Robert Azensky Fine Art

The Island Inn on Monhegan Island Maine, a beautiful landscape by Richmond Irwin Kelsey (American, 1905 - 1987), 1977. Titled "Island Inn - Monhegan", signed and dated "Kelsey '77" ...

Wonderful expressionist painting of abstracted flowers in vase by Robert Henry Hurdle, RWA (English, b. 1918), 1970. Signed and dated lower right corner. Presented in rustic frame: Condition: Very good; painting had been glued into frame which is now restored. Image size: 16"H x 12"W. Framed size: 18.50"H x 22.50"W. Robert Henry Hurdle, Royal West of England Academy (RWA) was born in London on 9th August 1918. He first trained at the Richmond School of Art and then after distinguished war service during World War 2 he studied painting at Camberwell School of Art under Sir William Coldstream and was later senior lecturer at the West of England College of Art ( later called Bristol Polytechnic ). He has exhibited widely across the British lsles and most notably in Hong Kong and the South of France. His most recent solo show was at the Art Room at Topsham, Devon in 2013. His work is featured in many public and private collections including Bristol City Art Gallery and the Royal West of England Academy. Selected One Man Exhibits: 1969 Faculty of Fine Art, University College, Swansea. 1977 'Land and Water' City Art Gallery, Bristol 1978 'Land and Water' Pao Sui Loong Galleries, Hong Kong Arts Centre. 1981 'Reflections on Bristol 1950-81' King Street Gallery, Bristol. 1983 Farnham Maltings, Kiln Gallery, Farnham. 1987 Peter Sands Gallery, Bristol. 1989 Clevedon Bridge Gallery, Bath 1995 'Retrospective' Royal West of England Academy, 1998 'Robert Hurdle at 80' Fedden Gallery, Royal West of England Academy 2003 'Meeting with Tress' New Gallery, Royal West of England Academy 2009 'Selective Retrospective' New Gallery Royal West of England Academy 2012 'Paintings' The Art Room Group Exhibits: 1949-65 London group exhibitions 1950 Royal Academy Summer Exhibition, London. 1959-2015 Royal West of England Academy, Annual Exhibition 1959 Artists of Fame and Promise, Leicester Galleries 1960 New Arts Centre, London 1964 Frost and Reed Galleries, Bristol 1966 William Ware Gallery, London 1974 Courages Coronation Exhibition, City Art Gallery, Bristol. 'Accent on Colour', The Albany Gallery, Cardiff. 1976 Westward TV Exhibitions, Plymouth. 1978 Frost and Reed Galleries, Bristol. New Ashgate Gallery, Farnham. 1980 'Art in the making', King Street Gallery, Bristol and the City Art Gallery, Bath. 1985 '3 West Country Painters' Hunstrete House, Near Bath. 1988 'Recent paintings' Peter Sands Gallery, Bristol. Anthony Rossiter and Robert Hurdle. 2003 Innocent Fine Art, Bristol. 2004 'Western Approaches' Six members of the Royal West of England Academy: Derek Balmer, John Huggins, Robert Hurdle, Neil Murison...

Beautiful vivid and fluid large scale abstract painting by Dorothy Hyman (American, 1904-2007). A dark blue object appears to float in a sea of colors, tra...

Maritime watercolor landscape of boats on the marina in Redondo Beach by Gene Wynne (American, 20th Century). Signed "Gene Wynne" in the lower left corner. Title on verso reads "At the Princess Louise...

Delicate lithograph with abstract leaf by Dennis john Ashbaugh (American, b. 1946). "Proof" is written in the lower left corner. Signed "D. Ashbaugh" in the lower right corner. Presented in a new grey mat with foamcore backing. No frame. Image size: 5"H x 4.75"W Dennis John Ashbaugh (American, b. 1946) was born in Red Oak, Iowa, and attended California State University at Fullerton, receiving his MA in 1969. Ashbaugh has spent most of his career in New York City. In 1992, he collaborated with William Gibson, fiction writer, and with publisher Kevin Begos on a book, Agrippa, meaning 'book of the dead'. Exhibition venues include the Metropolitan Museum of Art in New York City, the P.S.1 Contemporary Art Center, the Seattle Art Museum, and the Whitney Museum of American ArtPublic collections holding his work include the Hirshhorn Museum, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, and the New York Metropolitan. He received a Guggenheim Fellowship. Ashbaugh lives in a trim frame house in Flamingo Park...

