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Item Ships From: Atlanta
Korean Contemporary Buncheong Ceramic Sculpture by Sung Jae Choi
By Sung Jae Choi
Located in Atlanta, GA
A ceramic sculpture piece created in the tradition of Buncheong ware by contemporary Korean ceramicist Sung Jae Choi (South Korean, b. 1962). In a hollow rectangular with slight irregularity of being hand-made, the piece evokes the distant memory of the stoneware pillow...
Category
Early 2000s Korean Modern Ceramics
Materials
Ceramic
Contemporary Japanese White Glaze Ceramic Vase by Manji Inoue
By Inoue Manji
Located in Atlanta, GA
A large glazed white porcelain vase in the jar-form by Japanese ceramic artist Inoue Manji (Japanese, b. 1929). Minimalistic in form, the vase is pure white with a very subtle blue h...
Category
Late 20th Century Japanese Modern Ceramics
Materials
Ceramic
Unique Japanese Lacquer Maki-e Suzuribako with Woven Bamboo Cover with Tomobako
Located in Atlanta, GA
This Japanese suzuribako (ink box) of late Meiji Period (circa end of 19th century) is uncommon with its surface covered with woven basketry in che...
Category
Antique Late 19th Century Japanese Japonisme Scholar's Objects
Materials
Rattan, Wood, Lacquer
Collection of Three Indian Sandstone Carved Heads of Deities
Located in Atlanta, GA
A collection of three carved sandstone heads on wood display stands from Northern India Rajasthan or
Madhya Pradesh, circa 11-12th century. Fragmented from large whole-body statue, these red sandstone heads exhibit very fine carving, typical of Northern Indian Art during the medieval time. Two males and one female, they represent heavenly deities Yakshas and Yakshini. Their facial features were detailed with large almond-shape eyes under thin arched eyebrows. The males have characteristic facial hairs including curvy moustaches and tightly combed beard, both finely carved, and the female wears large spoke loop earrings. They all don fantastical hairstyles with serpent-like spiral locks and some with elaborate knots on top and above the sideburns.
These deities are likely celestial musicians. A pair of full-body statues (lot 70) were offered for sale in Christie's Indian and Southeast Asian Art...
Category
Antique 15th Century and Earlier Indian Archaistic Sculptures and Carvings
Materials
Sandstone
Antique Korean Ceramic Buncheong Bowl Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic shallow bowl on ring foot in the classic Buncheong (or Punch'ong) style from early Joseon Dynasty circa 15th century. The bowl features...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Japanese Woven Bamboo Sculpture by Honda Syoryu
By Honda Shoryu
Located in Atlanta, GA
Entitled "Rhythm", this abstract sculpture was made by Japanese bamboo artist Honda Syoryu (Japanese, born 1951) in 2005. The free vertical form defies the limit of the traditional material bamboo as a rigid medium, and instead displays a nearly impossibly fluidity. Rooted in ages of tradition of Japanese basket weaving, the artist managed to break that ikebana tradition using bending and twisting techniques to create a pure sculptural work.
The work is a testament of how traditional craft can be reinvented into modern art form. Signed with carved signature "Syoryu" underneath.
The sculpture is displayed on a custom-made stand and can be appreciated from all angles. It comes with its original box and cloth, with label and Japanese inscription as shown.
Provenance: Purchased in 2005 from Tai Modern...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo
Large Japanese Satsuma Ceramic Vase Kinkozan
By Kinkozan
Located in Atlanta, GA
A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost.
The neck of the vase is also slightly unusual with two rolled rings...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Japanese Contemporary Iga Stoneware Bowl by Shiro Tsujimura
By Shiro Tsujimura
Located in Atlanta, GA
A contemporary Stoneware Bowl made in the tradition of Iga ware by Japanese ceramic artist Shiro Tsujimura (1947-). In a slightly irregular round form, the de...
Category
Early 2000s Japanese Organic Modern Ceramics
Materials
Stoneware
Antique Korean Ceramic Buncheong Bowl Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic bowl supported on a short ring foot in the classic Buncheong (or Punch'ong) style from early Joseon Dynasty circa 15th century. The bow...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Ceramic Sculptural Centerpiece by Ryuichi Kakurezaki
By Kakurezaki Ryuichi
Located in Atlanta, GA
A large and bespoken stoneware centerpiece platter in sculptural form by Japanese ceramic artist Ryuichi Kakurezaki (1950-) circa 2000s. Made in Bizen ware tradition in a thick slab ...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Large and Substantial Chinese Scholar Rock on Display Stand
Located in Atlanta, GA
A stunning upright Chinese scholar stone (also known as Gong Shi, meditation stone and spirit rock) of significant weight and volume is gracefully balanced on the wood display stand....
