Susan Eley Fine Art Mixed Media
Color: Black
Untitled, Small Vessels No. 4, multicolored abstract work on paper
By Sasha Hallock
Located in New York, NY
“This series of paintings was significant for me to make. It marked the return to the studio after a year at home due to the pandemic. New iterations began to emerge (Vessels + Statu...
Category
2010s Contemporary Abstract Drawings and Watercolors
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Graphite, Paper, Mixed Media, Watercolor, Wood Panel, Color Pencil
Havoc in Heaven, black and blue abstract painting
Located in New York, NY
Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...
Category
2010s Contemporary Mixed Media
Materials
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Confluence #17, small mixed media work on paper, neutral tones and black
By Francie Hester
Located in New York, NY
Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering of fragmented and unfolding circles -- the underpinning for each piece -- defines a sense of deep and evolving space...
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Paper, Wax, Acrylic
Every Moment, brown and pink print of cups, work on paper
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Located in New York, NY
Mixed media on paper. Framed: 15" x 18"
My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media
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Cyanotype Unique Variant Print
Limited Edition of 7
Cyanotype gives a contemporary edge to this flirty dialogue made from vintage magazines, and brings conversation to the counterculture of the "swinging sixties".
+ Cyanotype hand-printed on Arches BFK Rives French watercolor paper
+ Deckled Edges on all four sides
+ Signed and editioned on front in pencil
+ Letter of Authenticity
+ Printed in Los Angeles, CA
WHAT IS A CYANOTYPE?
cyan = blue
type = print
Cyanotype is a historic photographic processes, invented in 1842 and used by Anna Atkins–the first female photographer. The process involves coating watercolor paper with light-sensitive chemistry made of iron salts. Photographic negatives are laid on top, exposed in the sunlight, and then washed in water to develop into the deep Prussian-blue unique to cyanotypes. Brings a moment of beauty and conversation to any space.
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Ready to hang as is.
Vincent Pomilio is master when it comes to color composition. His abstractions ...
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Vincent Pomilio is master when it comes to color composition. His abstractions on canvas and wood panel come to life with the most brilliant, yet unexpected color combinations. This mid century modern style abstract painting exemplifies Pomilio celebrated technique of combing vibrant shades of acrylic paint, pigmented plaster, and encaustic. The painting's complexity is made possible through the use of multiple layers of acrylic and plaster. Here the artist begins with an under-layer of teal acrylic paint and then sections off each cross hatching pattern in varying shades of pale yellow, purple, teal, green, and turquoise. Details of gestural splatters of green paint compliments the surface while a final coat of encaustic medium creates an elegant, matte finish. The sides of the abstract geometric painting are painted a dark royal blue, so no framing is necessary. The work is equipped with sturdy wire and is ready to hang.
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Vincent Pomilio specializes in all painting media, canvas, paper and wooden panel. A visit to his studio in the bustling neighborhood of Manhattan’s Greenwich Village offers a unique insight into the artist’s process of his own art making. The right brain dominates here; skillful use of color, shape, line and scale are discovered via intuition, experimentation and quarter turns of the canvas. Pomilio has occupied this bohemian artist’s pad since his school days ended at New York University in 1978 and it is here that he continues to paint to this day. Abstractions of color explosions are harmoniously composed using a combination of acrylic, wax, pigmented plaster and marble dust to build up surfaces and introduce texture. “In the end, the challenge is to know when to stop,” says Pomilio. The result is a stunningly complex and layered composition of color that one could interpret as an aerial landscape view or motifs that resemble woven baskets. When it comes to abstractions, the artist rationalizes, “If you see it, it is there.” At one point in his career, Pomilio felt he was struggling to successfully produce small paintings using the scaled patterns that was common in his work. This prompted a new series - the Big-Little series – which encompasses a study of big images on a small scale. By introducing a degree of ‘minimalism’ he could explore color relationships while magnifying techniques used on larger canvases. The effect this project had on his work flow was one of renewed energy and confidence. He could complete a painting much quicker than with the larger canvases, allowing him to try various solutions and expel creative energy in a focused way. Earlier this year, he completed the 100th 12 x 12 inch painting in the series. This exhibit will feature #100 (as well as #99 and #98), highlighting other selections from this series in addition to select medium and larger paintings on canvas.
Vincent Pomilio is represented by the seller based in Hudson, NY.
EDUCATION
1973 Kutztown State University, Kutztown, PA, BFA - Painting
1976 New York University, NY, Graduate Studies - Painting
1976 TylerSchool of Art, Elkins Park, PA, Graduate Studies - Paint
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