Shapero Gallery Prints and Multiples
to
19
27
20
7
15
Overall Width
to
Overall Height
to
4
1
15
8
5
4
2
40
27
21
4
14
2
1
39
54
31
1
31
28
18
16
15
14
11
9
8
7
7
6
6
5
4
4
4
4
3
3
58
52
44
23
23
59
88
Insectes
By Eugene Alain Seguy
Located in London, GB
Seguy, E.A.
Insectes.
Paris, Du Chartre et van Buggenhoudt [1924]
Each print is produced entirely by hand using a unique printing process called pochoir, which was popular in Fran...
Category
1920s Art Deco Animal Prints
Materials
Gouache, Lithograph
Insectes
By Eugene Alain Seguy
Located in London, GB
Seguy, E.A.
Insectes.
Paris, Du Chartre et van Buggenhoudt [1924]
Each print is produced entirely by hand using a unique printing process called pochoir, which was popular in Fran...
Category
1920s Art Deco Animal Prints
Materials
Gouache, Lithograph
A Group of Twelve 18th Century engravings of Parrots.
By George Edwards
Located in London, GB
Edwards, George
Parrots, a group of twelve.
London, For the author, at the College of Physicians in Warwick-Lane. 1747-1751
Decorative plates for “A Natural History of Birds” one ...
Category
Mid-18th Century Naturalistic Animal Prints
Materials
Watercolor, Engraving
Nijinsky and Karsavina in Le Spectre de la Rose.
By George Barbier
Located in London, GB
BARBIER, George.
Nijinsky and Karsavina in Le Spectre de la Rose.
London, C. W. Beaumont, 1913.
‘The designs, although somewhat fantastic in treatment, do convey the impression ...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Vaslav Nijinsky as Siegfried in Swan Lake.
By George Barbier
Located in London, GB
BARBIER, George.
Vaslav Nijinsky as Siegfried in Swan Lake.
London, C. W. Beaumont, 1913.
‘The designs, although somewhat fantastic in treatment, do convey the impression produced...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Nijinsky in Petrouchka.
By George Barbier
Located in London, GB
BARBIER, George.
Nijinsky in Petrouchka.
London, C. W. Beaumont, 1913.
‘The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in h...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Carnaval.
By George Barbier
Located in London, GB
BARBIER, George.
Carnaval.
London, C. W. Beaumont, 1913.
Barbier’s wonderful illustrations of the legendary dancer in Scheherazade, Carnaval and L’Après-midi d’un Faune
‘The d...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Nijinsky as 'the poet' in Les Sylphides.
By George Barbier
Located in London, GB
BARBIER, George.
Nijinsky as 'the poet' in Les Sylphides.
London, C. W. Beaumont, 1913.
‘The designs, although somewhat fantastic in treatment, do convey the impression produced b...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Nijinsky in Cleopatre.
By George Barbier
Located in London, GB
BARBIER, George.
Nijinsky in Cleopatre.
London, C. W. Beaumont, 1913.
‘The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in hi...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Nijinsky in L’Apres Midi d’un Faune.
By George Barbier
Located in London, GB
BARBIER, George.
Nijinsky in L’Apres Midi d’un Faune.
London, C. W. Beaumont, 1913.
‘The designs, although somewhat fantastic in treatment, do convey the impression produced by ...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Nijinsky in Scheherazade.
By George Barbier
Located in London, GB
BARBIER, George.
Nijinsky in Scheherazade.
London, C. W. Beaumont, 1913.
‘The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in h...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
Lady Mary Mordaunt's black silk shoe.
Located in London, GB
GREIG, T. Watson.
Lady Mary Mordaunt's black silk shoe.
Edinburgh, David Douglas, 1885-1889.
Plate from Ladies’ Old-Fashioned Shoes by Greig, T. Watson. An important illustrated m...
Category
1880s Naturalistic Figurative Prints
Materials
Color
GREIG, T. Watson. Mrs Woodcock's Shoe.
Located in London, GB
GREIG, T. Watson.
Mrs Woodcock's Shoe.
Edinburgh, David Douglas, 1885-1889.
Plate from Ladies’ Old-Fashioned Shoes by Greig, T. Watson. An important illustrated monograph on 17th ...
