TISHU Furniture

A rare four-piece Japanese Fireman's assemble (Shobosho uniform) woven with heavy cotton and decorated with stencil resist dye circa 1890-20s Late Meiji to Showa Period. The assemble...

An important piece of bamboo basketry art by Maeda Chikubosai I (1872-1950), circa 1920s-1930s. The body of the bamboo brazier was made with smoked bamboo (susudake) and rattan and with a built-in copper liner brazier. Mat plaiting, diagonal plaiting and twining were used to construct the robust body while hexagonal plaiting was used for the base. It is signed on the base Chikubosai Kore o tsukuru (Chikubosai made this). The copper brazier...

Bold, rustic and with an earthy free spirit, this wagumi style flower basket with twisted handle (ikebana) was designed and woven to evoke a sense of serenity and humbleness during t...

An elegant vase made in Kyoto, Japan, circa 1920s. With a graceful elongated Mei-Ping form, it was likely used as a flower holder during the tea ceremony. The stoneware body has an incised and raised design of Irises in an over glazed indigo blue, an subject matter and composition found in the contemporary paintings and screens, cherished by the literati of the Kyoto society. The vase has a white glazed background sprinkled with dust for a rustic effect. The blue glaze displays some burst of bubbles upon close inspection, suggesting its age. Under the base, there is a small impressed mark of Ninsei (born Nonomura Seisuke) a famous potter from the 17th century, who was considered the founder the Kyoto ware...

A lovely Japanese bamboo basket by Hayakawa Shokosai IV, the fourth generation of the Shokosai lineage, one of the best known in the Japanese Bamboo art...

Yamashita Kochikusai (1876-1947) was a bamboo artist from Osaka, Kansai region. He apprenticed under Wada Waichisai I (1851-1901), becoming independent in 1901. His students include ...

Burmese (Myanmar) lacquer ware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typically, bamboo and wood are used as a frame or base in making lacquer work. This covered offering vessel is called a “Hsun Ok...

A set of four Japanese shallow footed bowls or dishes in red lacquer with predominantly gold Makie design circa 1920s-1930s Taisho period. Each was decorated with hiramakie painting of different motifs, mostly gold, black and pewter color. One with a temple drum...

Early 20th century woven Chinese willow baskets. These beautifully shaped hand woven basket were originally used in the kitchen and gardens.

Early 20th century woven Chinese willow baskets. These beautifully shaped hand woven basket were originally used in the kitchen and gardens.

Early 20th century woven Chinese willow baskets. These beautifully shaped hand woven basket were originally used in the kitchen and gardens.

A vintage Japanese Fireman's Jacket (known as hikeshi-banten in Japanese) woven with heavy cotton and decorated with stencil resist dye circa 1920s Sh...

A Japanese roiro lacquer scholar combo box with an upper tier of inkstone box (Suzuribako) and a lower document box (Ryoshibako) circa 1910-30s (end of Meiji to Showa period). The high glossy box was beautifully decorated with an image of the famously eccentric Buddhist monks Hanshan and Shide (known in Japan as Kanzan and Jittoku). Often as a pair, they have been a popular motif in Japanese Zen painting...

A glazed ceramic vase in slender spindle form from the Chang Ware series by Royal Doulton (England, founded 1815) circa 1920-30s. The vase was decorated with thick and dripping glaze in rich mottled polychrome colors. The glaze shows overall irregular crackles, a signature characteristic of Chang Ware. The base is hand-marked "NOKE", Royal Doulton in rectangle and initial HN (for Harry Nixon). Developed by Charles J. Noke (1858-1941), Doulton's Art Director, as part of his experimentation into Chinese flambé glazes during the 1920s. Fired at very high temperatures, they were introduced commercially by Doulton in 1925 in response to popular demand for eastern style ceramics. They were applied primarily by Harry Nixon (1886-1955). The name Chang Ware was used by Doulton in reference to the possibly mythical Song potter, Chang the Elder, although it bears little relationship to Song ceramics.

A Japanese cloisonne vase by Ando Company circa 1910-30s, end of Meiji to Tasho period. The vase takes an archaic Chinese bronze vessel form know...

A Japanese woodblock print by Yoshida Hiroshi (1876-1950), entitled "Kagurazaka Dori" in Oban format and dated to 1929. From the Twelve Views of Tokyo series - Kagurazaka Street at N...

A Japanese lacquer box with lid and an inner tray decorated with Maki-e on a dense nashiji background. The fine box was likely made circa 1920-30s during the Tashio period and likely...