Category
Antique Late 19th Century Chinese Chinese Export Scholar's Objects
Materials
Stone
Antique Japanese Lacquer and Inlay Box from Ryukyu Island
Located in Atlanta, GA
A lacquer presentation box with mother-of-pearl inlays from Japanese Ryukyu Islands circa 17-18th century. The lidded box in rectangular form with rounded corner is a classic example...
Category
Antique 18th Century Japanese Japonisme Lacquer
Materials
Mother-of-Pearl, Lacquer
Japanese Bamboo Basket Ikebana by Tanabe Chikuunsai II
By Tanabe Chikuunsai II 1
Located in Atlanta, GA
A woven bamboo flower Ikebana basket by Tanabe Chikuunsai II (1921-2000) from Showa era (1926-1989), circa 1950-1960s. The ikebana basket takes a vertical square form, the body was e...
Category
20th Century Japanese Japonisme Scholar's Objects
Materials
Bamboo, Wood
Large Sculptural Ceramic Vessel by Mihara Ken
Located in Atlanta, GA
A large ceramic vessel in an impressive geometrical form by Japanese potter Mihara Ken (1958-) made in 2007. This multi-fired stoneware in shape of a mounta...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Japanese Oribe Square Dish by Kitaoji Rosanjin
By Rosanjin Kitaoji
Located in Atlanta, GA
An Oribe-Style rectangular dish with a slightly concaved slab body and up-turned irregular edges, made by Kitaoji Rosanjin (1883-1959) circa 1930-50s....
Category
20th Century Japanese Modern Ceramics
Materials
Ceramic
Japanese Rinpa Style Lacquer Ink Stone Box Suzuribako
Located in Atlanta, GA
A Japanese writing box with ink stone (known as Suzuribako) with exquisite maki-e decoration circa late Meiji to early Taisho period (1890s-1930s)...
Category
Early 20th Century Japanese Japonisme Lacquer
Materials
Wood, Lacquer
Japanese Maki-e Lacquerware Portable Picnic Set Sagejubako
Located in Atlanta, GA
Sagejubako is a portable picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a carry case w...
Category
Antique 19th Century Japanese Japonisme Lacquer
Materials
Lacquer
Rare Japanese Lacquer Writing Box Suzuribako Meiji Period
Located in Atlanta, GA
A Japanese Lacquer writing box Suzuribako Meiji Period (1868-1912), likely circa late 19th century. This suzuribako is one of the most unusual boxe...
Category
Antique 19th Century Japanese Japonisme Lacquer
Materials
Lacquer
Modern Japanese Ceramic Shigaraki Ikebana Vase Takahashi Shunsai
Located in Atlanta, GA
A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese.
Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...
Category
1990s Japanese Modern Ceramics
Materials
Ceramic
Modern Japanese Studio Pottery Oribe Moon Flask Vase by Ken Matsuzaki
By Ken Matsuzaki
Located in Atlanta, GA
A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d.
Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Large Ceremic Shigaraki Tsubo by Nagaoka Masami
Located in Atlanta, GA
An impressive Shigaraki Tsubo (jar normally for storage) in an archaic form with a bulbous and robust body that opens with a small lipped mouth. Heavil...
Category
21st Century and Contemporary Japanese Modern Ceramics
Materials
Ceramic
Japanese Modern Studio Ceramic Oribe Jar by Ryoji Koie
By Ryoji Koie
Located in Atlanta, GA
A glazed ceramic vessel by Japanese potter Ryoji Koie (1938-2020). Hand-built with intention to be seen as such, the tsubo has a primordial irregular form with a small opening and a swelled body resembling a beehive. The upper body was covered in a glassy green oribe glaze with fine crackles, highlighted with three incised geometrical symbols. The lower body is unglazed and exposed the white clay with marks of the hand-making pinches and kneading along the base. The base also shows highly irregular surface due to the seashell spur marks and clay pitting in the kiln during the firing process. All these occurrences honestly preserved and presented as part of the character of this wonderful modern piece. The jar comes with a plain wooden tomobako box.
