Furniture

Pars Side Tabel is a bent wood design made by Raka Studio. This piece's main element is bentwood's organic motion between the top and the base. The proportions of the top and the ...

Questo tavolino basso di Willy Rizzo degli anni '70 è un'opera iconica del design che incarna lo stile e l'eleganza di quell'epoca. Featuring clean, minimalist lines but with a touch...

La tecnica tradizionale dell'arte della Scagliola viene oggi utilizzata e adattata alle esigenze del gusto contemporaneo e questo ne è un perfetto esempio. Il colore diventa il grand...

Corrado Corradi dell'Acqua pair of T12 also called Montecarlo bedside tables. Azucena, Italy 1960s.

"Rettangolo Blù'" Specchio in vetro di Murano in stile Contemporaneo della serie "Dischi". La cornice è composta da 32 dischi in vetro massiccio di colore Blù, durante la produzione...

"Rettangolo Ametista'" Specchio in vetro di Murano in stile Contemporaneo della serie "Dischi". La cornice è composta da 32 dischi in vetro massiccio di colore Ametista, durante la ...

"Tavolino 1932" is a classic coffee table, originally designed by Gio' Ponti in 1932 and manufactured by FontanaArte, made of two 0.59" th. discs of float glass and featuring a frame in polished nickel plated brass. Indoor use only. DIMENSIONS: Ø 24", H. 24" GIO' PONTI, right from the start, was active in the fields of architecture, painting, graphics and set design as an eclectic character. He graduated from Milan Polytechnic in 1920 and was art director for Richard Ginori from 1923-1930. In 1926, with editor Gianni Mazzocchi, he founded the magazine Domus, staying on as editor until his death. He was invited to take over the art direction of Luigi Fontana in 1931 and in 1932 he founded FontanaArte with Pietro Chiesa. He was one of the promoters of the Compasso d’Oro Award and a founder member of the ADI (Italian association for industrial design), as well as curating programmes for the Milan Triennale on many events and teaching at Milan Polytechnic. He designed numerous famous public and private buildings, including the houses in Via De Togni, the tower-house in Corso Venezia, offices for RAI and Ferrania, the Littoria tower in Parco Sempione, the Pirelli skyscraper in Milan, Taranto Cathedral, Villa Planchart in Caracas and Denver Museum of Modern Art. In the field of design he created timeless furniture, lighting and objects for FontanaArte, as well as the Superleggera chair and furniture for Cassina, Christofle cutlery and Richard Ginori china.

A wismical multi colored mirror designed by Alessandro Mendini and produced by Glas Italia.

Cornice Dorata Rettangolare Per Specchio Epoca 1800 in legno di cirmolo, finemente intagliata con un trionfo di foglie accartocciate che si sviluppano intorno alla cornice rettangola...

The 1960s functionalist style desk represents a fascinating piece of furniture that embodies the elegant marriage of functionality and aesthetics. This design object, with its tubula...

Codex or Códice means in latin a chunk of wood, it’s also used to refer to hand written manuscripts. Mayan and Mexica Codices were written in wood bark, mostly in pictorial Glyphs, but also using a numerical system that consists of dots and dashes and a special symbol for zero. In this series we wanted to translate and abstract this idea of the knowledge and essence of a Códice; the importance of communication and its evolution through time, through the wood carvings both in its geometrical and systematic patterned repetition of its drawer in contrast with the organic and random carvings made by the artisanal technique of “conchitas, hand chiseled by master artisans in Antigua guatemala.

As shown: Bleached ash veneer with solid ash, marble and inset leather blotter. Poplar drawers with turned brass drawer pulls Powder coated steel base Flat waterborne finish D...