Sundaram Tagore Gallery Mixed Media

Matthew Kirk Clear Your Eyes, 2024 Mixed media 60 x 48 inches MKI010 Matthew Kirk, who is of Diné (Navajo) and European descent (b. 1978, Ganado, Arizona), is a New York-based artis...

Matthew Kirk Felt The Need, 2024 Mixed media 42 x 42 inches MKI008 Matthew Kirk, who is of Diné (Navajo) and European descent (b. 1978, Ganado, Arizona), is a New York-based artist ...

Matthew Kirk A New Moon, 2024 Mixed media 30 x 30 inches MKI009 Matthew Kirk, who is of Diné (Navajo) and European descent (b. 1978, Ganado, Arizona), is a New York-based artist kno...

Matthew Kirk Who Needs Tomorrow, 2024 Mixed media 42 x 66 inches 106.7 x 167.6 cm MKI007 Matthew Kirk, who is of Diné (Navajo) and European descent (b. 1978, Ganado, Arizona), is a ...

Kenny Nguyen Untitled (Diptych 1/2), 2024 Hand-cut silk fabric, acrylic paint, canvas, mounted on wall 59 x 39 inches Undulated Dimensions (Approx.): 55.5 x 35.5 x 5 inches KN084 Ke...

Kenny Nguyen Homeland Series No. 19, 2024 Hand-cut silk fabric, acrylic paint, canvas, mounted on wall 72 x 52 inches Undulated dimensions (approx.) 62 x 45 x 5 inches KN082 Kenny N...

Kenny Nguyen Untitled, 2024 Hand-cut silk fabric, acrylic paint, canvas, mounted on wall 72 x 54 inches Undulated dimensions (approx.) 66 x 49 x 5 inches KN074 Kenny Nguyen (b. 1990...

Kenny Nguyen (Undecided Title), 2024 Hand-cut silk fabric, acrylic paint, canvas, mounted on wall 72 x 54 inches Undulated Dimensions (Approx): 66 x 49 x 5 inches KN066 Kenny Nguyen...

Kenny Nguyen Eruption Series No. 8, 2024 Hand-cut silk fabric, acrylic paint, canvas, mounted on wall 38 x 60 inches Undulated Dimensions (Approx.) 33 x 52 x 5 inches KN033 Kenny Ng...

Osi Audu Goosebumps 2, 2023 Yarn on canvas 46 x 46 x 2.5 inches 116.8 x 116.8 x 6.4 cm OA008 The work of Nigerian-American artist Osi Audu focuses on the dualism of form and void, t...

Osi Audu Goosebumps 1, 2023 Yarn on canvas 15 x 15 x 2.5 inches 38.1 x 38.1 x 6.4 cm OA009 The work of Nigerian-American artist Osi Audu focuses on the dualism of form and void, the...

Osi Audu Masked Head 16, 2021 Pastel and yarn on paper mounted on canvas 22 x 30.5 inches 55.9 x 77.5 cm OA005 The work of Nigerian-American artist Osi Audu focuses on the dualism o...

Kenny Nguyen Bloom No. 2, 2023 Hand-cut silk fabric, acrylic paint, canvas, mounted on wall 72 x 54 inches 183 x 137 cm KN025 Kenny Nguyen (b. 1990, Ben Tre Province, Vietnam) creates expansive, dimensional, mixed-media paintings that center on ideas of cultural identity, displacement and integration. Nguyen grew up on a coconut farm in a rural area near the Mekong Delta in southern Vietnam. Despite having an established career in fashion design, he decided to join his family when they moved to the United States in 2010. Acclimating to an American way of life proved uneasy at first, especially with a language barrier that intensified feelings of alienation and isolation. Nguyen turned to art-making as a coping mechanism and as a means to express himself in a more universal language. The transition from design to art was a natural one and in 2015 Nguyen earned a BFA in painting from the University of North Carolina Charlotte, and subsequently established a studio in Charlotte. Drawing from his experience working with textiles, in particular, silk, a culturally significant material in Vietnam, Nguyen developed a distinctive technique to produce sensuous, three-dimensional works that he describes as “deconstructed paintings.” He begins by tearing...

Kenny Nguyen Homeland Series No.4, 2023 Hand-cut silk fabric, acrylic paint, canvas, mounted on wall 72 x 84 inches KN017 Kenny Nguyen (b. 1990, Ben Tre Provi...