"One of Japan’s most versatile and forward-thinking contemporary artists, KOIE RYOJI...
Category
21st Century and Contemporary Japanese Modern Ceramics
Materials
Ceramic
Japanese Mingei Glazed Tea Pot with Kintsugi by Shoji Hamada
By Shoji Hamada
Located in Atlanta, GA
A Japanese stoneware tea pot by Hamada Shoji (Japanese 1894-1978) circa 1960-80s. The teapot is of the classic form and of a strong style of Mingei (folk ...
Category
20th Century Japanese Modern Ceramics
Materials
Ceramic
Porcelain Celadon Vase with Copper Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
A spindle form porcelain vase by Brother Thomas Bezanson (1929-2007). As a modern interpretation of "Mei-Ping", a classic form of Chinese vase,...
Category
Vintage 1980s American Modern Vases
Materials
Ceramic
Large Ceramic Vase by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An impressively large ceramic vase with a bulbous body and a long coiled neck by potter Brother Thomas Bezanson (1929-2007). The minimalist modern form might be distilled from the classic Chinese garlic bottle. The high glossy surface displays a splendid shades of dark purple, copper red, auberge and blue, in a copper flambé pattern called "peacock" glaze that was clearly inspired by ancient Jun Kiln...
Category
Late 20th Century American Modern Vases
Materials
Ceramic
One of The Two Japanese Ceramic Vases Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
Two small nearly identical ceramic vases by Japanese Meiji imperial potter Makuzu Kozan (1842-1916), circa 1890-1900s. The vases were made in the form of jarlet with swelled shoulder...
Category
Antique Late 19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Faceted Korean Ceramic Celadon Jar Joseon Dynasty
Located in Atlanta, GA
A small ceramic celadon storage jar circa 18th century of Korean Joseon Dynasty. The melon shape jar with a mouth and base of the same size display a beautiful harmony in its form. T...
Category
Antique 18th Century Korean Other Ceramics
Materials
Ceramic
Tall Korean Ceramic Storage Jar Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic storage jar circa 18th century of Joseon Dynasty. The jar is of a classic Maebyong form (known in Chinese as Plum Vase or Meiping...
Category
Antique 18th Century Korean Other Ceramics
Materials
Ceramic
Japanese Silk Embroidery Tapestry Meiji Period
Located in Atlanta, GA
A spectacular Japanese embroidered silk panel beautifully presented in a gilt frame suspended in a lucite shadow box with gilt wood border. The silk picture is dated to 1890-1910s toward the end of Meiji Period, when Japanese started to participate international expose by presenting its best art and craft. Elaborate embroidered silk tapestry like this was very popular among westerners due to its superb craftmanship and also exotic subject matter that was often derived from classic Japanese folklore, mythology and various motifs. The tapestry on offer is such an example. It depicts an old couple...
Category
Antique 1890s Japanese Japonisme Textiles
Materials
Fabric, Silk, Lucite
Antique Korean Embroidered Civil Rank Badge Joseon Dynasty
Located in Atlanta, GA
A fine Korean silk embroidered rank badge (Hyungbae in Korean) from Joseon Dynasty circa late 19th century. The badge features a design of double flying cr...
Category
Antique 19th Century Korean Other Textiles
Materials
Fabric, Silk, Wood
Korean Ceramic Storage Jar Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic storage jar circa 18th century of Joseon Dynasty. The jar is of a characteristic form with a bulbous upper body that tappers with a gra...
Category
Antique 18th Century Korean Other Ceramics
Materials
Ceramic
Korean Ceramic Celadon Bowl with Slip Inlay Goryeo Dynasty
Located in Atlanta, GA
A superb Korean celadon bowl with elaborate slip inlays circa 12th century from the Goryeo Dynasties (918 to 1392AD). Despite inspired originally b...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Chinese Stoneware Tomb Figure Han Dynasty
Located in Atlanta, GA
A Chinese molded stoneware figure on a custom display stand likely from Han Dynasty (202BC-220AD). These pottery figures were used as part of tomb accouterment for the burial practic...
Category
Antique 15th Century and Earlier Chinese Archaistic Ceramics
Materials
Stoneware
Japanese Lacquered Samurai Jingasa Hat Edo Period
Located in Atlanta, GA
A bespoken Japanese historical hat known as Jinggasa (militant hat) that was worn by samurai in Edo period (1603-1868) circa 18-19th century. There were several subtypes of Jingasa a...