Limited edition hand signed lithograph featuring two consecutive modern portraits of faces with varying degrees of abstraction, in pink and green, by Dennis john Ashbaugh (American, b. 1946). Numbered "7/7" in the lower-left corner. Signed "Dennis John Ashbaugh" in the lower right corner. Presented in a new tan mat with foam core backing. Unframe. Image size: 4"H x 6.75"W. Some toning yellowing at mat opening. Dennis John Ashbaugh (American, b. 1946) was born in Red Oak, Iowa, and attended California State University at Fullerton, receiving his MA in 1969. Ashbaugh has spent most of his career in New York City. In 1992, he collaborated with William Gibson, a fiction writer, and with publisher Kevin Begos on a book, Agrippa, meaning 'book of the dead'. Exhibition venues include the Metropolitan Museum of Art in New York City, the P.S.1 Contemporary Art Center, the Seattle Art Museum, and the Whitney Museum of American ArtPublic collections holding his work include the Hirshhorn Museum, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, and the New York Metropolitan. He received a Guggenheim Fellowship. Ashbaugh lives in a trim frame house in Flamingo Park...

Detailed surrealist landscape depicting a barren, desert-like scene with small boats by Clayton Anderson (American, b. 1943). Signed "CLAY ANDERSON" on v...

Vivid and evocative feminist abstract expressionist figurative painting of woman and the many facets of her life, represented by multiple female figures engaged in various activities throughout the chaotic and colorful abstract expressionist canvas, by Audrey E. Gabrielson (American, 1932-2018), 1976. Verso has an abstract portrait with signature. Unframed. Image size: 29.75"H x 31.50"W Audrey Gabrielson was an artist, poetess, sculptor, whom lived in San Francisco. She was born in Canada in 1932 and drew, colored, modeled in clay when very young. She studied at Reed College, Portland, studying with famous West Coast artist, Louis Bunce. in San Francisco she painted with artists Cucaro, Alexander E. Anderson, and Raymond Howell. She had shown in North Beach, Modesto, Gualuala Hotel, Sausalito, Abbey Party Rents (S.F.) and many more. She had ongoing exhibits at Alberta Art, Red Deer and Uglies, Lacombe. Her art was collected by national and international collectors such as authors C.Y. Lee (“Flower Drum Song”), Alfred Coppel (“34 East”); musical promoter, Ilka Pardinas, FLY, Los Angeles. Additionally, she worked in bronze, studying under S.F. sculptor C.B. Johnson. Her art was influenced and inspired by German Expressionists, Van Gogh, Lautrec, Picasso, Klimpt, Schiele, Tamayo, Conners, Park – and many more. Obituary: Born in Alberta, Canada, Audrey passed away at her home in San Francisco's Bernal Heights neighborhood, surrounded by loved ones. Gabrielson was an artist, poet, sculptor, photographer, muse and an integral part of the San Francisco art scene of the late 1950s to late 1970s. She was a friend and contemporary of artists such as Benny Bufano...

Bold abstract expressionist painting with primary colors by Louis Nadalini (American, 1927-1995), 1970s Berkeley, California. Signed "L. Nadalini" in the lower right corner. Presente...

Drawing of three girls sitting at a counter by Allie William “Bill” Skelton (American, 1942-1986). Signed and dated "A B Skelton '77" in the lower right corner. Presented in a simple black wood frame with glass. Image size: 20"H x 16"W Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Beautiful nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "8/12", "Study 2", "Smyth 75” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting. Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...

Vivid and bright, this summer landscape of California oaks in Monterey county is by Corralitos, California artist Oleta Naomi Bode (American, 1914-2008)...

Vibrant watercolor painting of a house at the end of a hill by Doris Ann Warner (American, 1925-2010). Doris Ann Warner began as an Abstract Expressionist painter, but was primarily ...

Fun and vivid fashion painting of a bright purple and green handbag with abstract geometric and linear accents by Michael William Eggleston (American, 20th Century). Signed on verso....

Evocative abstract expressionist figurative painting of earth-toned highly abstracted couple by Michael William Eggleston (American, 20th Century). ...

Autumn Forest , 1970's Earth-tone Vertical Landscape Watercolor with Trees Serene vertical landscape by Kay Swanson (American, 20th Century). This vintage 1970s watercolor depicts a lovely autumn forest full of tall trees depicted in a range of subtle earth-tones and fine detail. Signed "Kay Swanson" in the lower right corner. Presented in a double mat of cream and charcoal with a modern gold frame and glass. Tag on verso with artist information. Image size: 22.5"H x 15"W Kay Swanson (American, 20th Century) is a watercolor artist from Park Ridge...

Brightly colored expressionist nude figurative painting of a reclining nude female with bold yellow, blue, and magenta accents by Linda Goodman (American...

Gorgeous, bright still life of apples on mat board by Virginia Hughins (American, 1923-2004). Unsigned and unframed. From collection of her works. Image size: 13"H x 19.5"W. Virgin...

Wonderful minimalist watercolor of sand dune with grass and birds by Ed Walaitis (American, 1914-2005), 1978. Signed and dated lower left. Condition: Excel...

