Ottocento Animal Drawings and Watercolors

Shirley Smithers (British, 20th Century) March Hares Watercolour Signed ‘Shirley Smithers’ (lower right) 6.7/8 x 8.7/8 in. (17.4 x 22.5 cm.)

George Alfred Boden (British, 1888 – 1956) Eagle sunrise Gouache on paper Signed ‘G. A. Boden.’ (lower right) 19.3/4 x 12.1/2 in. (50 x 32.1cm.) Now in a new white mount

Kate Greenaway (British, 1846 – 1901) ‘Prince Finikin and his Mamma sat sipping their bohea..’; and ‘You see, merry Phyllis, that dear little maid, Has invited Belinda to tea..’ Penc...

Mona Alizon Edmonds (British, circa 1944) Black and tan terriers Watercolour on paper Signed, inscribed and dated ‘Black and tan terriers (minature) Dogs and Bitch. AM Edmonds. 19...

Mona Alizon Edmonds (British, circa 1944) The black and tans day Inscribed with title, signed and dated ‘May 1944 M. Alizon Edmonds.’ (lower edge) Pencil, watercolour and body colour...

Mona Alizon Edmonds (British, 1911 – 1983) Unfinished monkey business, 1944 Pen and watercolour 11.3/8 x 11.3/8 in. (28.7 x 28.7 cm.)

John Sargeant (British, 1937 – 2010) Studies of a tabby cat Mixed media Signed and dated ‘John Sargeant 1974 (lower right) 8.7/8 x 12in. (22.6 x 30.5 cm.)

Sir Peter Markham Scott CH CBE DSC FRS FZS Hart Laubs Duck Watercolour on paper 4.3/8 x 6.1/2 in. (11.2 x 16.5 cm.) Provenance: Painted by Scott as a visual record for a bird spotte...

A rare and charming study of cows by 18th Century French painter, engraver and designer Jean-Baptiste Huet. The details are: Jean Baptiste Huet (French, 1745 – 1811) Study of cows P...

English School, circa 1900 In the ten acre pasture Ink and bodycolour on paper 4.5/8 x 13.5/8 in. (11.8 x 34.7 cm.)

Elsie Marian Henderson (British, 1880-1967) Crouching Leopard Charcoal and pastel on paper 8 x 12.1/8 in. (20.3 x 30.8 cm.) Provenance: The estate of the artist Sally Hunter Fine Art, London Elsie Marian Henderson was born in Eastbourne in Sussex and with the encouragement of her mother, a keen amateur painter, she attended the South Kensington Schools before studying at the Slade School of Fine Art between 1903 and 1905. She continued her art education in Paris and in 1916, after returning to London she enrolled at the Chelsea Polytechnic, where she was taught lithography by the artist Francis Ernest Jackson...

Elsie Marian Henderson (British, 1880-1967) Seated Leopard Charcoal and crayon 11.3/8 x 7.7/8 in. (28.8 x 20 cm.) Provenance: The estate of the artist S...

Sven Berlin (British, 1911 - 1999) Pegasus Pen and ink on paper laid down on card 11 x 7.7/8 in. (28 x 20 cm.) (16) Sven Berlin, born in Sydenham, London ...

Sven Berlin (British, 1911 - 1999) Bowing donkey Ink on paper Signed and dated `SVEN ‘86’ (lower right) 15x 21.1/4 in. (38 x 54 cm.) (44) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draughtman and writer. He was a key player in the development of the St. Ives art movement. Having studied at the Beckenham School of Art and after a successful career as an adagio dancer in the music-halls he moved to Cornwall with his first wife Helga in 1938 to study at the Camborne-Redruth School of Art, pre-dating the arrival of Barbara Hepworth and Ben Nicholsen to Cornwall. As WW2 broke out, Berlin initially remained a conscientious objector. He worked in the market garden...

Sven Berlin (British, 1911 - 1999) Crazy horse Watercolour and gouache Signed and dated `SVEN ‘1980’ (lower right) 21./14 x 14.7/8 in. (54 x 37.8 cm.) (47)...

Sven Berlin (British, 1911 - 1999) A strutting cockerell Pen and ink 8 x 4.5/8 in. (20 x 12 cm.) (4) Sven Berlin, born in Sydenham, London on 14th Septemb...

Sven Berlin (British, 1911 - 1999) The alpaca herd Pen, ink and bodycolour on paper 14.1/8 x 14.1/8 in. (36 x 36 cm.) (18) Sven Berlin, born in Sydenham, ...

