Paulson Fontaine Press Still-life Prints

This beautiful early 20th-century aquatint is after an 18th-century engraving by Richard Earlom (1743-1822) of a work by the Dutch master, Jan Van Huysum (1682-1749). In the late 18...

This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...

Guy Allen Bumblebee Etching Edition Size: 75 Year Completed: 2019 Image Size Diameter: 28cm Approximate Size if Framed: H50cm x W50cm Sold Unframed (Please note that in situ images a...

Unique photo etching of a cup and saucer by Claudette McElroy (American, b. 1943). Numbered (6/8), titled (Cup & Saucer), and signed (C. McElroy) along t...

Jane Peart Elephant Family Limited Edition Etching Print Edition of 100 Image Size: H 14cm x W 11cm Signed Sold Unframed Please note that in situ images are purely an indication of h...

"Sum of the Parts" - Abstract Etching in Ink on Paper (#3/20) Dark abstract print by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, with three rows of three similarly shaped objects. They are somewhat rectangular, but with rounded corners, like stacked rocks...

Signed and numbered (14 of 25) etching from this much collected Scottish Artist. Image 8 x 8 Excellent condition. Matted Ian Laurie was born in 1933 and is a self taught artist ...

This artwork titled "Pot au Lait" c.1980 is an original aquatint by noted Swiss artist Annapia Antonini, b.1942. It is hand signed, titled and numbered 69/100 ...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...

Charlie Davies Flying amongst the flowers Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Fr...

Charlie Davies Wysteria Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shipping Please...

Blackburn, Morris Atkinson (American 1902-1979). RADAR AND EXHAUST. Etching and aquatint, c. 1958. Edition size not known. "Signed Morris Blackburn per ETB," thus likely an estate s...