belle Epoque' (The Beautiful Age). Provenance: The Metropolitan Gallery of Fine Art, Inc., New York, New York. A native of New York, Russomanno has exhibited widely and with success and is the recipient of numerous prizes and juried awards including from the Phillips Mill Art Exhibition in New Hope (2003) and the Patron’s Award for Painting from Phillips Mill (2005). Russomanno also received First Prize in the Phillips Mill Annual Art Exhibit in addition to the New Jersey Governor’s Purchase Award in 1973. He has exhibited at the National Academy of Design...

Signed lower right "Michael McNaught" and dated 2014. Inscribed with edition and limitation lower left, 4/11, and titled, lower center, "La Sorcière". A colorful, modernist portr...