Sven Berlin '(British, 1911 - 1999) Strutting cock Ink on paper 14.1/8 x 10.3/4 in. (36 x 27.3 cm.) Sven Berlin, born in Sydenham, London on 14th Septembe...

Sven Berlin (British, 1911 - 1999) Hare Pencil on paper Signed, inscribed and dated `HARE’ (lower left), and ‘SVEN ‘79’ (lower right) 14.7/8 x 22.3/4 in. (37.8 x 57.8 cm.) Sven Berl...

Sven Berlin (British, 1911 - 1999) White bird Pen and ink Signed with monogram, inscribed and dated `WHITE BIRD SclPT MY 87 SB’ (lower middle) 12.3/4 x 7.3/4 in. (32.3 x 19.7 cm.) S...

Sven Berlin (British, 1911 - 1999) Heron Swallowing Fish, a study for a sculpture Pen and ink Signed with monogram, inscribed and dated `HERON SWALLOWING F...

Sven Berlin, (British, 1911 - 1999) Jacobs Sheep Pencil on paper Inscribed with title, signed and dated 'SVEN 99' (lower right) 5.1/4 x 8.5/8 in. (13 x 22 cm.) Sven Berlin, born in ...

Sven Berlin (British, 1911 - 1999) Stag on alert Pen and ink Signed and dated 'SVEN 95' (lower edge) 7.7/8 x 11 in. (20 x 28 cm.) Sven Berlin, born in Syd...

Sven Berlin (British, 1911 - 1999) Owl in flight #2 Pen and ink 7.7/8 x 11 in. (19.7 x 28 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, d...

Sven Berlin (British, 1911 - 1999) Cock Black felt pen on paper Inscribed with title (lower left) 11.3/4 x 14 in. (29.7 x 35.5 cm.) Sven Berlin, born in Sydenham, London on 14th Sep...

Sven Berlin (British, 1911 - 1999) Running Hare Black and brown ink on paper 15.3/4 x 22 in. (40 x 55.8 cm.)

Sven Berlin (British, 1911 - 1999) Equus Pen and ink 7.7/8 x 12.3/4 in. (19.7 x 32.4 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draug...

Sven Berlin (British, 1911 - 1999) A Swan landing Pen and ink 14.1/2 x 14.1/2 in. (36.8 x 36.8 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English paint...

Frank Adams (British,1871-1944) “Pray, Mistress Mouse, / will you give us some beer?”/Heigho! Says Rowley, / “For Froggy and I are/fond of good cheer”. / With a rowley powley/Heigho!...

Eileen Soper, RMS SWLA (British, 1905 – 1990) The wind blew the washing Pen and ink 5 5.1/2 in. (17 x 12 cm.) Provenance: The Estate of George and Eileen Sopen Chris Beetles Gallery, Ryder Street, London Illustrated; Eileen Sopen, sail away shrew, London: Hodder & Stoughton, 1949, Page 16

Eileen Soper, RMS SWLA (British, 1905 – 1990) Rabbit was in one of his dreamy moods Signed ,inscribed with title (below mount) Pen and ink 3.1/4 x 5.1/4 in. (9 x 16.2 cm.) Provenanc...