Category
Antique 19th Century Japanese Japonisme Lacquer
Materials
Wood, Lacquer
Rare Chinese Kun Scholar Stone on Display Stand
Located in Atlanta, GA
This sublime Chinese scholar stone was collected from the Jade Peaks in the Kun Mountains, Jiangsu Province. Known sometimes as "the magic stone" in China due to its unique formation...
Category
Early 20th Century Chinese Chinese Export Scholar's Objects
Materials
Stone
Large Lacquered Wood Antique Burmese Buddha Statue
Located in Atlanta, GA
A gilt and lacquered wood Buddha statue from Southeast Asia likely Burma, circa 19th century. The Buddha is depicted as seating on a slightly taper...
Category
Antique 19th Century Burmese Other Sculptures and Carvings
Materials
Wood, Lacquer
Japanese Lacquer Tray with Maki-e and Inlay Hara Yoyusai Edo Period
Located in Atlanta, GA
A lovely Japanese lacquer rectangular lacquer tray with a slightly scalloped corner and four L shape supporting feet by one of the most celebrated lacquer artist active in Edo period Hara Yoyusai (1772-1845). Yoyusai lived in Edo (Tokyo) and worked under the patronage of Lord Matsudaira. He operated a large workshop and had a very prolific output of lacquer objects. Most survived pieces being inro...
Category
Antique 19th Century Japanese Japonisme Lacquer
Materials
Wood, Lacquer
Chinese Export Silver Tea Set with Original Box Zee Wo
By Zee Wo
Located in Atlanta, GA
A four piece Chinese export silver tea service set consists of a lidded teapot, a creamer with lid, an open sugar and a tongs. The se...
Category
Early 20th Century Chinese Chinese Export Metalwork
Materials
Silver
Japanese Satsuma Ceramic Ewer Yabu Meizan
By Yabu Meizan
Located in Atlanta, GA
A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...
Category
Early 20th Century Japanese Japonisme Ceramics
Materials
Ceramic
Extraordinary Chinese Scholar Rock Ying Stone on Stand
Located in Atlanta, GA
The Chinese scholar rock on offer here is a wonderful example of Ying (also known as Yingde stone), a less common type than Lingbi or Taihu. Gray in color, it has an extraordinary up...
Category
Antique 19th Century Chinese Qing Scholar's Objects
Materials
Stone
Korean Ceramic Celadon Bowl with Slip Inlay Goryeo Dynasty
Located in Atlanta, GA
On offer is a Korean celadon bowl with elaborate slip inlays circa 13-14th century from the late Goryeo Dynasties (918 to 1392AD). Despite inspired...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Antique Japanese Lacquered Wood Wabi-Sabi Bowl
Located in Atlanta, GA
What can we say about this bowl? Perhaps we can start by describing the unique Japanese aesthetic concept of "Wabi-Sabi". In contrast to the western concept of beauty that is centere...
Category
Antique 19th Century Japanese Japonisme Lacquer
Materials
Wood
Rare Triptych Scroll Paintings by Watanabe Seitei Meiji Period
Located in Atlanta, GA
A set of three paintings of ink and watercolor on silk mounted within brocade borders as scrolls by Watanabe Seitei (1851-1918). This is a very rare an...
Category
Antique Early 1900s Japanese Japonisme Paintings and Screens
Materials
Brocade, Silk, Wood
Rare Japanese Ceramic Glazed Bowl Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
On offer is a rare ceramic bowl with overglazed design by the famed Japanese ceramic artist Makuzu Kozan (1842-1916), circa 1906-1916. The bowl is rather unusual from the potter's repertoire with its unique glaze colors and decoration, and it likely belonged to a small series that Kozan made in and after 1906. A bowl of similar glaze and nearly identical dragon motif was recorded as a diplomatic present to the British royalty Arthur Connaught (1883-1932) when he represented King Gorge V in Japan in 1906. Other pieces, such as this bowl, were likely made with similar materials and designs afterwards.