Category
1880s Other Art Style Figurative Prints
Materials
Color
Philips’ New Map of Africa
Located in London, GB
[PHILIP, George]
Philips’ New Map of Africa
London & Liverpool George Philip & Son [1899]
Attractive large map of Africa by the firm founded by the Scottish cartographer George Ph...
Category
1890s Naturalistic More Art
Materials
Watercolor, Engraving
Coconut/Palm Nut
By Johann Wilhelm Weinmann
Located in London, GB
WEINMANN, Johann Wilhelm.
Coconut/Palm Nut
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Wei...
Category
Early 18th Century Naturalistic Figurative Prints
Materials
Laid Paper, Mezzotint
Melons
By Johann Wilhelm Weinmann
Located in London, GB
WEINMANN, Johann Wilhelm.
Melons
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (168...
Category
Early 18th Century Naturalistic Figurative Prints
Materials
Laid Paper, Mezzotint
Citrus and Apricots
By Johann Wilhelm Weinmann
Located in London, GB
WEINMANN, Johann Wilhelm.
Citrus and Apricots
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plate, being one of the earliest examples of colour printing.
Johann ...
Category
Early 18th Century Naturalistic Figurative Prints
Materials
Laid Paper, Mezzotint
Java Apples
By Johann Wilhelm Weinmann
Located in London, GB
WEINMANN, Johann Wilhelm.
Java Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann...
Category
Early 18th Century Naturalistic Figurative Prints
Materials
Laid Paper, Mezzotint
Apples
By Johann Wilhelm Weinmann
Located in London, GB
WEINMANN, Johann Wilhelm.
Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (16...
Category
Mid-18th Century Naturalistic Figurative Prints
Materials
Laid Paper, Mezzotint
Gladiolus Cardinalis
By Pierre-Joseph Redouté
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Gladiolus Cardinalis
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments...
Category
19th Century Naturalistic Figurative Prints
Materials
Handmade Paper, Engraving
Lilium Superbum
By Pierre-Joseph Redouté
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Lilium Superbum
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of b...
Category
19th Century Naturalistic Figurative Prints
Materials
Handmade Paper, Engraving
Pancratium Calathiforme
By Pierre-Joseph Redouté
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Pancratium Calathiforme
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monume...
Category
19th Century Naturalistic Figurative Prints
Materials
Handmade Paper, Engraving
Narcissus
By Pierre-Joseph Redouté
Located in London, GB
REDOUTE, Pierre-Joseph.
Narcissus
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanic...
Category
19th Century Naturalistic Figurative Prints
Materials
Handmade Paper, Engraving
Hæmanthus Multiflorus
By Pierre-Joseph Redouté
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Hæmanthus Multiflorus
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category
19th Century Naturalistic Figurative Prints
Materials
Handmade Paper, Engraving
Crinium Giganteum
By Pierre-Joseph Redouté
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Crinium Giganteum
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of...
Category
Early 19th Century Naturalistic Figurative Prints
Materials
Handmade Paper, Engraving
Fritillaria Imperialis
By Pierre-Joseph Redouté
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Fritillaria Imperialis
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category
Early 19th Century Naturalistic Figurative Prints
Materials
Handmade Paper, Engraving
18th-century celestial - Cetus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Cetus
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...
Category
1750s Naturalistic Figurative Prints
Materials
Watercolor, Engraving
18th-century celestial - Andromeda Perseus Triangulum
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Andromeda Perseus Triangulum
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas ...
Category
1750s Naturalistic Figurative Prints
Materials
Watercolor, Engraving
18th-century celestial - Hydra Crater Corvus Sextans Virgo
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Hydra Crater Corvus Sextans Virgo
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star a...
Category
1750s Naturalistic Figurative Prints
Materials
Watercolor, Engraving
18th-century celestial - Eridanus Orion Lepus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Eridanus Orion Lepus
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas publish...
Category
1750s Naturalistic Figurative Prints
Materials
Watercolor, Engraving
18th-century celestial - Camelopardal & Auriga
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Camelopardal & Auriga
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...
Category
1750s Naturalistic Figurative Prints
Materials
Watercolor, Engraving
18th-century celestial - Aquila Sagitta.Vulpecula & Anser Delphinus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Aquila Sagitta.Vulpecula & Anser Delphinus
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved by ...
