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American, 1912 portrait of a man in a red tie by female artist Elizabeth Grandin
By Elizabeth Grandin
Located in Petworth, West Sussex
Elizabeth Grandin (American, 1889 – 1970)
‘Man with red tie’, 1912
Oil on canvas
Signed with studio stamp, with inventory number 333 and inscribed ‘Spain c…. 1912’ (on the reverse)
2...
Category
20th Century Post-Impressionist Portrait Paintings
Materials
Canvas, Oil
Original painting for JOB cigarettes advert, 1900, by French artist Gervais
Located in Petworth, West Sussex
Paul Gervais was one of the most highly regarded painters of the female form in the late 19th Century but this is one of his most famous images as it was used in the advertising camp...
Category
19th Century Academic Portrait Paintings
Materials
Canvas, Oil
Portrait study by mid 20th Century British artist George Fullard
Located in Petworth, West Sussex
George Fullard ARA (British, 1923 – 1973)
Portrait study
Mixed media on paper
Signed and dated ‘Fullard / Feb 56’ (lower right)
18.1/4 x 14.1/4 in. (46.4 x 36.3 cm.)
After serving i...
Category
20th Century Abstract Portrait Paintings
Materials
Paper
French School, 17th Century, 'Portrait of the Marquise de Grugieres', oil canvas
Located in Petworth, West Sussex
French school, 17th Century
Portrait of the Marquise de Grugieres
Oil on canvas
26.1/4 x 21.5/8 in. (66.7 x 54.8 cm.)
In a gilded composite frame, later production (possible early 1...
Category
17th Century Old Masters Portrait Paintings
Materials
Canvas, Oil
Raoul Dufy's wife by Raoul Dufy, gouache on paper, 1915, French Fauvist portrait
By Raoul Dufy
Located in Petworth, West Sussex
A striking and very intimate work created by the renowned Fauvist artist Raoul Dufy in the early 20th century, depicting his wife in 1915. This artwork is a rare and very precious ge...
Category
Early 20th Century Fauvist Portrait Paintings
Materials
Paper, Gouache
1931 Portrait oil painting by Swiss artist Gottardo Segantini or Bergsma
Located in Petworth, West Sussex
This is a captivating portrait of Samuela Bergsma, executed by the Swiss artist Gottardo Segantini. Painted in the Divisionist style, the artwork em...
Category
20th Century Post-Impressionist Portrait Paintings
Materials
Canvas, Oil
1938 portrait of Marie la Guivinee by Belgian artist Jean van den Eeckhoudt
Located in Petworth, West Sussex
A very engaging Post Impressionist portrait painted in 1938 by the Belgian painter Jean Van den Eeckhoudt.
The details of the work are as follows:
Jean Vanden Eeckhoudt (Belgian, ...
Category
20th Century Modern Portrait Paintings
Materials
Canvas, Oil
Popart, 1960s painting of Charlie Chaplin by Welsh artist Jeffrey Morgan
Located in Petworth, West Sussex
Jeffrey Morgan (British, b.1942)
Charlie Chaplin
Poster paint and collage
23.3/4 x 14.5/8 in. (60.3 x 37.2 cm.)
A 1960s pop art design for a tin print f...
Category
20th Century Pop Art Portrait Paintings
Materials
Paint
Popart, 1960s painting of Eric Von Stroheim by Welsh artist Jeffrey Morgan
Located in Petworth, West Sussex
Jeffrey Morgan (British, b.1942)
Eric Von Stroheim
Poster paint and pencil
24 x 16.3/8 in. (61 x 41.6 cm.)
A 1960s pop art design for a tin print for JR...
Category
20th Century Pop Art Portrait Paintings
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Old Master portrait of a lady musician by the master or portraiture
Located in Petworth, West Sussex
Attributed to Pierre Paul Prud’hon (French, 1758-1823)
'La belle musicienne'
Oil on canvas, oval
Signed ‘P. P. Prudon’ (lower left)
28.3/4 x 23.1/2 in. (73 x 59.5 cm.)
Pierre Paul Prud'hon is considered a prime example of early French Romanticism. He was born as the seventh and last child of a master tailor. At the age of 16 he was a pupil of the painter and sculptor Francois Devosge. After finishing his studies he moved to Paris, where he first worked for an engraver and became friends with the Baron of Joursanvault, who became his patron. He also made a friendship with the "incorruptible", the politician and revolutionary Maximilien de Robespierre. Despite important friendships and the care of some cardinals, Prud'hon plunges into loneliness and melancholy. He has a good reputation and produces allegorical paintings, but his attachment to Robespierre forces him to leave the French capital. He now lives in the Free County of Burgundy, where he makes portraits and illustrations for Pierre Didot, the owner of the printing house. After a few years he moved back to Paris and his career received a new impetus.
In the Louvre, Prud'hon is provided with a studio in which he paints "La sagesse et la vérité descendant sur la terre" (Wisdom and Truth descend to earth) for one year, as well as some ceilings of the Louvre. The government assigns him a studio in the Sorbonne, where his wife Jeanne, whom he married at the age of 19, comes looking for him. To escape her, he asks the museum director for protection. In 1808 he wrote "La justice et la vengeance divine poursuivant le crime" (Justice and divine revenge pursue the crime). In the same year he is also named Knight of the Legion of Honour and is able to break with his grumpy wife once and for all. He soon reconnects with his student and painter of neoclassicism Constance Mayer. Pierre is commissioned to paint a portrait of the Empress and wife of Napoleon, Joséphine de Beauharnais, which can still be seen today in the Louvre. He also paints the small "Roi de Rome" (King of Rome). In 1816 the Academy of Fine Arts elected him a member, where he took over the armchair in the painting section of François-André Vincent.
A few years later his depressed wife commits suicide, and full of pain Prud'hon finishes her last work "Une famille malheureuse" (Engl. An Unhappy Family) and exhibits it. He himself dies soon afterwards and is buried in Paris.
Many renowned artists admire Prud'hon for his "clair-obscur", the chiaroscuro painting...
Category
18th Century Old Masters Portrait Paintings
Materials
Canvas, Oil
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The painting depicts the Virgin Mary holding the Child Jesus in a tender and intimate moment. Warm colors, primarily reds, greens, and soft flesh tones, enhance the devotional nature of the scene. The use of golden halos, symbolizing sanctity, along with serene and realistic expressions, directly connects with the Renaissance pictorial tradition.
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