Essentially round in form, the bowl has a generous volume with six harmonious lobes. The bottom of the interior showcases a coiled dragon in red, green and gold slithering on a cobalt blue background. The roundel shares an echoing lobed perimeter, which is further outlined by red and turquois bands and rising sun design. The exterior of the bowl features six stylized Japanese camellias...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Porcelain Glazed Vase with Dragon Design Mazuku Kozan
By Makuzu Kozan
Located in Atlanta, GA
A porcelain vase with dragon design by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic baluster form, the surface of the vase was decorated with a slithering dragon in underglaze iron red circulating the exterior among pink clouds. The animated rendering of the dragon is fine and detailed, with five claws, scales, long tails and highlighted eyes. The pink cloud is misty and called Morotai or the hazy style, created with a unique technique developed in Kozan's studio called fuki-e by blowing the pigment powders onto the surface. Kozan Studio experimented with newly available colors from the west starting in the 1880s, which resulted in the expansion of the palette and style that bridged the east and west aesthetic tradition. Marked in underglaze blue on the base.
Known also as Miyagawa Kozan...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Porcelain
Japanese Glazed Ceramic and Silver Koro Incense Burner Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age.
Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Silver
Korean Ceramic Faceted Wine Bottle Vase Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic bottle with octagonal faceted form with underglaze copper red decoration. The robust bottle with the long neck and a relatively thick built was used to hold liquor such as wine and it was from Joseon dynasty, likely late period (circa mid-late 19th century). The bottle was covered in a milky white glaze with a pleasant warm yellow tint. It has an underglaze iron red paint of branches of gingko leaves on the front and the back side. The color was oxidated into an ochre brown hue instead of iron red. The octagonal form extends nicely from the opening to the base, continuing through the body and makes this bottle geometrically interesting. The rustic paint of the gingko leaves also render the piece a folky modern appeal.
For three faceted wine bottles from different period of Joseon Dynasty, see illustration 2, 71 and 73 of "Five Centuries of Korean Ceramics Pottery and Porcelains of the Yi Dynasty...
Category
Antique 19th Century Korean Archaistic Ceramics
Materials
Ceramic
Rare Chinese Export Sterling Silver Tea Set with Dragon Design Tianjing Wuhua
Located in Atlanta, GA
A Chinese export sterling silver tea set comprised of 13 pieces including tea pot, sugar, creamer, four tea bowls and six tea spoons, circa 1910s-1920s. Featuring matching chased rel...
Category
Early 20th Century Chinese Chinese Export Metalwork
Materials
Sterling Silver
Set of Chinese Export Silver Overlay Bottle with Five Cordials Tianjin Wuhua
Located in Atlanta, GA
A set of Chinese Export silver drinking set consists of a pinch bottle and five cordials circa 1910s-1920s. Featuring matching elaborate chased relief dra...
Category
Early 20th Century Chinese Chinese Export Metalwork
Materials
Sterling Silver
Fine Japanese Ceramic Vase Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A Japanese long neck porcelain vase circa 1900-1910s by the studio of Miyagawa Kozan (1842–1916), one of the most established and collected Japanese ceramist from the end of Meiji Period. Commonly known as Makuzu Kozan, which also appears as the signature on his work, his originally birth name was Miyagawa Toranosuke. He was the appointed artist to the Japanese Imperial household and his work was exhibited in many international fairs that the Meiji government participated at the turn of the century.
This vase features an elegant Classic form with a slender neck and slightly flared mouth above a baluster body. It was finely painted with two swimming carps in a copper red underglaze among green ribbons like waves. The background display a brilliant verdant green overall, Around the fish a poetic hazy effect was emphasized for a visual complexity by Fuki-e (the blow painting), an invention in Kozan's studio. The new technical development of chemical colors from the west was embraced circa 1900s in Kozan studio. This empowered the more creative experiments with not only colors, but also concept of dimension, which led Makuzu Kozan's work to become a bridge between East and West aesthetics. This is particularly evident in this vase with the Masterly details of the brush strokes, the expertly employment of gradient of color, and a very realistic and detailed rendering of the fish and their vivid motions.
For two similar examples of Kozan's work with similar carps decoration, see Page 148-149 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Japanese Art Glass Sculptural Vessel by Kyohei Fujita
By Kyohei Fujita
Located in Atlanta, GA
A free standing glass sculpture in an open vessel form by Kyohei Fujita (1921-2004). The striking piece features an organic body with alternative strips of blue, white and transparent strips with gold sparkle inlays. The rim takes a free biomorphic form that resembles bone structure. It is etch signed underneath.
The vessel was made in the earlier period of the artist's career before he dedicated most of his work to the "magical box...