Category
Mid-18th Century Naturalistic Figurative Prints
Materials
Watercolor, Gouache
Two Guinea Fowl
By Joseph Wolf
Located in London, GB
WOLF, Joseph (artist).
Two Guinea Fowl
London For the author, Red Lion Court, Fleet Street 1871
Two original hand-coloured lithographic plates by Joseph Smit after Joseph Wolf. ...
Category
1870s Animal Prints
Materials
Paper, Watercolor, Gouache, Lithograph
A Group of Six Hyacinths
Located in London, GB
BUCHOZ, Pierre Joseph
A Group of Six Hyacinths. Collection coloriée des plus belles variétés de Jacinthes, qu'on monte aux Curieux dans les Jardins des Fleuristes d’Harlem.
Paris, T...
Category
1780s Naturalistic Figurative Prints
Materials
Paper, Watercolor, Gouache, Engraving
Four Pheasants
By Joseph Wolf
Located in London, GB
WOLF, Joseph (artist)
Four Pheasants
London, For the author, Red Lion Court, Fleet Street, 1871
Four original hand-coloured lithographic plates by Joseph Smit after Joseph Wo...
Category
1870s Naturalistic Animal Prints
Materials
Watercolor, Gouache, Lithograph
Magnificent large plate illustrating the Vatican Museum
By Vincenzo Feoli
Located in London, GB
FEOLI, Vincenzo.
Vedute del Museo Pio-Clementino.
Rome, 1790.
A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm. Mounted size: 81cm by 101cm.
Magnificent series of extra-large plates illustrating the Vatican Museum...
Category
1790s Naturalistic Interior Prints
Materials
Engraving
Magnificent large plate illustrating the Vatican Museum
By Vincenzo Feoli
Located in London, GB
FEOLI, Vincenzo.
Vedute del Museo Pio-Clementino.
Rome, 1790.
A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm.
Presented in a mount, size: 81cm by 101cm.
Magnificent series of extra-large plates illustrating the Vatican Museum...
Category
1790s Interior Prints
Materials
Handmade Paper, Engraving
Iris Kaempferi: No. 91 CHO-HIYEN
Located in London, GB
Iris Kaempferi: No. 91 CHO-HIYEN
Tokyo, Yoshinoen-Garden, circa 1910.
Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed in...
Category
1910s Naturalistic Still-life Prints
Materials
Watercolor, Rice Paper
Iris Kaempferi: No. 58 SHU-FU-RAKU
Located in London, GB
Iris Kaempferi: No. 58 SHU-FU-RAKU
Tokyo, Yoshinoen-Garden, circa 1910.
Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed...
Category
1910s Naturalistic Still-life Prints
Materials
Wood, Watercolor, Rice Paper
Iris Kaempferi: No.36 YEDO-JIMAN
Located in London, GB
Iris Kaempferi: No. 36 YEDO-JIMAN
Tokyo, Yoshinoen-Garden, circa 1910.
Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed ...
Category
1910s Naturalistic Still-life Prints
Materials
Wood, Watercolor, Rice Paper
Iris Kaempferi: No.10 AKASHI-NO-UE
Located in London, GB
Iris Kaempferi: No. 10 AKASHI-NO-UE
Tokyo, Yoshinoen-Garden, circa 1910.
Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Fram...
Category
1910s Naturalistic Still-life Prints
Materials
Wood, Watercolor, Rice Paper
A Group of Six Pears.
By Pierre Jean François Turpin
Located in London, GB
POITEAU, A. and P. TURPIN.
Traité des arbres fruitiers: A Group of six Pears.
H. Perronneau for T. Delachausée, Paris, 1807-1835.
A group of six stipple-engraved plates printed in c...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Engraving
A Set of Six Bust Portraits of Beauties - Jidai Kagami (Mirror of the Ages).
By Yoshu Chikanobu
Located in London, GB
CHIKANOBU, Yoshu (1838–1912)
A Set of Six Bust Portraits of Beauties - Jidai Kagami (Mirror of the Ages).
