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Rockwell Antiques Tea Caddies

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19th Century Anglo-Indian Spice or Tea Caddy with Silver Mounts
Located in Dallas, TX
PRESENTING A GORGEOUS 19C Anglo Indian Rosewood Caddy with Silver Mounts. Really nice and unusual, 19th Century Anglo-Indian Spice or Tea Caddy, from cir...
Category

Antique Late 19th Century Indian Anglo Raj Tea Caddies

Materials

Sterling Silver

Set of 6 Mindanao Brass Silver Betel Boxes, Philippines
Located in Dallas, TX
Presenting an amazing set of 6 Mindanao brass silver betel boxes, Philippines. Betel chewing was prevalent in the southern Philippines as in much o...
Category

Antique Late 19th Century Philippine Islamic Tea Caddies

Materials

Silver, Brass, Copper

Pair of 19th Century American Henry Troemner Philadephia Pa Chinoiserie Tea Bins
By Henry Troemner
Located in Dallas, TX
Presenting a gorgeous and extremely rare pair mid-19th century, metal tea bins, by Henry Troemner of Philadelphia, PA in the chinoiserie style. From circa 1845. Made of black enamel...
Category

Antique Mid-19th Century American Chinoiserie Tea Caddies

Materials

Tin

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A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...
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