Studio Era Lounge Chairs

Norwegian Falcon chairs in brown leather by Sigurd Ressel, Norway, 1970s. Very good vintage condition with sma...

Erberto Carboni 'Delfino' Lounge Chair + Ottoman 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair and ottoman are available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...

Marco Zanuso for Arflex, pair of lounge chairs, model 'Regent', leather, metal, Italy, designed in 1960 This ad...

Rare Set of 8 Mies van der Rohe for Knoll MR10 and MR20 Chairs This exceptional set of eight chairs by Ludwig Mies van der Rohe for Knoll represents the epitome of modernist design. Comprising six MR10 and twor MR20 chairs, this collection showcases Mies' commitment to simplicity, functionality, and elegance in both form and material. Style & Usage in Interior Design These chairs belong to the Bauhaus and International Style, characterized by clean lines, minimal ornamentation, and an emphasis on the use of modern materials. The MR10 chairs are armless, offering a sleek and unobtrusive silhouette perfect for dining or office spaces where a minimalist aesthetic is desired. The MR20 chairs, featuring a distinctive curved armrest, provide additional comfort and a more commanding presence, making them ideal as statement pieces in living rooms, lounges, or reading nooks. In interior design, these chairs are best used in spaces that celebrate the beauty of industrial materials like steel and leather. They complement open-plan layouts, where their airy structure can be fully appreciated, and they pair well with other iconic mid-century modern pieces. Key Differences: MR10 vs. MR20 MR10 Chairs: Armless design, characterized by a continuous steel frame that supports the seat and back. Their simplicity allows them to fit seamlessly into various spaces, from dining rooms to offices. MR20 Chairs: Include curved armrests, adding both aesthetic and functional value. These chairs provide more support and comfort, making them suitable for longer periods of sitting or as standalone accent pieces. Mies van der Rohe: A Brief History Ludwig Mies van der Rohe, born in Germany in 1886, was a pioneering figure in modern architecture and design. He began his career in his family's stone-carving business, later studying architecture and working under the influential architect Peter Behrens. Mies was a leading member of the Bauhaus movement, which emphasized the integration of art, craft, and technology. In 1938, Mies emigrated to the United States, where he became the head of the architecture school at the Illinois Institute of Technology (IIT). His work in America solidified his reputation as one of the most influential architects of the 20th century. Architectural Legacy Mies van der Rohe's architectural philosophy is encapsulated in his famous dictum, "Less is more." His buildings are renowned for their clarity of form, open spaces, and use of modern materials such as glass and steel. His approach sought to create structures that were both functional and aesthetically pleasing, stripping away unnecessary ornamentation to reveal the essence of the design. Notable Works: The Barcelona Pavilion (1929): A masterwork of modern architecture, showcasing Mies' minimalist approach with its flowing spaces and use of glass, marble, and steel. The Farnsworth House (1951): An iconic example of his philosophy, this glass and steel structure is celebrated for its simplicity and seamless integration with the surrounding landscape. The Seagram Building (1958): Located in New York City, this skyscraper is a landmark of the International Style, known for its clean lines, bronze facade, and innovative use of space. This rare set of MR10...

Mid-Century Norwegian Falcon lounge chair with tan leather cushioned sling seat on a bentwood base by Sigurd Res...

Norwegian "Falcon" chair by Sigurd Ressel, Norway, 1970s. Very good vintage condition with small signs of usage ...

Ludwig Mies van der Rohe Mr. Longue Chair for Knoll 1960s

Norwegian "Falcon Chair" by Sigurd Ressel, Norway, 1970s. Very good vintage condition with small signs of usage ...

You won’t find another pair of these late eighties, jaw-dropping mind-blowers by Jaymar Furniture Quebec 69. Bes...

Sigurd Ressell lounge chair upholstered with patinated leather. Frame in steel. Model Falcon, made by Vatn...

Produced by Vatne möbler in Norway, 1970s. Leather cushion in good condition with signs of usage.

An iconic leather 'Falcon' sling chair in burgundy leather by Sigurd Ressell for Vatne Møbler, suspended in air ...