Shewekar Design Studio Center Tables

One of kind medium size coffee table, beautifully handcrafted in stucco marmo, a lengthy, laborious 15th century method that lends itself well to modern design. Inspired by the Japan...

The "Teoca" coffee table is part of ADN Studio´s Volcan collection. This collection seeks to go back to basics. It is a subtle and refined interpretation of the archetypical modern f...

Set of two coffee tables with pedestal base in Veneciano white marble, the large one has a Veneciano white marble top and the small one...

Bordeira coffee table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee ...

A Régia walnut veneer occasional table designed by Sérgio Batista for Uultis with graphite metallic base and white Carrara marbled glass top. *Please check availability prior to purchase*. The Regia occasional...

Famed coffee table, glorified by elegant brass legs, prove that every place can wink at its style with its natural marble and wood options. The designs that instantly add modernity t...

The "Xitle" coffee table is part of ADN Studio´s Volcan collection. This collection seeks to go back to basics. It is a subtle and refined interpretation of the archytypical modern f...

Introduction: Each artwork must create a special bond with a memory, that bring out the most memorable and personal experience every time they look at this unorthodox piece of furni...

Striking elmwood coffee table by Peter Beijbom, made from an elmwood slab with lovely woodgrain. Beautiful, oiled surface. Sturdy, sculpted legs that pick up the organic design of th...

Booleanos collection reflects the concept of involuntary interactions and unexpected intersections.  This geometric coffee table designed by Joel Escalona is a visual game that capt...

Bas van Pelt for E.M.S. Overschie, coffee table, lacquered steel, sisal, The Netherlands, 1930s. This octagonal shaped coffee table is made by the Dutch interior and furniture designer Bas van Pelt (1900-1945), and manufactured by E.M.S. Overschie. The construction is made in tubular steel with white lacquer finish. The curved ends meet each other in the middle, creating a cross shape which is the defining element. The table top is covered with coarsely woven fabric ‘sisal’. Bastiaan Johannes van Pelt (1900-1945) was a Dutch furniture designer and interior designer. As son of a book printer, he spend his time after school working in several printing companies in Holland. At that time he already engaged in topics like designing furniture, interiors, carpets and fabrics, graphic work and pottery. In 1927, he quit his old job and started to work at a furniture factory owned by his father-in-law J.C. Jansen in Overschie. Together with his brother-in-law, Jan Jansen...

MATERIALITY series represents the thinnest line between design and sculpture. TECHNICAL DATA: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass & cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Ultra limited edition of 12 + 4 ap. * shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. * dimensions may vary 1 – 2 cm. FEW WORDS FROM THE ARTIST: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. PLASTIC CONCEPT: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...