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SUBERT

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Milano, IT
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About SUBERT

Our family has dealt with works of art and antiques for five generations, since 1860. Our fields of interest embrace Italian art from the Renaissance to the twentieth century, with a preference for maiolica from the time period between the Renaissance and Rococo, as well as European porcelains, European sculpture, scientific instruments and globes, silverware and unusual objects.

SUBERT

Established in 18601stDibs seller since 2018

Associations

International Confederation of Art and Antique Dealers' Associations

Featured Pieces

Celestial Table Globe, Charles-François Delamarche, Paris, 1791
By Charles Francois Delamarche
Located in Milano, IT
Celestial table globe Charles-François Delamarche Paris, 1791 It measures: 17.13 in in height, Ø max 27.7 in; the sphere Ø 7.09 in (h 43.5 cm x Ø max 27.7 cm; the sphere Ø 18 cm). W...
Category

Antique 1790s French Other Scientific Instruments

Materials

Metal

Three Dishes, Antonio Maria Coppellotti Factory, Lodi, Italy, Circa 1745
By Antonio Maria Coppellotti
Located in Milano, IT
Pair of round dishes and a small oval tray Antonio Maria Coppellotti factory Lodi, circa 1745 High fire polychrome majolica Dishes size: diameter 9.44 in, height 0.78 in (24 cm, 2 c...
Category

Antique 1740s Italian Rococo Delft and Faience

Materials

Maiolica

Ptolemaic Armillary Sphere, Charles-François Delamarche, Paris, ante 1798
By Charles Francois Delamarche
Located in Milano, IT
Ptolemaic armillary sphere Charles-François Delamarche Paris, ante 1798 Wood and papier-mâché covered with printed and partly hand-colored paper It measures 15.55 in in height x Ø 10...
Category

Antique 1790s French Other Scientific Instruments

Materials

Wood, Paper

Ptolemaic Armillary Sphere, Charles-François Delamarche, Paris, ante 1798
By Charles Francois Delamarche
Located in Milano, IT
Ptolemaic armillary sphere Charles-François Delamarche Paris, ante 1798 Wood and papier-mâché covered with printed and partly hand-colored paper It measures 16.37 in in height x Ø 10.94 in (41.60 cm - Ø 27.80 cm) It weights 2.33 lb (1,058 g) State of conservation: consistent with its age and use, the paper shows some signs of use, stains and abrasions. The sphere is Ptolemaic, with the Earth placed at its center, surrounded by the Moon and the Sun mounted on two metal arms. The sphere is composed of six horizontal and two vertical rings (armillae), each bearing graduations and its own name. The first horizontal ring is illegible. The others, in descending order are: North Pole, Tropic of Cancer, Equator, Tropic of Capricorn, South Pole. The vertical rings consist of two double meridians. The sphere is then connected to the large meridian by two pins, a vertical ring inserted perpendicularly into the circle of the Horizon, in turn supported by four semicircles connected to the turned and black-stained wooden base. Each element is covered with printed paper. It contains various pieces of information: latitudes, length of days, names and zodiac symbols, calendar, wind directions, etc. The vertical circles mention the latitudes and longitudes of different cities: Rome, Bordeaux, Madrid, Boston, Batavia (Jakarta), Acapulco, etc. Even the small terrestrial globe is covered with printed paper: continents and oceans appear with numerous geographical markings indicating the most recent explorations. In the Pacific Ocean, west of South America bears the following inscription: GLOBE TERRESTRIAL à Paris chez Delamarche Géog Rue du Foin Jacques Au Collège de M.e Gervais The North American coasts are well delineated and California appears correctly as a peninsula - reports from Spanish explorers in the region had given rise to confusion as to whether it was connected to the mainland or not. The geographical nature of California was confirmed after the explorations of Juan Bautista de Anza (1774-1776). Alaska is not described and is only partially traced; it would become part of the United States in 1867. Various Pacific islands are indicated. Australia (the name definitely used from 1824) is called "Nouvelle Hollande." Tasmania is still represented as a peninsula and this is an important detail for the dating of our armillary sphere. The island is separated from Australia by Bass Strait, which was crossed by Matthew Flinders for the first time in 1798, showing that it was not a peninsula. Delamarche certainly would not have waited a long time to update such an important geographical datum: presumably he did so shortly after receiving the news. Charles-François Delamarche (1740-1817) founded his laboratory around 1770 and, in a few years, he became the most famous French cartographer and globe maker between the 18th and 19th centuries. After having acquired the laboratory of the late Didier Robert de Vaugondy (1723-1786; himself a renowned cartographer who continued the family business founded by his grandfather Nicolas Sanson in the seventeenth century) and after having purchased, between 1788 and around 1800, the businesses of Jean-Baptiste Fortin (1750-1831) and Jean Lattré (around 1750-1800), he began to call himself "Successeur de MM. Sanson and Robert de Vaugondi, Géographes du Roi and de M. Fortin, Ingénieur-mécanicien du Roi pour les globes et les sphères." Thus, at the end of the eighteenth century, Delamarche possessed the warehouse stocks, as well as the manufacturing skills of the globes of his main rivals in Paris. In addition to this aggressive acquisition policy, the key to its success also lay in the combination of high-quality cartography combined with extremely attractive globes and armillary spheres; and, of course, its famous red paint finishing touch. His laboratory was located on Rue de Foin St Jacques "au Collège Me. (or "Mtre") Gervais" in the Latin Quarter of Paris until around 1805, when he moved to rue du Jardinet No. 13. On the death of Charles-François in 1817, the reins of the company passed to his son Félix (1779-1835), who continued to publish, often in collaboration with the engraver Charles Dien, Sr. In 1835 the company first moved to rue du Jardinet No. 12 and a little later to rue du Battoir No. 7. Bibliography: Dekker, Elly, et al. Globes at Greenwich...
Category

