The Cary Collection Mixed Media

"19 // 23" stands as a testament to the serene yet intricate dance of light and form, rendered in a palette of subdued grays. This piece, born from the union of acrylic, textured pai...

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

CONTEMPORARY ART Expressionist composition Mixed media on paper Signed and dated 2018 D. Silva Measure:70x50 cm /28x20 in Private collection.

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Immerse yourself in the serene elegance of "6 // 23," a captivating piece from a set that articulates the subtle interplay of light and form. With acrylic, textured paint, and cardbo...

Introducing "21 // 23," a tactile symphony of acrylic, textured paint, and cardboard on wood, this piece captures the mesmerizing effects of light as it plays across its multifaceted...

Introducing "21 // 23," a tactile symphony of acrylic, textured paint, and cardboard on wood, this piece captures the mesmerizing effects of light as it plays across its multifaceted...

this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, Lond...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

The extraordinary candle holder "Flames" on a oxidised oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15cm o...

Stfk097, 1997 His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair, The Other Art Fair, London, an...

ABOUT THIS PIECE: 20" W x 25" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, California U.S.A. He has applied his unique collage style to a wide range of editorial, advertising, book illustration, murals, animation and 3D work. Select clients include: Politico Europe, Hurley, Miu Miu, Kodak, Zeit Wissen magazine, Clinique, Nestea, Kate Spade, Chanel, Mens Health magazine, Anxy magazine, Alfa Romeo, Burt's Bees, Emirates: Open Skies magazine, Philosophie Magazine Editeur, London Fashion Week daily, Rubbish magazine, Pandora jewellery, Viewpoint magazine, M le magazine du Monde, Casio Gshock...