Stern Pissarro Gallery Nude Drawings and Watercolors
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Yvonne debout by Paulémile Pissarro - Nude drawing of the artist's wife
By Paul Emile Pissarro
Located in London, GB
THIS WORK IS SOLD UNFRAMED
Yvonne debout by Paulémile Pissarro (1884-1972)
Pencil on paper
30.5 x 26 cm (12 x 10 ¹/₄ inches)
Signed lower centre, P...
Category
1920s Post-Impressionist Nude Drawings and Watercolors
Materials
Paper, Pencil
Yvonne Posant by Paulémile Pissarro, 1934 - Graphite on Paper
Located in London, GB
SOLD UNFRAMED
Yvonne Posant by Paulémile Pissarro (1884 - 1972)
Graphite on paper
32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches)
Signed lower right, Paulémile-Pissarro-, and titled lower rig...
Category
1930s Nude Drawings and Watercolors
Materials
Paper, Graphite
Yvonne Assise by Paulémile Pissarro, 1934 - Graphite on Paper
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
SOLD UNFRAMED
Yvonne Assise by Paulémile Pissarro (1884 - 1972)
Graphite on pape...
Category
1930s Nude Drawings and Watercolors
Materials
Paper, Graphite
Kneeling Nude by Ludovic-Rodo Pissarro - Charcoal on paper
By Ludovic-Rodo Pissarro
Located in London, GB
Kneeling Nude by Ludovic-Rodo Pissarro (1878 - 1952)
Charcoal on paper
19 x 27 cm (7 ¹/₂ x 10 ⁵/₈ inches)
Initalled lower middle
This work is accompanied by a certificate of authent...
Category
20th Century Nude Drawings and Watercolors
Materials
Paper, Charcoal
Odette aux seins nus by Georges Manzana Pissarro - Mixed Media Print
By Georges Manzana Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Odette aux seins nus by Georges Manzana Pissarro (1871 - 1961)
Mixed media and gold on paper
31.5 x 42.3 cm (12 ...
Category
1910s Nude Drawings and Watercolors
Materials
Gold
Nu Assise by Ludovic-Rodo Pissarro - Nude drawing
By Ludovic-Rodo Pissarro
Located in London, GB
Nu Assise by Ludovic-Rodo Pissarro (1878-1952)
Charcoal on paper
31.3 x 24.2 cm (12 ⅜ x 9 ½ inches)
Signed lower right, L.Rodo
This work of art is accompanied by a certificate of authenticity signed and dated by Lélia Pissarro.
Artist biography:
Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo".
The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period.
In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there.
Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father.
By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris.
In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana.
Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings...
Category
Early 1900s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Undressing by Georges Manzana Pissarro - Nude drawing
By Georges Henri Manzana Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Undressing by Georges Manzana Pissarro (1871-1961)
Pencil on paper
13.6 x 10.6 cm (5 ³/₈ x 4 ¹/₈ inches)
Signed w...
Category
20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Pencil
Moroccan Dancer by Georges Manzana Pissarro - Nude drawing
By Georges Henri Manzana Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Moroccan Dancer by Georges Manzana Pissarro (1871-1961)
Watercolour, coloured crayon and pencil
26.3 x 20.2 cm ( ...
Category
1940s Post-Impressionist Figurative Drawings and Watercolors
Materials
Pencil, Paper, Crayon, Watercolor
Traditional nude drawings by Paulémile Pissarro - Nude drawing
By Paul Emile Pissarro
Located in London, GB
SOLD UNFRAMED
Traditional nude drawings by Paulémile Pissarro (1884-1972)
Pencil on paper
34.1 x 26.5 cm (13 ³/₈ x 10 ³/₈ inches)
Signed lower left, Paulémile-Pissarro-
This work ...
Category
20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Pencil
Jeune Femme de Dos au Zèbre by Georges Manzana Pissarro - Nude drawing
By Georges Henri Manzana Pissarro
Located in London, GB
Jeune Femme de Dos au Zèbre by Georges Manzana Pissarro (1871-1961)
Charcoal on paper
66 x 49 cm (26 x 19 ¼ inches)
Signed lower right, Manzana
Executed circa 1915
This work is acc...
