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Stephanie Serpick_Void of Modern Life 6_Oil On Panel_16 x 20 in_Expressionism
By Stephanie Serpick
Located in Darien, CT
The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...
Category

2010s Expressionist Interior Paintings

Materials

Panel, Oil

Stephanie Serpick_Void of Modern Life 8_Oil On Panel_16 x 20 in_Expressionism
By Stephanie Serpick
Located in Darien, CT
The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...
Category

2010s Expressionist Interior Paintings

Materials

Oil, Panel

Stephanie Serpick_Void of Modern Life 2_Oil On Panel_9 x 12 in_Expressionism
By Stephanie Serpick
Located in Darien, CT
The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...
Category

2010s Expressionist Interior Paintings

Materials

Panel, Oil

Stephanie Serpick_A New Fall 39_2020_Oil On Panel_16 x 20 in_Expressionism
By Stephanie Serpick
Located in Darien, CT
The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...
Category

2010s Expressionist Interior Paintings

Materials

Panel, Oil

Lizbeth Mitty, Sunday, 2019, oil on canvas, 6 x 8 inches, Symbolist
By Lizbeth Mitty
Located in Darien, CT
Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...
Category

2010s Symbolist Still-life Paintings

Materials

Oil, Canvas

Lizbeth Mitty, Nickle Beach, 2017, oil on canvas, 6 x 8 inches, Symbolist
By Lizbeth Mitty
Located in Darien, CT
Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...
Category

2010s Symbolist Still-life Paintings

Materials

Oil, Canvas

Lizbeth Mitty, Melting Light, 2019, oil on canvas, 12 x 12, Still Life
By Lizbeth Mitty
Located in Darien, CT
Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...
Category

2010s Romantic Still-life Paintings

Materials

Oil, Canvas

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