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R. S. Johnson Fine Art Figurative Prints

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The Great Draughtsman Sitting (Self-Portrait)
By Jacques Villon
Located in Chicago, IL
This etching is signed and numbered by the artist and was printed in an edition of 50. The references for this work are: Auberty & Perussaux 266 and Ginestet & Pouillon E. 385 II/II...
Category

1930s Modern Figurative Prints

Materials

Etching

Venus and the Rose (2nd State)
By Giorgio Mantovano Ghisi
Located in Chicago, IL
Engraving after Luca Penni
Category

16th Century Old Masters Prints and Multiples

Materials

Engraving

Les Plaisirs du Bal [before 1st State] (The Pleasures of the Ball)
By (After) Jean-Antoine Watteau
Located in Chicago, IL
Les Plaisirs du Bal (before 1st State), 1730 The Pleasures of the Ball Pure etching only by Gérard Jean-Baptiste Scotin II (born Paris 1698) 495 x 640 mm.; 19 3/8 x 25 1/8 inches ...
Category

18th Century Old Masters Figurative Prints

Materials

Etching

Allegorical Figure, Holding a Ball
By Giorgio Mantovano Ghisi
Located in Chicago, IL
Provenance: Edouard Schultze (Lugt 906) References: Bartsch 34 Boorsch & Lewis 38 Notes: A fine impression of this engraving. Boorsch and Lewis state that this work dates from “the mid-1560s” and suggest that it was after a work by Giulio Romano...
Category

16th Century Old Masters Figurative Prints

Materials

Engraving

The Large Village Fair
By Cornelis Dusart
Located in Chicago, IL
The Large Village Fair, 1685 Etching 268 x 377 mm.; 10 1/2 x 13 1/4 inches Watermark: Arms of Amsterdam Provenance: H. Freiherr von und zu Aufsess (Lugt 2749) M. Menge (Lugt 1893a). References: Hollstein 16 Notes: A fine, early impression (before spots on the sky) of one of Dusart’s most powerful and fanciful works. Concerning the provenances of this etching: Hans von und zu Aufsess (1801-1872) was a great book lover and also a major collector of Old Master prints. He was one of the founders, in 1852, of the Germanisches Museum in Nürnberg and was that museum’s director until 1862. Mas Menge (died in 1945) was a famous violinist and also a major collector of Old Master prints and drawings.
Category

17th Century Old Masters Figurative Prints

Materials

Etching

The Singers
By Adriaen van Ostade
Located in Chicago, IL
The Singers (4th State), 1667 Etching printed with tone 240 x 190 mm.; 9 1/2 x 7 1/2 inches Provenance: W. Benoni White (Lugt 2592) Karl Herweg (not in Lugt) References: Godefroy 19 IV/VII Hollstein 19 IV/VII Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47 Notes: A very fine impression of the rare 4th state (of seven) of this major Van Ostade. Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state. Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland. Pelletier (S. William Pelletier, Adrian Van Ostade...
Category

17th Century Old Masters Figurative Prints

Materials

Etching

The Hunchbacked Fiddler (3rd State)
By Adriaen van Ostade
Located in Chicago, IL
The Hunchbacked Fiddler (3rd State), 1654 Etching 266 x 113 mm.; 6 1/2 x 4 7/16 inches Watermark: Fleur-de-lys in a Crowned Shield References: Godefroy 44 III/VI Hollstein 44 III/VI Pelletier, Adrian van Ostade...
Category

17th Century Old Masters Figurative Prints

Materials

Etching

Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
By Giovanni Benedetto Castiglione
Located in Chicago, IL
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...
Category

17th Century Old Masters Figurative Prints

Materials

Laid Paper, Etching

L'Armoire (2nd State)
By Jean-Honoré Fragonard
Located in Chicago, IL
The Armoire Etching 340 x 469 mm.; 13 3/8 x 18 1/8 inches Reference: Inventaire 18e siècle 9: 289-90, No. 22 Wildenstein 1956, cat. No. 23, State II/IV Regency to Empire, 1...
Category