Category
1910s Post-Impressionist Animal Drawings and Watercolors
Materials
Charcoal, Paper
Nude Reading by LUDOVIC-RODO PISSARRO -Figurative work on paper, School of Paris
By Ludovic-Rodo Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Nude Reading by LUDOVIC-RODO PISSARRO (1878-1952)
Black and colour pencil on paper
3...
Category
Early 1900s Post-Impressionist Nude Drawings and Watercolors
Materials
Pencil, Color Pencil, Paper
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Two Balinese Beauties (Mapeed), circa 1945
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Rudolf Bonnet (1895-1978)
'Mepèèd' (Mapeed)
Signed lower right
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Pastel on gouache pigmented paper, 57 x 34 cm
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1940s Nude Drawings and Watercolors
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Free Shipping
H 22.45 in W 13.39 in D 0.04 in
Woman at Rest, Nude Female, Pastel and Charcoal Drawing on Green Paper
By Christopher Ganz
Located in Chicago, IL
The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing.
Christopher Ganz
Woman at Rest, 2013
pastel and charcoal on green paper
23h x 18w in
58.42h x 45.72w cm
CG0062
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...
Category
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H 23 in W 18 in D 0.1 in
Academic Study (Male Nude)
Located in London, GB
Charcoal on paper, signed (verso), and signed and dated ‘20th July 1878’, by R.A invigilator, E.B. Stephen A.R.A. (bottom left), 73cm x 46cm, (88cm x 60cm framed). The work is framed...
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1870s English School Figurative Drawings and Watercolors
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"The Dance, " Ludovico Lipparini, graphite, gouache, mythological, classical
Located in Wiscasset, ME
"The Dance" by Ludovico Lipparini is a beautifully rendered work on paper in the classical tradition using graphite and gouache and created in the f...
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Strength - Tattooed Shirtless Man Holding a Purple Plastic Squirt Gun, Framed
By Bruno Surdo
Located in Chicago, IL
A muscular male torso with tattooed arms, holds a gun while gazing up towards the sky. The face is obscured but the viewer is drawn toward the taut, defined muscles. This piece is floated and framed in a simple black frame measuring 18.25h x 15.25w inches.
Bruno Surdo
Strength
charcoal on paper
11h x 14w in
27.94h x 35.56w cm
BRS113
Bruno A. Surdo
b. Chicago, 1963
EXHIBITIONS
2018 Liberation, Gallery Victor Armendariz, Chicago, IL
Blood Sport, Gallery Victor Armendariz, Chicago, IL
Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY
SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL
Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL
Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL
2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL
Modern Metaphors, Rockford Art Museum, Rockford, IL
2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL
Vice + Virtue, Northern Illinois University Museum of Art
2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN
2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN
Uncensored, Ann Nathan Gallery, Chicago, IL
2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN
2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR
Creative Imaginings, Mobile Museum of Art, Mobile, AL
Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL
2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL
2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Group Show, Arcadia Gallery, New York, NY
Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA
Armory Show, New York Armory, New York, NY
2003 Paintings & Drawings, College of Lake County, Grayslake, IL
The Art Show, New York, NY
Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL
Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL
2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA
Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL
Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL
1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI
1995 Bruno Surdo: Recent Works, College of Lake County, IL
AIDS in Our Society, Loyola University, Chicago, IL
Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL
1999 Group Show, Ann Nathan Gallery, Chicago, IL
1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL
1995 Spiritual Inquiries, Struve Gallery, Chicago, IL
1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL
Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL
SELECTED COLLECTIONS
The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art
Arkansas Art Center, Little Rock, AR
College of Lake County, Greyslake, IL
Flashpoint Academy, Chicago IL
John Robert Wiltgen Design
Shoemaker Ruud Collection
Julie & Thomas Danilek
Michael Vozzella and Mike Silver
Benjamin Fernandez
Tom Braake
Betsy Colburn
Michael Diemand & Lor LaRose
Michael Staab & Kathy Brock
Bruce Leep
Frank Tzurect
Mary Foley
Rosalyn Carlson
Mimmy Turney
Janet Long Halstead
Billy Hunt
Carol Galli
Myles Kerrigan
Honorable & Mrs. Edwin Berman
Theodore Gage
Northrop Art Museum
Past Present & Future Company
Dr. James & Peggy Kemmler
Salvatore Monastero
Nix & Virginia Lauridsen
Joel Miller
David & Marlene Zerkel
Ann & Andy Abel
Claudia Rush
Marc Miller
Leonard Goldberg
Lawrence Pucci
Howard Tullman Collection
Susan & Manny Kramer
James Rinnert
Richar Interiors
Michael & Nancy Colt
Khalid Altijir
Dr. Joe Grodman
Beryl & Jack Gore
Larry Wolf & Eric Naegle
Chuck Wolandi
Jack Schwab & David Sandelin
Thomas Kaczmarek
Marti Dinerstein
Craig & Michael Golden
Mike & Jill Rose
SELECTED PUBLICATIONS
Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog
An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment
“Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014
“Master Class” What’z Up Magazine, Fort Wayne, 2011
”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011
“Illuminated Images” Fort Wayne Reader, 2011
“Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010
“Art and Calamity” Art Papers, 2009
“Versions of the Present, Techniques of the Past” American Artist Magazine, 2004
“Living Artists” Crow Book Publishing, Chicago, IL 2004
“The New Master” by Craig Keller, Chicago Social Magazine, 2004.
“Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002
“Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002
Review by Dennis Raverty, Art Papers Magazine, July 2001
WTTW Channel 11...
Category
21st Century and Contemporary Contemporary Nude Drawings and Watercolors
Materials
Archival Paper, Charcoal
Nude Sketch #2
By Ben Fenske
Located in Sag Harbor, NY
A rare work on paper by Ben Fenske. A sketch of a female nude, posing. Drawn from direct observation using a live model. White chalk is used to create highlights. Not framed. Wrapped...
Category
Early 2000s Academic Nude Drawings and Watercolors
Materials
Paper, Charcoal
The Body is a History - Muscular Male Nude, Graphite Drawing on Paper
By Rick Sindt
Located in Chicago, IL
Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat.
Rick Sindt
The Body is a History
graphite on archival paper
12h x 9w in
30.48h x 22.86w cm
RIS026
Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its
exploration of queer culture in relationships and introspection. Beginning with a survey of
several photo archives, I overwhelmingly encountered pictures that fit into two distinct
categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes.
Working my way through these images, I reflected on D. A. Miller’s assertion that gay
identity, to which we have entrusted our politics and ethics, stands in an essentially reductive
relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented?
Rick Sindt
b. 1990, Hastings, MN,
EDUCATION
2013 North Park University, Chicago, IL - BFA
Magna Cum Laude
SOLO EXHIBITIONS
2016 Two Countries, Rogue Philanthropy, Chicago, IL
2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University;
Chicago, IL
GROUP EXHIBITIONS
2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL
Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B.
Arts Center, Chicago, IL
Collective: Process, Beans and Bagels, Chicago, IL
2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN
How We Make It, The Arts of Life, Chicago, IL
Collective: One, Albany Park...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Graphite
Study of a Man's Shoulder
By Glyn Philpot
Located in London, GB
Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed).
First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 19...
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1920s Art Deco Figurative Drawings and Watercolors
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Paper, Chalk, Charcoal
MB 821 A (Contemporary Male Nude Figurative Drawing, Charcoal on Paper)
By Mark Beard
Located in Hudson, NY
graphite, conte crayon and charcoal on Arches paper
30 x 20.5 inches unframed
Signed 'Beard 2006' lower left corner
Atelier stamp in lower left, next to signature
Unique figurative life study drawing of a standing male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...
Category
Early 2000s Modern Figurative Drawings and Watercolors
Materials
Paper, Conté, Charcoal
Male Torso
By John Koch
Located in London, GB
Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed).
John Koch was an American painter and teacher, and an impo...
Category
1950s American Modern Nude Drawings and Watercolors
Materials
Paper, Chalk, Pencil, Color Pencil
Phil Richards
By Brian Stonehouse
Located in London, GB
Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)). the picture is framed behind UV glass
Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...
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1970s Post-War Figurative Drawings and Watercolors
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Nude - Mixed Media Drawing, Figurative, Subtle, Sketchy style, Polish art
By Michał Bajsarowicz
Located in Warsaw, PL
Drawing on paper
MICHAL BAJSAROWICZ (born in 1963)
He graduated from the Academy of Fine Arts in Poznan, achieving his diploma in 1992 at the studio of prof. B. Wegner. His mainly w...
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2010s Contemporary Nude Drawings and Watercolors
Materials
Paper, Ink, Mixed Media