The Illustrated Gallery Paintings

Cover of The Saturday Evening Post, April 23, 1960. The Post described, "'Here's the pitch, Snider connects! It's a pop foul heading in the direction of the third-base stands. Mathe...

Medium: Gouache on Board Date: 1970 Signature: Signed Lower Left Dimensions: 26.50" x 32.00" 1923 Star Wagon, Great Moments in Early American Motoring calendar illustration EXXON/E...

Date: 1968 Medium: Acrylic on Board Dimensions: 20.00" x 27.00" Signature: Signed Lower Right The Lincoln Highway, 1916 Chevrolet, calendar illustration, Great Moments in Early Amer...

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Medium: Oil on Board Signature: Signed Lower Right Saturday Evening Post Cover, April 29, 1961 Amos Sewell was born in San Francisco and moved to New York where he attended the Arts Students League. One of his teachers was Harvey Dunn whom he emulated and who inspired him to become an illustrator. He did many covers for Country Gentleman and The Saturday Evening Post and is best known for painting everyday people doing everyday things. One of his best-loved covers is “Visiting Hours,” where a father and son come to visit Mom in the hospital. Since the misses appears to be recovering nicely, their attention drifts to the baseball game on television. Notice the rabbit ears, the black and white television...

Original cover for The Saturday Evening Post magazine, published July 14-July 21, 1962 This 1962 Post cover by George Hughes evokes the carefree spirit of summer road trips. While m...

Original cover for The Saturday Evening Post magazine, published January 23, 1960 A businessman sits on the beach at a resort surrounded by financial newspapers and office communica...

“Exalt His Name Together” Calendar illustration; publisher: (Shaw-Barton), January 1962; The Household Hints Calendar Original calendar accompanies this piece Sight Size: 24.75" x ...

Saturday Evening Post, September 24, 1960, cover illustration. The present work was published as the cover illustration of the September 24, 1960 issue of The Saturday Evening Post....

Original cover illustration for Reader's Digest, published August 1978 "Below the Falls" (Angler's Paradise) The illustration features a man fishing near a waterfall. Medium: Gou...

This piece was illustrated on the cover of the June 21, 1960 issue of the Familie Journal and on the cover of the July 30, 1960 issue of HÖRZU. A little boy lays on the grass holding comics and looking up at his father, whose hand is on a manual lawn mower Much like Norman Rockwell, Kurt Ard...

A dog sleeps in a bed as a little boy sleeps next to the dog on the floor This piece was first illustrated on the cover of the 1971 issue of Panorama magazine and then featured in Allers Magazine, 1973. The illustration features a young boy sleeping on the ground next to an empty dog bed. The beagle dog has taken over the little boy's bed. Much like Norman Rockwell, Kurt Ard...

Signed Lower Right by Artist PHOTOSTAT ILLUSTRATION & COMP COLOR OVERLAY - Caricature by George Wachsteter (1911-2004) for 1962 NBC-TV variety show 'The Lively Ones' with star & hos...

Signed Lower Right by Artist Caricature by George Wachsteter (1911-2004) for the 1965 CBS telecast of 'The Miss Universe' Pageant with hosts Jack Linkletter, June Lockhart, John Dal...

Signed Lower Left by Artist Cover of The Saturday Evening Post, April 23, 1960

Signed Lower Center Paperback book cover: The Silent Invaders, by Robert Silverberg; Publisher: (Ace Books), 1973 The Silent Invaders was first published as a paperback Ace Double...

Unsigned but dated upper right

Signed Lower Right by Artist August 1972 Calendar illustration.

Over the course of his long and prolific career, Norman Rockwell executed over 300 cover illustrations for The Saturday Evening Post. In addition to these beloved commissions, Rockwe...

Signed 'NORMAN/ROCKWELL' bottom right; also dedicated 'My very best wishes/to/Sir Jay Chernis/Cordially/Norman Rockwell/November 3rd/1975' verso The present work belonged to Sir Jay...

