Reeves Art + Design Figurative Prints

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

Bold and colorful portrait by renowned artist T.C. Cannon of a Native American woman in a red dress with a gold cross around her neck titled "Woman at the Window." Signed along botto...

Modern art deco promotional poster by artist and illustrator Leonetto Cappiello. The work features a man using Nitrolian paint to paint a set of stairs as a woman walks down. The pa...

Blue-toned silkscreen portrait print of actress Marilyn Monroe by legendary photographer Bert Stern. The piece features a blue headshot portrait of Marilyn in blue on a metallic silv...

Modern pop art 3 dimensional silkscreen serigraph by contemporary artist Charles Fazzino. The work features a variety of vignettes that have been combined to create a larger hospital...

Colorful woodblock print by Japanese artist Toyohara Kunichika. The work features elaborately dressed kabuki actors in the middle of a dynamic scene. Currently hung in a black frame ...

Monochromatic abstract figurative lithography by Fermin Coronado. The piece depicts a figure of a lady surrounded by botanical elements. The piece is signed at the bottom. Framed in a simple gold frame...

Monochromatic abstract figurative lithograph of the Seven Archangels. Framed and matted in a beautiful ornate gold frame. Unsigned. Dimensions With Frame: H 6.13 in. x W 8 in.

Colorful abstract contemporary painting by Houston, TX artist Saralene Tapley. This painting features a portrait of a pair of female models set against a red floral background. Unfra...

Blue, red, brown, and green abstract figurative print by artist Jacob Lawrence. This piece depicts a central woman figure wearing a red dress and holding a golden sword while on a white horse. She is in the company of other figures by some tall, green, bushes. Signed and editioned by the artist at the bottom. Framed and matted in a thin gold frame. Dimensions Without Frame: H 30 in. x W 20 in. Artist Biography: Jacob Lawrence was born September 7, 1917, in Atlantic City, New Jersey, where his parents had migrated from the rural south. They divorced in 1924. His mother put him and his two younger siblings into foster care in Philadelphia. When he was 13, he and his siblings moved to New York City, where he reconnected with his mother in Harlem. Lawrence was introduced to art shortly after that when their mother enrolled him in after-school classes at an arts and crafts settlement house in Harlem, called Utopia Children's Center, in an effort to keep him busy. The young Lawrence often drew patterns with crayons. In the beginning, he copied the patterns of his mother's carpets. After dropping out of school at 16, Lawrence worked in a laundromat and a printing plant. He continued with art, attending classes at the Harlem Art...

Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or fa...

Modern abstract figurative lithograph by renowned artist John Biggers. The work features a trio of women carrying a house on their backs set against a rural landscape. Signed, titled...

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...

Warm toned mosaic style figurative abstract by Texas based artist Richard E. Fluhr. The work features a group of abstract figures broken up into a grid of twelve rectangles set against a black and white checkered background. Signed, dated, and editioned by the artist in the front lower left corner. Currently hung in a solid black frame. Dimensions Without Frame: H 41 in. x W 35 in. Artist Biography: Richard E. Fluhr was born in New York City in 1955 and moved to Texas to work as an artist. Beginning with ceramics at age 15 and showing at Ola Podrida Gallery in Dallas, he moved on to the University of Texas at Austin. Fluhr received his BFA from the University of Houston followed by an MFA in printmaking at the prestigious Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he graduated magna cum laude. He traveled extensively, painting life along the way in watercolor, oil or acrylic, usually on recycled materials, such as paper bags, pamphlets, and receipts. Fluhr exhibited in six galleries in the United States and several galleries in Mexico, where he also maintained a studio in the late 1980s. His art has been shown in the U.S., Russia, and Mexico and is represented in over 900 private and public collections, including the Brooklyn Museum of Art, NY; the Cranbrook Academy of Art Museum, Bloomfield Hills, MI; the Detroit Art...

Colorful abstract contemporary painting by Houston, TX artist Saralene Tapley. This painting features a portrait of a pair of male models set against a pink and blue wave background....

Modern abstract figurative lithograph by renowned artist John Biggers. The work features a trio of women carrying a house on their backs set against a rural landscape. Signed, titled, dated, and editioned along the front lower margin. Currently hung in a black frame with a white matting. Dimensions Without Frame: H 38.75 in. x W 27 in. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...

Modern abstract red and purple toned offset lithograph of a female figure by Italian artist Bruno Bruni. The work features a loosely rendered nude woman bent over in the process of c...