Edward Julius Detmold (British, 1883 – 1957) Hornbill Pen and ink on paper Signed with initials’ ED’ (lower right) 16.3 x 15.8 cm. Edward Julius Detmold (21 November 1883 Putney, Wandsworth, Surrey - 1 July 1957 Montgomery) and his twin brother Charles Maurice Detmold (1883-1908) were prolific Victorian book illustrators. Their parents were Edward Detmold and Mary Agnes Luck. Their father, an electrical engineer was chronically ill, and they lived with their uncle and guardian, Dr Edward Barton Shuldham, who saw to their tuition and was a noted collector of porcelain and Japanese woodprints of plants and animals. Dr Shuldham occupied a house in Upper Richmond Road, Putney, where the twins had been born. He ensured their interest in natural history and art, and created a nurturing environment for their precocious talents. They also spent time with another uncle, the painter Henry E. Detmold, who encouraged them in their art. Most of their prodigious energy was expended on depicting animal subjects and their work showed great influence from traditional Japanese art, Albrecht Dürer and later the Art Nouveau movement. They were exhibiting watercolours at the Royal Academy and the Royal Institute of Painters in Water Colours at the age of 13. Edward Burne-Jones praised their work and warned against the dangers of uniformity inherent in art schools. The twins subsequently mastered the techniques of watercolour etching and of colour printing with copper plates, buying a printing press and producing their own proofs at home. In 1898 they compiled a portfolio of colour etchings of animals and flowering plants done in the Japanese style. These were much sought after and were rapidly sold out. They collaborated on the etchings and illustrations for their first book Pictures From Birdland published in 1899. This book resulted from a number of drawings being shown in the autumn of 1897, to the publisher J. M. Dent, who was so impressed that the two brothers were asked to provide coloured illustrations for a book of his. The first title mooted was Alphabet of Birds, eventually becoming Pictures from Birdland. "Particularly noticeable are the early influences in the paintings, Edward's design for an osprey, with its unusual water effects, testifying to a Japanese contribution. Already apparent is that style in which a searching study of natural forms, especially bird plumage, is subordinated to decorative arrangement" - David Larkin (The Fantastic Creatures of Edward Julius Detmold) This was followed in 1900, by an exhibition at the Fine Art Society's Gallery in London. Their next joint project was to produce a set of 16 watercolours for Rudyard Kipling's The Jungle Book published in 1903, by Macmillan. The success of their painting careers seemed assured, but Maurice ended his life by inhaling chloroform in April 1908, shortly before they were due to leave for a holiday in Sussex with Dr Shuldham, who had arranged that Maurice put down the household cats using the anaesthetic. Although stunned by the death of Maurice, Edward threw himself into his work. The recognition accorded the twins' illustrations of Kipling's classic tale was extraordinary. Consequently, in 1909 Edward illustrated The Fables of Aesop, producing 23 colour plates and a host of pen & ink drawings. This proved so popular that in 2006 The Folio Society of London published a facsimile of the original Hodder & Stoughton edition. In 1911, Detmold worked on illustrations for Maurice Maeterlinck's The Life of the Bee, Camille Lemonnier's Birds and Beasts and Florence Dugdale's Book of Baby Beasts. In the following year he worked on Maeterlinck's Hours of Gladness, in 1913, on Florence Dugdale's Book of Baby Birds and in 1919, on W. H. Hudson's Birds in Town and Village In 1919, he also produced a portfolio of Twenty Four Nature Pictures and, in 1921, on Our Little Neighbours and Jean-Henri...

Ernest Howard Shephard (British, 1879 – 1976) The land of the lost toys – ‘Oh that’s you is it’ Inscribed with title (lower edge), and further inscribed ...

Walter Bothams (British, 1850 – 1914) Dartmoor ponies Watercolour on paper Signed and dated ‘ W Bothams 84’ (lower right) 10.1/4 x 8in. (26 x 20.3 cm.)

Carl Hofer (German, 1875 – 1955) Elefantenbulle (Bull elephant) Pencil on paper Signed with monogram ‘CH’ (lower right) 15.3/4 x 13.3/8 in. (40 x 34 cm.) Provenance: These works come from the artist’s second wife Elizabeth and from then by descent. Carl Hofer was a German expressionist painter and the director of the Berlin Academy of Fine Arts. One of the most important painters of the Expressionist movement, his work was among those that was considered degenerate art by the Nazis. He studied in Karlsruhe under Hans Thoma. He first visited Paris in 1899 making acquaintance with Julius Meier-Graefe. In 1902 he studied in Stuttgardt and became friends with the sculptor Hermann Haller...

Albert Goodwin (British, 1834 – 1932) Sleeping lambs Pencil and chalk on paper 7.1/8 x 10.1/8 in.(18.2 x 26 cm.) Inscribed ‘Sketched by Albert Goodwin RWS’ (on the reverse)

William Heath Robinson (British, 1872-1944) 'The Friendly Dog' Signed 'W. Heath Robinson.' (lower right) Pen and ink on paper 11 X 8.1/2in. (28 X 21.7cm.) (excluding frame) 46 x 38cm. (18.1/4 x 15in. (including frame) Literature: 'Old Time Stories', Constable and Co. 1921, P. 143 William Heath Robinson was an artist and illustrator mainly associated with his gloriously complicated inventions for simple objectives. The name Heath Robinson has become commonplace in the English language as a result to describe anything mechanical that is eccentric, ridiculously complex and ingenious at the same time . Interestingly one of the automatic analysis machines built for Bletchley Park...