Anila Quayyum Agha All the Flowers are for Me - Burgundy, 2016 Laser-cut encaustic embroidery on paper 21 x 21 inches 53.3 x 53.3 cm AQA038 Anila Quayyum Agha examines issues of global politics, cultural identity, mass media and gender roles in her multidisciplinary practice. The Pakistani-American artist is best known for her immersive, large-scale light installations in which she laser-cuts elaborate patterns into three-dimensional cubes. Suspended and lit from within, the cubes cast lace-like, floor-to-ceiling shadows that completely transform the surrounding environment, alluding to the richly ornamented public spaces such as mosques that Agha was excluded from as a female growing up in Lahore. In addition to her suspended light installations, Agha also creates wall-mounted sculptural works, including her Flowers series (2018) that explores love and loss inspired by the mixed emotions she experienced following her son’s wedding and mother’s passing, events that happened in the same year. Although these works may appear decorative, they are imbued with meaning, from the floral patterns that express the beauty and femininity of her mother, to the metallic threads commonly used for wedding dresses in Pakistan. The visual elements collectively amplify the interplay between the matrimonial and the funereal, and by extension, the larger cycle of life. To produce these elaborate works, Agha laser-cuts vibrantly hued encaustic paper with intricate patterns and adorns them with light-reflecting embroidery and beads. These exquisitely detailed drawings are framed within shadow boxes, allowing light to pass through the cut-outs and cast patterned shadows in a manner similar to her large-scale light installations. The framing and shadows allow these works to transcend their two-dimensionality. Anila Quayyum Agha has an M.F.A. in fiber arts from the University of North Texas. She has exhibited her work across the globe, including in the 2018 Kansas City Biennale, curated by Dan Cameron; the Peabody Essex Museum, Massachusetts; the Brooklyn Academy of Music, New York; the Dallas Contemporary Art Museum, Texas; the National Museum of Sculpture, Valladolid, Spain; and the Cheongju Craft Biennale, Korea. Her work is in the collections of the Cincinnati Art Museum, Ohio; the Grand Rapids Art...

Ricardo Mazal Don't Move Red P1, 2023 18.25 x 15 inches RM504 Ricardo Mazal (b. 1950, Mexico City), one of Mexico’s most prominent contemporary artists, is known for his lush abstra...

Ricardo Mazal Don't Move Blue V. P1, 2023 18.25 x 15 inches RM504 Ricardo Mazal (b. 1950, Mexico City), one of Mexico’s most prominent contemporary artists, is known for his lush ab...

Ricardo Mazal Don't Move Gold P3, 2023 18.25 x 15 inches RM499 Ricardo Mazal (b. 1950, Mexico City), one of Mexico’s most prominent contemporary artists, is known for his lush abstr...

Robert Yasuda Sustain, 2020 Acrylic on fabric on wood 92 x 2.5 inches RY119 Robert Yasuda is known for luminous multi-panel paintings on carved wood tha...

Drive 8, 2022 Mixed media on canvas 33 x 36 inches 83.82 x 91.44 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highly minim...

Kim Jae-Il Vestige (collision-white), 2019 Acrylic on fiberglass resin 51¼ x 51¼ x 1¾ inches 130 x 130 x 4.5 cm KJI033 Raised and educated in Seoul, Kim Jaeil works in a manner similar to an earlier generation of artists who lived through the Korean War. Beginning in the 1970s, those artists began producing abstract works in a conscious shift away from the realist...

Kim Jae-Il Vestige (edd-gold), 2019 Acrylic on fiberglass resin 22⅜ x 34⅝ x 1¾ inches 57 x 88 x 4.5 cm KJI027 Raised and educated in Seoul, Kim Jaeil works in a manner similar to an earlier generation of artists who lived through the Korean War. Beginning in the 1970s, those artists began producing abstract works in a conscious shift away from the realist...

Robert Yasuda Aloha, 2022 Acrylic on fabric on wood 48 x 32 inches RY111 Robert Yasuda is known for luminous multi-panel paintings on carved wood that transmit and transform light. Notable installations include large, site-specific paintings at MoMA PS1 in an exhibition organized by Alanna Heiss in 2016. The exhibition, titled Forty, was a collection of work by artists who were key participants in the 1970s alternative art spaces movement and the early years of P.S.1 Contemporary Art Center. During the 1970s, Yasuda’s work was showcased at the Museum of Contemporary Art, Chicago; the Clocktower Gallery, New York; and the Corcoran Gallery of Art, Washington, D.C. Early gallery exhibitions include solo shows at Galerie Bruno Bischofberger (Zurich and St. Moritz), 1968 and 1969, and in 1975, the first of five shows at Betty Parsons Gallery...

Robert Yasuda Boundary, 2010-2020 Acrylic on fabric on wood 80 x 50 inches RY106 Robert Yasuda is known for luminous multi-panel paintings on carved woo...

Robert Yasuda Na Hoa, 2022 Acrylic on fabric on wood 55 x 16 inches RY099 Robert Yasuda is known for luminous multi-panel paintings on carved wood that ...

But there is Day and Night 1, 2019 Mixed media on canvas 61 x 192 inches 155 x 488 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy express...

Innere Zeit 29, 2021 Mixed media on canvas 24 x 27 inches 60.96 x 68.58 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highl...

Like the Ocean Like the Sea, 2021 Mixed media on canvas 88 x 72 inches 224 x 183 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed...

Drive 4, 2022 Mixed media on canvas 33 x 36 inches 83.8 x 91.4 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highly minimal...

Drive 6, 2022 Mixed media on canvas 36 x 33 inches 91.4 x 83.8 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highly minimal...

Anila Quayyum Agha Flowers (Orange Circle), 2017 Mixed media on paper (encaustic orange circle with pink beads in center) 29.5 x 30 inches 74.9 x 76.2 cm...