Medium: Oil on Masonite Signature: Signed Center Left Santa's 1963 Corvette Convertible, Hertz Advertisement.

Medium: Gouache on Board Signature: Signed Lower Right Dimensions: Sight Size 22.00" x 29.00," Framed 26.50" x 33.50" New York Welcomes the President Elect, Great Moments in American History...

Medium: Mixed Media Signature: Signed Lower Center Published May 1973 by Pyramid Books

Medium: Oil on Board Signature: Signed Lower Center This illustration was published as the paperback cover of The Devil of Bucks County by Edmund Schiddel (Bantam Books, 1967).

Medium: Oil on Canvas Signature: Signed Middle Right Original cover for TV Guide, published May 13, 1978 featuring the “Little House on the Prairie" televisi...

Medium: Oil on Canvas Signature: Signed Lower Left One of seven paintings in the Great Moments in U.S. Olympic History collection, Howe's artwork shows that achieving greatness begins with a dream. Here, a young boy dreams of running with the U.S. Olympic Track...

Medium: Oil on Canvas Signature: Signed Lower Right Painting of a pensive woman seated in a chair Hans Amis, born in Canton, China, in 1957, is a graduate of the Fine Art College i...

Medium: Gouache on Board Signature: Signed 'Darden' Lower Left Sight Size 17.25" x 34.25," Framed 21.125" x 38.125" llustration from a story in Black Sports Magazine, circa 1975. A dynamic image showing the Hall of Famer stealing a base from Chicago Cubs...

Medium: Oil on Linen Signature: Signed and Dated Lower Right Prairie Grove Picnic

Medium: Oil on Canvas Signature: Signed Lower Left: Hughes Sight Size 25.00" x 23.00;" Framed 31.25" x 29.25" Original cover illustration for The Saturday Evening Post, November 11,...

Medium: Acrylic on Board Signature: Signed Lower Left Framed 25.00" x 21.00." Saturday Evening Post Cover, December 17th, 1966

Medium: Gouache on Paper Signature: Signed Lower Left A well-crafted, stylish, and eye-catching cover painting by the renowned pin up calendar artist and commercial illustrator Fritz Willis. This was used as a cover for a Shipstads & Johnson Ice Follies...

Medium: Gouache Painting Signature: Signed Lower Right An interesting piece by the Hall of Fame illustrator whose best works don’t show up all that frequently.

Cover of The Saturday Evening Post magazine, published October 1974 A copy of the magazine accompanies this painting. William Ware's s...

Original holiday greeting card Illustration of a Christmas tree decorated with ornaments and bows. Medium: Egg Tempera on Gesso Panel Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John...

Original holiday greeting card illustration of a Christmas Tree in a Weathered Niche against a backdrop of a starry night sky Medium: Egg Tempera on Illustration Board Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Medium: Gouache on Board Signature: Signed Lower Right Sight Size 19.00" x 19.00;" Framed 27.50" x 27.50" Featured in The Saturday Evening Post June 24, 1961 “Too Many Masterpieces”...

Medium: Gouache and Pencil on Paperboard Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, August 26, 1961. The Post described, “The Post desc...

