McNaught Fine Art Nude Prints
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'Jeune Fille de Polowat', Tokyo, Garbo, Queen Elizabeth II, Kyoto, Woodblock
By Paul Jacoulet
Located in Santa Cruz, CA
Signed lower right in pencil, 'Paul Jacoulet' (French-Japanese, 1902-1960) and stamped with peach seal; titled, lower right margin, 'Jeune Fille de Polowat. Est Carolines' (Young gir...
Category
1940s Post-Impressionist Nude Prints
Materials
Woodcut, Paper
'Reclining Nude', California Post-Impressionist, de Young Museum, Fauve
By Wedo Georgetti
Located in Santa Cruz, CA
Signed lower right, 'W.Georgetti', and created circa 1950.
Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...
Category
1950s Post-Impressionist Figurative Prints
Materials
Monotype, Paper, Crayon
'The Female Gaze', NYMoMA, California College of Arts and Crafts, SFAI, CPLH
By Gerald Gooch
Located in Santa Cruz, CA
Signed lower center, 'Gooch', for Gerald Gooch (American, born 1933) with number and limitation, '5/16' and dated 1965.
Born in Mainington, West Virginia, Gerald Gooch first studied...
Category
1960s Modern Figurative Prints
Materials
Paper, Etching, Aquatint
'Surreal Boudoir', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
By Jane Voitle Mellin
Located in Santa Cruz, CA
Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952).
Paper dimensions: 17.25 x 12 inches
An atmospheric, sugar-lift aquatint showing a young woman seated at a claw foot table...
Category
1970s Surrealist Interior Prints
Materials
Paper, Aquatint
'Cosmic Embrace', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
By Jane Voitle Mellin
Located in Santa Cruz, CA
Stamped verso with certification of authenticity for Jane Voitle Mellin (American, born 1952). and created circa 1975.
An atmospheric, sugar-lift aquatint showing a young woman, nude and reclining, appearing suspended within an astrologically-appointed room of ambiguous dimension.
An elegant use of a difficult medium by this North Carolina and San Francisco Bay Area...
Category
1970s Surrealist Interior Prints
Materials
Paper, Aquatint
'Reclining Nude', Cabinet-Sized Post-Impressionist Figural
By Wedo Georgetti
Located in Santa Cruz, CA
A hand-colored linocut created circa 1950 by Wedo Georgetti (American, 1911-2005) and stamped verso with Certification of Authenticity.
Born in Italy, this California Post-Impressi...
Category
1950s Post-Impressionist Figurative Prints
Materials
Paper, Crayon, Linocut
'Reclining Nude in Coral', California Fauve, San Francisco Museum of Fine Arts
By Wedo Georgetti
Located in Santa Cruz, CA
Certification of Authenticity for Wedo Georgetti (American, 1911-2005) stamped verso and created circa 1950.
Born in Italy, this California Post-Impressionist came to the United St...
Category
1950s Post-Impressionist Figurative Prints
Materials
Paper, Monotype
'Standing Nude', Mid-century Modernist Woman Artist, San Francisco Museum of Art
By Esther Fuller
Located in Santa Cruz, CA
Certification of Authenticity stamped verso; additionally accompanied by old exhibition label.
Provenance: 28th Annual Exhibition of Art, San Francisco Women Artists, San Francisco...
Category
1950s Modern Nude Prints
Materials
Monotype, Paper, Board
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'The Bather' — American Modernism
By Rockwell Kent
Located in Myrtle Beach, SC
Rockwell Kent, 'The Bather', wood engraving, 1931, edition 120, Burne Jones 63. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 1/2 to 3 1/4 inches); slight skinning at the top sheet edge, verso, otherwise in excellent condition. Archivally matted to museum standards, unframed.
Image size 5 3/8 x 7 7/8 inches (137 x 200 mm); sheet size 11 1/8 x 14 1/2 inches (283 x 368 mm).
Impressions of this work are held in the following public collections: Burne Jones Collection (Illinois), Chazen Museum of Art, Chegodaev Collection (Moscow), Kent Collection (New York), National Gallery of Art, Philadelphia Museum of Art; SUNY Plattsburg Art Museum, Princeton University Library, Pushkin Museum (Moscow), Smithsonian American Art Museum, Spector Collection (New York), University of Illinois.
ABOUT THE ARTIST
Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world.
Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University.
Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper.
Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock...
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