Bright painting of flowers growing around a window by an unknown artist "A. Marquez". Signed "A. Marquez" in the lower right corner. On verso is written "Ventana / Oleo a espatula". ...

Evocative figurative abstract sculpture of the head of a tribal creature by Nathaniel Sirles (American, b. 1954). Signed and dated "N. Sirles 1970" on the bottom. Sirles completed th...

Figurative abstract tribal sculpture of a creature with four arms by Nathaniel Sirles (American, b. 1956). Signed and dated "Sirles 1973" on the bottom. Sirles completed this piece ...

Geometric surrealist composition depicting a totem-like form, composed of colorful surrealist three dimensional interlocking shapes, by Clayton Anderson (American, b. 1943). Signed "Clayton Anderson" and titled "Landscape #10 (Fragment Under Grey Sky)" on verso. Signature embossed into lower left edge of paper. Presented in a custom deep box frame with plexiglass. Image size: 20.75"H x 16"W Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

Highly detailed surrealist composition evoking tribal, abstracted carved stone-like shapes fitting together like a three dimensional sphere shaped puzzle, floating in a sky blue space by Clayton Anderson (American b. 1943). Textured plaster border around the edge of the piece. Signed "Clayton Anderson" along the upper left edge and on verso. Presented in a deep maple box frame. Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

Wonderful figurative lithograph of a group of four nude figures in sable brown and gray palette by Hans Erni (Swiss, 1909-2015) circa 1970s. Signed in pencil by artist lower right corner. #22/150 on lower left. Presented in platinum toned wood frame under glass. Image size: 31"H x 22.25"W. Framed size: 32"H x 23W x 1"D Hans Erni was born in 1909. Erni attended the Kunstgewerbeschule in Lucerne in 1927-28, which was followed by further stays in Paris and Berlin. In 1933-34 he joined the artist's group Abstraction-Création in Paris, where he also met artists like Hans Arp, Alexander Calder and Wassily Kandinsky. In the 1930-40s, he was very successful with fresco painting, a medium the artist deeply preferred because of its impact on society. In 1950 Erni created his first ceramic works and discovered lithography as another central technique of his future artistic output. In 1972 he set up his studio in Saint-Paul-de-Vence, but he continued to be active in Lucerne, where he was born and obtained personal museum spaces. Erni was awarded with numerous prizes, including the UN Peace Medal...

Compelling 1970s black and white photograph of a contemplative woman leaning on a table into her crossed arms, beside a small teapot that casts a long sha...

Serene, beautifully executed watercolor, using a wide spectrum of color with a delicate and subtle hand, by Don Kitz (American, 1939-2019), c.1970. Feel the peace and serenity of thi...

Brightly colored watercolor of a 1970's California street performer, done in a colorful, expressive slap-dash style, by Hope Tepley (American, 1919-2010). Signed "Tepley" in the lower right corner. Titled "The Hurdy Gurdy...

Gorgeous landscape of a coastline in warm sunrise colors by San Diego artist Richard Keith (American, 1937-2003). Signed "KEITH" in the lower right corner. Presented in a simple wood...

Modern abstract etching with hard edges of the printing plate contrasting with the soft dark gray tones inside the figurative centerpiece. Titled "Falling Figures, Decayed State", "E...

Stark, surrealist study of two nude figures in a color saturated room by Clayton Anderson (American, 20th Century), 1970. Signed and dated by the artist, left margin. Presented in a ...

Charming and detailed pen and ink painting of country crossroads with barns and power poles by M. Quisenberry (American, 20th Century). Signed "M Quisenberry '74" lower right corner....

The beauty of nature's rhythm is captured in this black and white landscape photograph of a forest of Aspen trees by American photographer and film maker, John Henry Johnson (America...

Wonderfully expressive Bay Area Figurative School piece featuring a silhouette of a couple in a dynamic and colorful sunset landscape scene ...

Bold and expressive oil portrait of a modernist nude figure in blue seated in profile with bright yellow flowers by Allie William “Bill” Skelton (American, 1942-1986). Signed and dated "Allie Bill Skelton '72" by the artist in the lower right corner. Unframed. Image size: 48.75"H x 32.75"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Dynamic pastel drawing of Tower Bridge in London by Allie William "Bill" Skelton (American, 1942-1986). Signed and dated in pencil by the artist in the lower right corner. Unframed. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Serene landscape of a path to the ocean through sand dunes by Joseph Yeager (American, 20th century). Signed "Joe Yeager" in the lower right corner. On verso is written "Gift painted...

A stunning black and white photographic portrait of Imogen Cunningham (1883-1976) by California photographer, Robert Werling (b. 1946). Signed and dated by the artist on the mat, low...

