Poncelin de Raucourt Fine Arts (SARL)

Workshop of Michelangelo, possibly Piero d’Argenta (active c. 1497–1530) Studies of the Galli Statue and of an Ignudo Pen and brown ink on laid paper 19.1 × 13 cm Executed c. 1510–...

Portrait of a Spanish Woman, dressed as a maja Spain, circa 1890–1910 Oil on canvas, 55 x 46 cm Unsigned Provenance Private collection, France Note This refined portrait of a Span...

Created at the height of the Munka (“Work”) circle’s activity, Seated Woman marks a critical moment in Ernő Schubert’s artistic trajectory—from the immediacy of expressionism to the ...

French School, early 19th century Battle Scene between Greeks and Ottomans, circa 1820–1830 Pencil and brown wash on paper, 30 × 46 cm Unsigned Provenance: Former collection of P...

Italian School, 17th century Study after Bernardino Lanino’s Frescoes in Santa Caterina, Milan Red chalk on paper 297 x 186 mm Annotated on the verso: “Vani” (otherwise unsigned) ...

Roman School (circa 1590–1620) Study of a Male Executioner Black chalk on laid paper, 275 x 199 mm Unsigned Formerly Giancarlo Sestieri Collection This dynamic figure study, exe...

Michel CORNEILLE the Younger (Paris, 1642 – 1708) Roman Charity (Cimon and Pero) Black chalk with white highlights on beige paper Height: 28 cm – Width: 20 cm Unsigned France, cir...

CARLO URBINO (Crema 1525 - after 1585) Draped Woman Holding a Branch Pencil and brown ink on laid paper 13.6 x 7.7 cm Unsigned 16th century Mounted on 20th-century paper Handwrit...

Attributed to Jacob JORDAENS (Antwerp 1593–1678) Study of Feet and a Figure Sketch Red and black chalk on laid paper 25.9 × 18.4 cm (10¼ × 7¼ in.) Unsigned Minor losses, folds, an...

Attributed to Charles-Joseph NATOIRE (Nîmes 1700 – 1777 Gandolfo) Academy Study of a Seated Male Figure Seen from the Back (Youthful study executed around the 1720s–1730s, likely du...

Domenico Maria Canuti (1625–1684) Study of a Seated Satyr, Seen from Behind Red chalk on laid paper with watermark 39 × 26 cm Unsigned Provenance: Private Collection, France Note...

Attributed to Jan VAN DER STRAET, called Stradanus (Bruges, 1523 – Florence, 1605) Hunting Scene Pen and brown ink, brown wash and white heightening on prepared brown paper, 26 × 31 cm Unsigned Provenance Private collection, France This striking and highly accomplished drawing depicts a wild boar hunt in a wooded landscape, animated by numerous figures and animals. The dramatic energy of the foreground, where hounds and hunters engage the beast, is heightened by the bold use of white heightening, which models the forms and enlivens the surface. The background, structured by tall trees and populated with additional hunting scenes, lends the composition a theatrical depth. Attributed to Jan van der Straet, known as Stradanus, this work belongs to the artistic context of Medicean Florence, where the artist developed an important body of hunting scenes intended for illustration and engraving. Influenced by Italian Renaissance models as well as his native Flemish culture, Stradanus excelled in dynamic storytelling and elegant draftsmanship. The drawing may have been a preparatory study for one of the compositions from the celebrated Venationes Ferarum, Avium, Piscium series, engraved in Antwerp under the supervision of Philips Galle...