Thomas Jolly Antiques Desks and Writing Tables
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George III Mahogany Writing Table 19th Century Great Color and Patination
Located in Buchanan, MI
A George III Mahogany Writing Table
19th Century having two slides. Great color and patination.
Measures: Height 31 x width 48 1/4 x depth 22 inches.
Category
Antique Early 19th Century English George III Desks and Writing Tables
Materials
Leather, Mahogany
Italian 18th Century Style Dining, Writing or Sofa Table
Located in Buchanan, MI
Italian 18th century style dining, writing or sofa table.
Category
20th Century Unknown Dining Room Tables
Materials
Iron
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THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION.
Condition:
In excellent condition having been beautifully cleaned, polished and waxed in our workshops, and only shows minor signs of wear commensurate with age and use.
Please see photos for confirmation.
Dimensions in cm:
Height 76 x width 144 x depth 84
Dimensions in inches:
Height 29.9 x width 56.7 x depth 33.1
Marquetry
is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
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