Antique 1790s French Other Scientific Instruments

Materials

Wood, Paper

Center Writing Table, Francesco and Giuseppe Cassina, Milan, January 26, 1796
By Francesco and Giuseppe Cassina
Located in Milano, IT
Center writing table Cassina Brothers (Francesco and Giuseppe) Milan, January 26, 1796 79.5 x 94 x 58.5 cm State of conservation: excellent The rectangular table features a minimall...
Category

Antique 1790s Italian Neoclassical Revival Desks and Writing Tables

Materials

Wood, Mahogany, Walnut

Greyhound - Shaped Glass Sculpture, Flavio Poli, I.V.A.M. Murano, Circa 1930
By Flavio Poli
Located in Milano, IT
Greyhound - shaped glass sculpture Flavio Poli I.V.A.M. Murano, circa 1930 It measures 4.72 in in height x 12.59 x 3.74 (12 cm x 32 x 9.5) It weighs 2.42 lb (1.1 kg) State of conse...
Category

21st Century and Contemporary Italian Modern Animal Sculptures

Materials

Murano Glass

Two Small Italian Dishes Antonio Maria Coppellotti Manufacture, Lodi, Circa 1740
By Antonio Maria Coppellotti
Located in Milano, IT
Two small dishes Antonio Maria Coppellotti Manufacture Lodi, Circa 1740 High fire polychrome majolica They measure: diameter 7.08 in(18 cm) Weight: 0.37 lb (170 g) State of conservat...
Category

Antique 1740s Italian Baroque Ceramics

Materials

Maiolica

Crucifix, Bronze, iron, and wood, Lombardy, mid-17th century
Located in Milano, IT
Crucifix Lombardy, mid-17th century Bronze, iron, and wood Sculpture: 33 cm height x 35 cm width x 10 cm depth at the knees; Cross: 42.12 in height x 19.68 in width (107 cm x 50); Ba...
Category

Antique Mid-17th Century Italian Baroque Figurative Sculptures

Materials

Bronze, Iron

Maiolica flower pot "a mezzaluna," Pasquale Rubati Factory, Milan, circa 1770
By Pasquale Rubati
Located in Milano, IT
Majolica flower pot "crescent" decorated in manganese Pasquale Rubati Factory Milan, c. 1770 4.92 in x 8.66 in x 5,31 in 12.5 cm x 22 cm X 13.5 cm Weight: 2.29 lb (1039 g) State of conservation: intact with slight chipping due to use in relief parts A rare example of a flower pot "a mezzaluna" produced by the manufactory of the refined painter Pasquale Rubati, who opened a factory in Milan in 1756 to compete with Felice Clerici...
Category

Antique 1770s Italian Rococo Ceramics

Materials

Maiolica

Maiolica flower pots Samson & Fils Factory, France, late 19th century
By Emile Samson
Located in Milano, IT
Maiolica flower pots “a mezzaluna” Samson & Fils Factory Montreuil-sous-Bois, France, late 19th century They measure 4.72 in in height x 8.66 x 5.03 (12 cm x 22 x 12,8) Weight: 1.88...
Category

Antique Late 19th Century French Rococo Planters, Cachepots and Jardinières

Materials

Maiolica

Maiolica Pitcher Antonio Maria Coppellotti Manufacture, Lodi, Circa 1735
By Antonio Maria Coppellotti
Located in Milano, IT
Majolica pitcher Antonio Maria Coppellotti Manufacture Lodi, circa 1735 Majolica decorated in cobalt blue monochrome It measures 7.36 in hight x 8.07 x 4.52 (h 18.7 cm x 20.5 x 11.5...
Category

Antique 1730s Italian Baroque Ceramics

Materials

Maiolica

Pocket Globe, Nicholas Lane, London, post 1779
By Nicholas Lane
Located in Milano, IT
Pocket Globe Nicholas Lane London, post 1779 The globe is contained in its original case, which is covered in leather. The sphere measures 2.75 in (6.9 cm) whereas the case measure...
Category

Antique 1780s English Other Models and Miniatures

Materials

Leather, Wood, Paper

More About SUBERT

SUBERT 20121 Milano - Italy In 2013, Michele Subert, continuing the family tradition, opened a new gallery in Via della Spiga 42, where he focuses on 16th-19th-century Italian works, exercising particular care in selecting works for public and private collections.