Signature: Signed Lower Right

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'True Confessions' Written by Dunne John Gregory True Confessions, first published in 1977, is widely regarded as a classic American novel. Set in Los Angeles in 1948 and based on the notorious, never-solved Black Dahlia murder case, the story plumbs the depths of guilt and corruption — in the L.A.P.D., the Catholic Church, the construction industry, and in the relationships among them. Like the film Chinatown, which came to the screen three years before the novel, True Confessions illuminates the dark underside of Los Angeles at a time when corruption ran rampant and seemingly without shame. The book’s stature as a classic is underlined in an introduction by the brilliant novelist and screenwriter George Pelecanos, who writes of the author, “with True Confessions, he achieved what most novelists can only hope for. He left behind a work of art.” Indeed. True Confessions works on many levels: as a crime novel, as humor (the story is often laugh-out-loud funny), as an example of masterful writing style, as an emblematic tale of a great American city, and as a novel that explores the human condition with sensitivity and deep understanding. True Confessions revolves around the often testy relationship between two Irish-American brothers, Tom and Des Spellacy. Tom is a lieutenant in the L.A.P.D., a clever detective with a past history of corruption. Tom’s brother, Des, is a Catholic priest risen to the rank of Monsignor and the role of fixer and hatchet man for the aging Cardinal, whom he hopes to succeed. The two brothers come into conflict over their clashing agendas for a corrupt construction mogul who is one of the city’s richest and most powerful men. They have drastically different ideas about how to deal with the man. The author writes with compassion. For example, describing bystanders in a poor neighborhood, he writes, “They weren’t bad people. Just too-little, too-late people. Has-beens, never-weres, never-will-bes.” The novel is rife with unsympathetic characters, but none of them can be viewed as evil. The story opens and closes in the 1970s, when Tom and Des are old men, reviewing the wreckage of their careers. In between, two plots intertwine: Tom’s investigation of the shocking murder of a young woman, and Des’s attempts to strengthen the Church while scheming to position himself as the successor to the Cardinal. The late novelist and screenwriter John Gregory Dunne — he died in 2003 at the age of 71 — came naturally to writing. He was the younger brother of the writer Dominick Dunne...

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'Time and Again' by Jack Finney Time and Again is told in the first person by Simon Morley, a 28-year-old artist wor...

Medium: Acrylic on Board Signature: Signed Lower Left Cover of 'Crazy Sundays F. Scott Fitzgerald in Hollywood' written by Aaron Latham Published by ...

Paperback book cover illustration for Eagles Where I Walk by Stephen Longstreet, published by Popular Library, 1961. The publisher describes the story: “Anger had burst into rebellion, and rebellion had exploded into war—and across the Colonies brave men and women joined together in a passionate struggle which there was no turning back. Such a man was David Cortlandt—robust, daring, never one to avoid danger. He was a man who must have what he desired, be it freedom from a tyrant or possession of a strange and deadly beauty named Roxanne.” The cover features a soldier embracing a woman above a small illustration...

Paperback book cover illustration for A Few Painted Feathers by Stephen Longstreet, published by Popular Library, 1963. A historical novel about the American Revolution. The cover...

Medium: Mixed Media on Board with Collage Signature: Unsigned

Illustration of a woman standing next to a yellow 1931 Cadillac vintage car against a purple background Signature: Signed Lower Right and Dated ’76 Medium: Watercolor Illustration ...

Signature: Signed Lower Right and Dated ’76 Medium: Mixed Media on Panel Cover Illustration. The Binghamton Story, a Stribute to J.J Younge Jr.

Signature: Signed Lower Left Medical Times, vol. 89, no. 5, May 1961, pp. 7a, 192a, cover illustration. According to the Medical Times, where the present work was featured on the c...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 22.00" x 29.00;" Framed 22.00" x 29.00" America's Women Get the Vote Calendar Illustration

Signed Lower Right A painting for a poster print.

Medium: Oil on Linen Signature: Signed and Dated Lower Right This painting is accompanied by a typewritten letter from Falter, dated May 23, 1974.

Medium: Oil on Masonite Signature: Signed Lower Left The present work was published as the cover illustration of the October 7th, 1961 issue of The Saturday Evening Post. The Post ...

Signed Lower left The present work was published as the cover illustration of the February 3rd, 1962 issue of The Saturday Evening Post. The Post editors wrote of this cover, “The ...

Signature: Signed Lower Left Cover of the Army v. Navy Football Program 1968. 204 page Army Navy Almanac Official Program for game played at JFK Stadium, Philadelphia The program ...

Medium: Gouache on Board Signature: Signed Lower Left

Painting for a Woodstock film's poster.

Poster for Alfred Hitchcock Unsigned

Made for the movie poster for "Oliver" Signed Lower Right

Signature: Signed and Dated

Original cover illustration for The Saturday Evening Post, July 2,1960. The Post described, ““Golfe '' was outlawed during its infancy in Scotland because too many archers, on whom ...