18th Century Rococo Figurative Prints

Materials

Etching

Christ and the Little Saint John Playing with the Lamb (2nd State)
By Christoffel Jegher
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp) 337 x 451 mm.; 13 1/4 x 17 3/4 inches Provenance: The Metropolitan Museum of Art, New York, Duplicate stamp on verso...
Category

17th Century Baroque Figurative Prints

Materials

Woodcut

Bellos Consejos (Wonderful Advice)
By Francisco Goya
Located in Chicago, IL
An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime. References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1 Prado ...
Category

18th Century and Earlier Old Masters Figurative Prints

Materials

Etching, Aquatint

Femme au Lys (Woman with Lily)
By Paul Guiramand
Located in Chicago, IL
This lithograph comes from an edition of 110, it is signed and numbered. Paul Guiramand, painter, sculptor and lithographer, was born in 1926 in Saint-Quentin in northern France. I...
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

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Street in Smyrna
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Street in Smyrna. 1889. Etching. Wisselingh 34. 7 x 5 1/4 (sheet 12 7/8 x 8 7/8).Edition 100, number 49. A rich, tonal impression printed on Strasbourg cream laid paper on the full s...
Category

Late 19th Century Old Masters Figurative Prints

Materials

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The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
Located in Saint Augustine, FL
Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...
Category

1680s Old Masters Figurative Prints

Materials

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Piquier Allemand (German Pikeman) /// Old Masters Figurative Man Soldier Antique
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Artist: Armand Joseph Lallemand (French, 1810-1871) Title: "Piquier Allemand (German Pikeman)" Portfolio: Gazette des Beaux-Arts Year: 1866 Medium: Original Etching on cream laid pap...
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1860s Old Masters Figurative Prints

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Two Fools (or Fool and Foolish Woman)
By Hans Sebald Beham
Located in New York, NY
Hans Sebald Beham (1500-1550), an engraving after Beham’s Two Fools (or Fool and Foolish Woman), engraving, c 1540, a copy or impression in reverse of Pauli 215, Bartsch 213, the cop...
Category

16th Century Old Masters Figurative Prints

Materials

Engraving

Self-Portrait with Plumed Cap - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Self-Portrait with Plumed Cap and Lowered Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece...
Category

19th Century Old Masters Figurative Prints

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Telephe guéri, from "Le Temple des Muses"
By Bernard Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the myth of Telephus and his healing. Plate with fresh impression, from the volume “Le Temple des Muses...
Category

1740s Old Masters Figurative Prints

Materials

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San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures. Paolo Vero...
Category

Early 1700s Old Masters Portrait Prints

Materials

Engraving

Animal Figures for Antiquities - Original Etching - Mid-18th Century
Located in Roma, IT
Animal Figures for the Antiquities of Herculaneum Exposed, original etching from the mid-18th century, made by Various Old Masters. In very good condition, except for some stains al...
Category

18th Century Old Masters Figurative Prints

Materials

Etching

Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
By Giovanni Battista Piranesi
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category

1760s Old Masters Figurative Prints

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One Can't Tell Why - Proof from the Disasters of War
By Francisco Goya
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Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category

1810s Old Masters Figurative Prints

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Le Chaos, from "Le Temple des Muses" - Original Etching by B. Picart
By Bernard Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the myth of Chaos. Plate from the volume “Le Temple des Muses”, published in Amsterdam in 1742 by Zacharias Chatelain. Capture (under the image) and author "B. Picart del. 1731" inscribed under the frame engraved on the lower left margin. In good conditions, except for a normal yellowing of the margins. This was an illustrated book of Ovid's most popular fables published in 1733 in Dutch (Tempel der Zanggodinnen), in 1738 in English, and in 1742 in French by Zacharias Chatelain. The engravings had captions in four languages: French, English, German, and Dutch. The artists involved were Michel de Marolles, Bernard Picart, Jacques Favereau, Abraham van Diepenbeeck...
Category

1740s Old Masters Figurative Prints

Materials

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Louis XI, Roi de France
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