Category
Late 20th Century Japanese Mid-Century Modern Vases
Materials
Art Glass
Japanese Contemporary Ceramic Sculpture Kiyoharu Ichino
By Kiyoharu Ichino
Located in Atlanta, GA
"Purple Dawn", a ceramic sculpture piece by Japanese potter Kiyoharu Ichino (1957-). Purchased from Touching Stone, Santa Fe, New Mexico in 2003. Tradition meets renovation, this sculptural piece with its slab like minimal shape draws the viewer into its mysterious shape that is reminiscent of a monument. Its surface, with the typical Tanba clay fired at very high temperature and completely free of glaze, radiates a subtle metallic sheen that is nearly in a shade of purple. This piece was purchased from Touching Stone, Santa Fe, New Mexico in 2003.
Artist's bio from the gallery and the exhibition:
"Kiyoharu Ichino was born in 1957 in Tachikui into an extended family steeped in pottery-making tradition. He learned all aspects of Tanba pottery since childhood. When he was twenty, he moved to Seto to study pottery under a master of Akatsu-yaki. Upon returning to Tachikui, he launched his career with the Tanba Group Kiln. In 1983, he established his own kiln and began showing in galleries all over Japan. His works have been selected repeatedly for the prestigious juried Japan Traditional Crafts Exhibition sponsored by the Japan Crafts Association. In 1995, he was nominated to be a permanent member of The Japan Crafts Association, an honor bestowed to the most experienced and talented artists.
Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks like swirling mists left by the wood fire. His pieces appear to be integral parts of the clay rather than separate objects made from it. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition. Ichino should be no stranger to many Santa Fe residents. His work has been exhibited both in Touching Stone Gallery and as part of a major exhibition in the New Mexico Museum of International Folk Art in 2006.
About Tanba ware...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Large Japanese Antique Shigaraki Tsubo Jar
Located in Atlanta, GA
An antique Japanese stoneware storage jar, known as tsubo from Shigaraki kiln, circa 17th-18th century (early Edo possibly Momoyama period)....
Category
Antique 17th Century Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Ceramic Bowl Makuzu Kozan Utusushi Kenzan
By Makuzu Kozan
Located in Atlanta, GA
A rare ceramic bowl with overglaze paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor.
The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months.
Under the base, Kozan was signed in black on a white porcelain plaque inlay.
For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Ceramic
Rare Japanese Traveling Cabinet Oi Edo Period
Located in Atlanta, GA
Served as a traveling cabinet as well as a shrine and carried like a backpack for the Buddhist priests and monks during long pilgrimage, this rare chest is known as Oi Japanese. In China the carrier case is known as Ji, traditionally used by the traveling scholars or monks in the ancient time to carry their belongings such as books, clothes, and stationary. The piece on offer here is of Japanese origin and dated to Edo period (circa 17-18th century), possibly older to 16th century of Momoyama or Muromachi period. It was likely reserved for the use of a high-rank priest to carry the Buddhism scripts based on its luxurious high quality. The wood frame takes the shape of a pagoda with carved bamboo design that features upturned corner cornices...
Category
Antique 18th Century Japanese Edo Scholar's Objects
Materials
Silk, Bamboo, Wood, Lacquer, Paper
Japanese Porcelain Vase Meiji Period Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension.
Miyagawa Kozan...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Porcelain
Japanese Wagumi Handled Bamboo Basket Ikebana
Located in Atlanta, GA
Bold, rustic and with an earthy free spirit, this wagumi style flower basket with twisted handle (ikebana) was designed and woven to evoke a sense of serenity and humbleness during t...
Category
Vintage 1920s Japanese Japonisme Sculptures and Carvings
Materials
Bamboo
Rare and Large Japanese Porcelain Vase Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...
Category
Early 20th Century Japanese Japonisme Ceramics
Materials
Porcelain
Framed Japanese Festival Kimono with Tsutshugaki Dye
Located in Atlanta, GA
A Japanese festival kimono expertly mounted and displayed in a large acrylic shadow box. This impressive ceremonial garment circa late 19th-early 20th century was made from a thick l...
Category
Early 20th Century Japanese Japonisme Textiles
Materials
Textile, Acrylic
Japanese Namban Lacquer and Inlay Coffer Momoyama Period
Located in Atlanta, GA
A rare Japanese Namban Lacquer domed coffer circa 1570-1610s of Azuchi-Momoyama to early Edo period. These types of lacquerware were made for export to ...
Category
Antique 16th Century Japanese Japonisme Lacquer
Materials
Wood, Lacquer