Tranquil figurative portrait of a seated nude woman with brown hair and brown eyes by an unknown San Francisco bay area artist (American, 20th Century). Unsigned. Unframed.

Wonderful country scene of woman feeding chickens in Russian countryside by Valery Kleverov (A.A. Kaebep) (Klever) (Russian, 20th Century), dated, 1971. Signed and dated lower right corner "AA Kaebep '71". Unframed. Condition: professionally cleaned with one tear repaired and inpainted (see photos). Image size: 24"H x 38"W. (translated form Russian) Klever worked in a wide range of styles in a remarkable career that spanned five decades. He painted impressionist landscapes to completely abstract mixed-media constructions and most everything in between, working in oil, watercolor, ink, charcoal, generally whatever was available to paint on or with. The most obvious modern influences are Chagall, Picasso, Leger, Malevich, and various Russian Futurists. Klever passed away after a battle with cancer the day after his 74th birthday in 2013. Valery Kleverov was born in Engels, Russian Federation, Soviet Union June 28, 1939 the son of a fighter test pilot in the Soviet Air Force. He exhibited an independent, rebellious, and highly artistic temperament from a young age. Conscription into the Red Army at the standard age of (18) was first and last straw in the young artist’s battle with the State, he lasted only a few months before making an unauthorized parachute jump over a forest to go permanently AWOL. In his brief stint in service of the Soviet authority he had supplemented his income by selling sexy drawings...

Oil portrait of a rancher with cowboy hat, by Patience Street (née Lloyd) (English, 1905-2010). Signed by the artist in the lower left corner. There are multiple notes on the frame o...

Bold and expressive large scale figurative abstract painting of two people conversing in a theater, with a silhouette of a third figure in the foreground, by Jane Voitle Mellin (Amer...

Gorgeous oil painting titled "Golden Hillside" by Ervin Darai (American, 1912-1979). Signed lower right. Unframed. Image, 48”H x 37”W. Hungarian-born Darai was a set designer for ...

"Mediterranean", a vivid abstracted seascape in varying aqua marine tones by Sister Mary Veronica Brutosky (American, b. 1932). Signed "Brutosky" lower right. Titled "Mediterranean,"...

Vivid abstracted landscape in vibrant fauvist hues of birch trees in green field by Libby Beth Seligman (American, b. 1958), 1977. Signed and dated lower right corner. Presented in r...

Bold, large scale geometric abstract landscape with brilliant blue toned trees in an abstracted urban color-field setting by Erle Loran (American, 1905-1999). Unsigned. Estate stamp ...

Gorgeous watercolor still-life of Chianti bottle with candle and fruit still life by an unknown artist (American, 20th Century), circa 1970. Watercolor...

Wonderful 1970's California landscape of a field with structures and telephone poles by Patricia Gren-Hayes (American, b. 1932), 1970. Signed lower right corner. Titled "Bud's Lane,"...

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...

Sculpture art using Ping Pong balls and color markers by Roger Coast (American, 20th Century), circa 1970's. Size 11"H x 11"W, x .5"D lacquer ping-pon...

"Rainbow-man," an abstracted Mexican figurative woodblock by Pedro Puerta (Mexican, 20th Century), 1974. Titled "Rainbow-Man" lower left and "from a Michoacan Pot" "Reproduced with a...

Wonderful black & white photograph of Cretian Chapel by William Giles (American, 20th Century). New acid free conservation over-mat. Unframed. Unsigned. Image size, 8"H x 10"L. William Giles studied and worked with many wonderful photographers including Minor White, Ansel Adams, Dorothea Lang, Beaumont Newhall, Nathan Lyons...

Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 1978. Unframed, unsigned....

Close-up still life of yellow, orange and white gladiolas in bloom by B. Isbill (American, 20th century), 1974. Signed and dated lower left: "B. Isbill '74". Presented in a rustic pa...

An abstract diptych by James Caughlin (American, 1926-1979). Signed lower right. Artist's studio label on verso. Displayed in a white mat with two win...

Colorful and painterly American impressionist portrait of female jockey Robyn Smith Astaire by Robert Zirillo (American, b. 1950), 1972. Signed lower right corner "Zirillo". Presente...

Figurative landscape of Shaftesbury, Dorset, England by James Shearer (English, 20th Century). Presented in a giltwood frame. Signed "James Shearer" lower left. Titled "Shaftesbury D...

"Gone are the Miners, Mokelumne Hill, California" by Laura Mahan (American, b-1942). Presented in a wooden frame. Signed and dated lower right. Artists logo and titled "Gone are the ...

20th century lithograph copy of an original painting by British artist Douglas Adams (English, 1853-1920). Signature in the print. Copy under the im...

"The Putting Green" - Figurative Landscape 20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...