1896-1898
A Set of Six oban tate-e woodblock prints of okubi-e (bust portraits) of beauties, titled Jidai kagami (Mirror of the Ages), documenting the fashions of former times (from the Keicho to the Meiji era) in chronological order, each sheet with a beautiful woman in sumptuous costume depicted at the lower section and a rectangular panel at the top which makes a reference to the era, some sheets with lacquer and embossed details, published by Matsuki Heikichi, variously dated Meiji 29, 30 and 31 (1896-8), all signed Yoshu Chikanobu. Each sheet approx. 36 x 23.7 cm (14 1/8 x 9 3/8 in).
oyohara Chikanobu (1838–1912), better known to his contemporaries as Yōshū Chikanobu, was one of the most successful woodblock print artists of Japan's Meiji period. He lived at a time when Japan saw the reinstatement of the emperor as ruler and underwent rapid westernization. He worked both with traditional subjects, such as actors, courtesans, scenes of famous sites, beautiful women, and with topical subjects, such as the Satsuma Rebellion (1877) and the Sino-Japanese War (1894-1895). Chikanobu used the flat planes and decorative patterning of the ukiyo-e tradition to striking effect, adding brilliant colors, especially reds, purples, and blues to his compositions.
More precisely, Ukiyo-e, or ukiyo-ye (in Japanese: "pictures of the floating world"), is a genre of woodblock prints and paintings that flourished in Japan from the 17th through 19th centuries. It was aimed at the prosperous merchant class in the urbanizing Edo period (1603–1867). Amongst the popular themes were depictions of beautiful women, as is the case here with these okubi-e prints (i.e. bust portraits); kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
One of Chikanobu’s best series, A Mirror of the Ages shows women by fashion and hair style throughout history. Despite a sense of longing for the past, these prints are unmistakably modern and of their time. Each print depicts a beauty from a certain period in the lower part and customs at that time, in grisaille, in the upper part - a way to tell viewers about the latest fashion and historical backgroud at that time. The quality of printing is outstanding, especially in Chikanobu’s use of white for the rendering of the powdered faces. Indeed, Chikanobu was known as a master of bijinga (images of beautiful women), and for illustrating changes in women's fashion, including both traditional and Western clothing...
Category
1890s Other Art Style Portrait Prints
Materials
Wood
POITEAU/TURPIN. Traité des arbres fruitiers: A Set of Four Apples
By POITEAU, A. and P. TURPIN.
Located in London, GB
POITEAU, A. and P. TURPIN.
Traité des arbres fruitiers: A Set of Four Apples
H. Perronneau for T. Delachausée, Paris, 1807-1835.
A set of Four Apples, fine stipple-engrave...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Engraving, Handmade Paper, Watercolor
WERNER. A Panoramic View of London
Located in London, GB
London
[WERNER, Friedrich Bernard].
Georg. Balthasar Probst, Augsburg, [c.1730].
A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, a German pr...
Category
1730s Land Landscape Prints
Materials
Engraving, Handmade Paper, Watercolor
BROOKSHAW. A Pair of Melons: White Seed'd Rock and Silver Rock Mellon
By George Brookshaw
Located in London, GB
Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving, Handmade Paper, Aquatint
Group of Six Water Fowl
By Alexander Pope Jr.
Located in London, GB
POPE Jr., Alexander
Group of Six Water Fowl.
Group of Six chromolithographs of game-birds, each laid on to contemporary card (as published).
[Charles Scribner's Sons, New York, 1878].
Alexander Pope...
Category
1870s Naturalistic Animal Prints
Materials
Lithograph
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm.
[Paris 1805].
Prevost came from a lo...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prévost came from a long line of French artists spanning 400 years. Jean-...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prevost's "Collection des Fleurs et Fruits...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
PRÉVOST. Print from a Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prévost came from a long line of French artists spanning 400 years. Jean-...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris. 1805]
Prévost came from a long line of French artists spanning 400 years. Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies. Immediately he was commissioned by Monsieur Roussel to paint the flowers in the wealthy landowner's garden.
The result was a 12-volume work of gouache studies, entitled "Hortus Cellensis", and was at once acquired by the Paris Natural History Library.
Prévost's "Collection des Fleurs et Fruits...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831).
The Pio-Clementino museum, named after the two popes wh...
Category
1790s Naturalistic Interior Prints
Materials
Color, Engraving
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Interior Prints
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Interior Prints
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Interior Prints
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Interior Prints
Materials
Color, Engraving
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Interior Prints
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Interior Prints
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Interior Prints
Materials
Engraving, Handmade Paper