Colorful abstract contemporary painting by Houston, TX artist Saralene Tapley. This painting features a portrait of a pair of female models set against...

Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman with long, dark hair with both arms stretched to the sides while surrounded by lit candles. Her back faces the camera as she faces a wall with graffiti. The scene is reminiscent of Jesus on the cross. Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame. Dimensions Without Frame: H 17.25 in. x W 16.13 Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Pink-toned abstract contemporary figurative monotype print by Houston, TX artist, Saralene Tapley. This monotype depicts a black female nude in an i...

Modern abstract portrait lithograph by Venezuelan artist Hector Poleo. The work features a figure in profile wearing a yellow hat and matching outfit. Softly rendered in his signatur...

Hand painted print on silk of a mounted samurai warrior armed with a yumi style longbow. The work features a Japanese samurai wearing a kuwagata style helmet riding a black horse wit...

Black and white etching of a young woman named Jessie Magdalene Brewer. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry...

Figurative French etching from the Larousse dictionary of various gymnastic vaulting events. Each event features multiple stages of the movement, similar to the style of Eadweard Muybridge. Currently hung in a solid black from with a wide white matting. Dimensions Without Frame: H 3.5 in. x W 4.25 in. Artist Biography: Louis Bombled (1862-1927) is a French painter , draftsman and engraver. He was the son of the Dutch painter Karel Frederik Bombled. Living in Chantilly, he became a pupil of Évariste-Vital Luminais. He worked for the newspapers L'Illustration, Le Monde illustré, Le Petit Journal...

In this original poster, visionary artist Peter Max portrays runners in the New York City Marathon in technicolor hues. This piece is signed and...

Colorful abstract expressionist lithograph celebrating the 1976 Olympics in Montreal Canada by American artist LeRoy Neiman. The work f...

Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...

Blue toned abstract figurative enhanced giclée depicting three men wearing funky hats and red striped vests. Signed by artist at the bottom right. Framed in a black and gold thick fr...

Small black and white woodblock print depicting boat with houses. Possibly from the Woodstock School of Art. Inscribed and signed by artist. ...

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

Pink, lavender, yellow, and orange toned serigraph by German-American artist Peter Max. Abstract figurative pop culture serigraph (Edition 204/350) depicting the head of the Statue o...

Early 20th century engraving of Edouard Manet's "Boy with Sword" by notable artist Henry Wolf. Manet's stepson, Léon Koëlla-Leenhoff, posed for the original work in 1861. Manet dressed him in a seventeenth-century costume, adding a period sword as a prop—a tribute to the great Spanish painters he admired, notably Velázquez. Signed and dated by Wolf in the front lower right corner. Currently hung in a gold frame with a cream matting. Dimensions Without Frame: H 10.25 in. x W 7.5 in. Artist Biography: Henry Wolf was born on August 3, 1852 in Eckwersheim, France. He lived in Strasbourg and studied under Jacques Levy and exhibited in Paris. Henry Wolf moved to New York City in 1871, where he created wood engravings of works by Gilbert Stuart, Enric Serra Auqué, Frank Weston Benson, Howard Pyle, Henry Salem Hubbell, John Singer Sargent, A. B. Frost, Jan Vermeer...

Neoclassical landscape etching in the style of Joseph Vernet. The work includes a group of fishermen with nets and a boat set against an idealized backgr...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

Modern abstract black and white etching of three men in uniform on horseback. Dated and titled in lower left corner and signed in the lower right in pencil. Hung in a complimentary black matte and frame. Includes original 1970s purchase information on the back. Dimensions Without Frame: H 11 in. x W 9 in. Artist Biography: Lucas Johnson (1940-2002) was born in Hartford, Connecticut and raised in southern California. His work is included in the permanent collections of The Menil Collection...

“La Espera” Colored Etching Edition 14 of 100, signed in pencil on the right corner by Leticia Tarrago. The piece incorporates figurative and animal im...

Beautiful platinum contact print by John Kleinhans of the Maine coastline from 1992. There is a personal note on the front detailing that it was "for Mara and Bob Christmas 1992." The piece is signed, titled, and dated on the back. Dimensions Without Frame: H 10 in. x W 8 in. Artist Biography: Working together has been natural for photographer John Kleinhans and his wife, Paula Nelson...

Abstract figurative woodblock print of a beach landscape with a boat. The print is stamped by the artist and titled and editioned in pencil. This print is editioned 47 of 86 and the print is not currently framed. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...

