ODETTA Drawings and Watercolor Paintings
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Style: Minimalist
Norma Márquez Orozco, Purple Shapes, 2018, Translucent Paper, Minimalist, 31x31
By Norma Marquez Orozco
Located in Darien, CT
Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition.
The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move.
When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own.
Norma Márquez Orozco was
born
in
Chicago,
Illinois,
and
raised
in
Guadalajara,
Jalisco,
Mexico.
Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered.
She currently lives and works in New York City. Marquez Orozco
has
curated
exhibitions throughout
New
York
and
has hosted
lectures
and
artist
talks
for
the
public. In
2001
she founded
Floor4Art, an
alternative
space
in
West
Harlem
that
houses
artist’s
studios
and
exhibition
space
aimed
at
producing,
promoting
and
connecting
artists.
Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...
Category
2010s Minimalist Abstract Sculptures
Materials
Archival Paper
Norma Márquez Orozco, The Sun, 2016, Translucent Paper, 30 x 30, Minimalist
By Norma Marquez Orozco
Located in Darien, CT
Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition.
The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move.
When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own.
Norma Márquez Orozco was
born
in
Chicago,
Illinois,
and
raised
in
Guadalajara,
Jalisco,
Mexico.
Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered.
She currently lives and works in New York City. Marquez Orozco
has
curated
exhibitions throughout
New
York
and
has hosted
lectures
and
artist
talks
for
the
public. In
2001
she founded
Floor4Art, an
alternative
space
in
West
Harlem
that
houses
artist’s
studios
and
exhibition
space
aimed
at
producing,
promoting
and
connecting
artists.
Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...
Category
2010s Minimalist Abstract Sculptures
Materials
Archival Paper
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_Oceanic Plastic, 2015
By Ellen Hackl Fagan
Located in Darien, CT
Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between c...
Category
21st Century and Contemporary Minimalist Abstract Drawings and Watercolors
Materials
Archival Ink, Rag Paper, Pigment, Acrylic Polymer
Sylvia Schwartz, 'Red Plane', 2016, Thread, Masonite, Acrylic Paint, Minimalist
By Sylvia Schwartz
Located in Darien, CT
In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist's own fingerprint...
Category
2010s Minimalist Abstract Drawings and Watercolors
Materials
Thread, Masonite, Acrylic, Handmade Paper, Pigment
Sara Eichner, 32 Layers, 4 Colors, 2017, Minimalist Abstraction, Ink
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Minimalist Abstract Drawings and Watercolors
Materials
Ink, Pen
Sara Eichner, 32 Layers of Rectangles, 2016, Minimalist Abstraction, Ink
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means.
To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering.
These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process.
Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...
Category
2010s Minimalist Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers Pink and Orange, 2016, , Minimalist Abstraction, Ink
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means.
To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering.
These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process.
Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...
Category
2010s Minimalist Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers, 4 Colors, 2017, Minimalist Op-Art, Ink, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Minimalist Abstract Drawings and Watercolors
Materials
Ink, Pen
Audrey Stone, #25, 2010, Thread, Paper, Ink, Pencil
By Audrey Stone
Located in Darien, CT
Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...
Category
21st Century and Contemporary Minimalist Abstract Drawings and Watercolors
Materials
Thread, Paper, Ink, Pencil
Audrey Stone, #24, 2010, Thread, Paper, Ink, Pencil
By Audrey Stone
Located in Darien, CT
Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...
Category
21st Century and Contemporary Minimalist Abstract Drawings and Watercolors
Materials
Thread, Paper, Ink, Pencil
Audrey Stone, #64 Hot Spot, 2011, Thread, Rag Paper, Graphite
By Audrey Stone
Located in Darien, CT
Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...
Category
21st Century and Contemporary Minimalist Abstract Drawings and Watercolors
Materials
Thread, Rag Paper, Graphite
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