Taschen

by Tina Jorstian & Poul Erik Munk Nielson Light Years Ahead depicts Poul Henningsen's role in the evolution of light fittings. From the very outset h...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. A...

Clear the coffee table! Rihanna invites you into her world with this stunning visual autobiography that comes with a limited edition stand created in collaboration with the artists T...

Byzantine art established the images of the Christian religion that are still current today: the appearance, dress and attributes of Biblical figures all owe their invention to these early artists. The Byzantine Empire spanned the fourth to the fifteenth century, bridging the Middle Ages from the late Roman Empire to the early Renaissance, and of all the world's empires, it is most clearly defined by its art. Presenting 300 artworks from the years 240 to 1453, The Glory of Byzantium and Early Christendom encapsulates the development of art in eastern Europe and eastern Mediterranean from the very early days of Christianity to the fall of Constantinople. Even when a more secular art developed during the early Renaissance, Byzantine art lived on as the dominant style for religious art, particularly in the Orthodox East. Nevertheless, a perception of Byzantine art as purely religious is misleading: while it included the production of glorious icons, it also encompassed metalwork, architecture, sculpture, wall painting and mosaics, but secular and Christian. From architecture to jewellery, from coins to paintings, from mosaics to book illuminations, the book explores Byzantine art in all its forms. Unique not only for its extensive variety of art forms, the book also has a vast geographic Scope, including art from Britain to Syria, from Spain to Turkey, from Egypt to Georgia. An introductory essay by Antony Eastmond summarizes the essence of Byzantine and early Christian art...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Vintage No.5 Leather Soccer Ball. A great vintage leather football ball with twelve guaranteed hand sewn leather panels. The ball is stencilled but unreadable, it has a lace-up slit ...

This art is a one of a kind print on canvas with archival ink, it is completely flat but has the characteristics of Ceravolo's 3 dimensional look. It was the study for a large canvas of Chuck Close that was comprised of actual three dimensional elements. This unique one of a kind print has the depth that a Ceravolo canvas in known for while being completely flat. It is framed under plexiglass and measures 47x38" When Ceravolo met Chuck Close for the first time in 2008 he told Chuck that Chuck had indirectly feed his (Ceravolo's) family for the past 25 years because he (Ceravolo) started to paint large scale portraits after seeing Chucks portrait of Phillip Glass...

Originally released in 1970 as 'A.k.a. Cassius Clay', this boxing documentary film followed the life and career of legendary former heavyweight champion Muhammad Ali. Directed by Jim...

Pair of signed Mel Roberts first edition photography books. From 2000 and 2001. Both books are hand signed. In great condition.

An accessible, comprehensive, freshly-updated celebration of the vast range of human artistry from 28,000 BC to today Brought completely up to date for this revised edition and now a...

Fun oversized leather Wilson football measuring 30" long. Massive version of "The Duke." Likely a store display piece. Rare find. Great object and display piece.

Chris Levine Lightness of Being [Freedom Edition], 2021 Diasec-mounted giclée print mounted on aluminium composite panel Artist's digital signature, lower right on recto 90 x 70 cm E...