Artist proof print by Houston, Texas artist Charles Criner. His work speaks numbers about the African American community and the history of oppression and slavery. The piece is titled "Angel in the Potato Field" and is signed and dated by the artist. The print is framed in a black frame with a white matte. Dimensions without Frame: H 30 in x W 21 in. Artist Biography: Charles Criner was born in the small East Texas town...

Black and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...

The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...

Etching of a seascape with a boat house and boats. The peice is titled, signed, dated, and editioned in pencil by the artist. The etching is framed in a wooden frame with a white mat...

Black and white figurative abstract surrealist lithograph signed Reves or River. The work is titled and editioned by the artist. The print is framed in a metal frame with a maroon ma...

Known for addressing difficult issues, this lithograph by Sue Coe tackles the difficult subject of rape culture. It is numbered in the lower left corner and signed and dated in the l...

Abstract lithograph of a staircase. The work is signed and editioned by the artist in pencil. It is framed in a unique wooden frame. Dimensions Without Frame: H 30 in x W 24 in. Ar...

Set of three etching of architectural landscapes of Roman cities. The works were printed in 1957 by Sidney z Lucas. The etching are all framed in gold f...

Surrealist figurative etching of a train of characters. The work is signed by Houston, Texas artist Jack Spivey. The work is framed in a wooden frame with ...

Photograph collage of Jenny Helzer and Barbara Kruger sitting in an Oshkosh car. The work is signed and titled by the artist Scott Griesbach who was known for photo collage works. It...

This etching print contains figures arranged into five separate scenes. The piece is signed and dated by the artist. It is framed in a black frame with a dark matte. Dimensions witho...

Abstract lithograph with a figure clutching a pink object with an enigmatic background. The lithograph is edition 11 of 79. The piece is framed in a floating silver frame with a white backing. The artist signed and editioned the lithograph. Dimensions without Frame: H 30 in x W 22 in. Artist Biography: Scholder has always worked in series of paintings. In 1967, his new series on the Native American, depicting the "real Indian...

Post-impressionist style artist proof lithograph of figures. The work is similarly to the style of Paul Gauguin's Tahiti paintings. The work is signed and titled by the artist. It is framed in a gold frame with a white matte. Dimensions without Frame: H 18.5in x W 24in. Artist Biography: Marcel Janco was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In the 1910s, he co-edited, with Ion Vinea and Tristan Tzara, the Romanian art magazine Simbolul. Janco was a practitioner of Art Nouveau, Futurism and Expressionism before contributing his painting and stage design to Tzara's literary Dadaism. He parted with Dada in 1919, when he and painter Hans Arp founded a Constructivist circle, Das Neue Leben. Reunited with Vinea, he founded Contimporanul, the influential tribune of the Romanian avant-garde, advocating a mix of Constructivism, Futurism and Cubism. At Contimporanul, Janco expounded a "revolutionary" vision of urban planning. He designed some of the most innovative landmarks of downtown Bucharest. He worked in many art forms, including illustration, sculpture and oil painting. Janco was one of the leading Romanian Jewish...

Surrealist Figurative lithograph of a man whose head turns into tree branches. The work is signed by the artist in pencil and editioned 2 of 25. The work is framed in a gold frame wi...

Portrait of a woman praying at a table with food. In the corner a cat reaching up to see over the table. The etching is signed by the artist in the botto...

Etching of a woman dressed in turn of the century attire looking out at the viewer. The work is signed in pencil by the artist. The etching is not framed. Artist Biography: William...

Pop art style figurative screenprint with two sets of figures in an embrace on cube shapes. In the middle is a lone figure with their head resting on their hand. The screenprint is a...

Figurative lithograph of a man in red riding through the air on a horn. The viewer looked out through a window with the view of the Dome of Cathedral of Santa Maria del Fiore...

Figurative work of a man dressed in red playing a horn. The work is signed, titled, and dated by the artist Fernando Pereznieto. This print is the artist print. The work is framed in...

Figurative surrealist print of a soldier as a marionette with others suspended in the air behind. A chair is positioned in the back corner with another marionette draped over the cha...

Blue toned serigraph of a carousel with horses. The work is signed and numbered by the artist. It is not framed but comes with a white matte. Artist Biography: Barbara Maples...

Woodcut print of a vase with flowers. The work is signed by the artist and dated. It is framed in a gold frame with a dark blue matte. Artist Biography: Mabuchi Toru was born in 1920 in Tokyo as the son of a woodblock engraver and artist. His father was his first teacher. Later he entered the Tokyo University of Fine Arts and became a student of the sosaku hanga artist Unichi Hiratsuka...