Trattabile Vintage Case Pieces and Storage Cabinets

The essence of Danish Modern elegance defines this sculptural teak desk, conceived in the early 1960s by architect‑designer Svend Åge Madsen for Sigurd Hansen Møbelfabrik. Titled the...

The Lattice Sideboard is a testament to the harmony between functionality and refined aesthetics. Designed with a minimalist approach, its sleek form...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Typical Vittorio Dassi credenza with its futuristic shapes and shiny appearance. Some sort of spaceship but then with mirror to see how beautiful you are. Shiny, outspoken and luxurious all resting on bended ballerina legs (with brass feet) that are in a slightly different color than the credenza: a bit more towards the red / purple while the other wood is brown and black. The top of the credenza is made of glass with underneath very slight pink paper...

Italian mid-century sideboard i produced by Vittorio Dassi in the 1950s. This sideboard has excellent manufacturing aspects, noticeable from the arched line, hard transparent glass s...

Charming sideboard designed by Vittorio Dassi made in Italy in the middle of the 20th century. This wonderful sideboard was rendered in veneer woods. It has five drawers configured b...

Sideboard with hinged doors, flap doors and exposed drawers, made of maple veneered wood with polyester finish, lacquer with decorative designs, enameled metal and brass.

Italian vintage sideboard with drinks cupboard (circa 1950s), possibly by celebrated furniture maker, Vittorio Dassi. This represents iconic design alo...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Double-bodied bookcase display case by Vittorio Dassi, rosewood veneered with ebonized profiles, mahogany details, brass tips, black glass. The moved sides support the body of the cabinet at the base 4 doors, the side doors and handles in mahogany stained wood, above the doors follows a mahogany stained band that houses the floor in black glass. The upper part has 5 doors at the sides 2 with inlay typical of the 900 Milanese, in the middle 2 glass doors divided...

brutalist sideboard oak sideboard 60s Danish Stylish brutalist sideboard in oak. period 60s design style Henning Kjaernulf Denmark condition good light signs of use size ...

brutalist sideboard oak sideboard 60s Danish Stylish brutalist sideboard in oak. period 60s design style Henning Kjaernulf Denmark condition good light signs of use size ...