Walter Design Side Chairs

12 French 1950s beechwood and vinyl upholstered side chairs. Price is per chair.  

Beautiful French collectible mid-century lounge chair or armchair in a tubular black re-lacquered steel frame and light green upholstery. In fully restored condition. France, circa ...

A terrific large set of correct and perfectly matched dining chairs in teak by Pierre Jeanneret. The "PJ-SI-25-A" V-type canned chair. This particular s...

This set of six Italian chairs is made of shiny, solid mahogany and seat cushions covered with dark red, original imitation leather. Both the restored chair frames and the faux leath...

Pair of office chairs from the administrative offices of Chandigarh (PJ-SI-28-B).  

"This magnificent mid-century modern easy chair is the epitome of sophistication and style. Made from premium quality oakwood, it boasts a strong and sturdy structure that will last ...

Dining chairs walnut 1 arm and 11 side chairs 19th century styling made by Lionel Rawlinson pop off seats so upholstery can be easily changed. Solid sturdy chairs.

Sought after leather Charlotte Perriand Stool for Les Arcs, 1960. Charlotte Perriand stool, stunning stools very unusual and sought after, stunning stools very unusual and sough...

Set of 4, post modern, gray metal, dining or side chairs in the style of Robert Mallet-Stevens feature tubular frames, slat backs and contoured seats.

Cinema seat originally from the cinema in Czechoslovakia produced by Thonet. Nowadays it can be a stunning addition to any interior. Very good, original co...

Mid Century Modern vintage beautiful Chiavari chair or side chair from brass with a newly covered light brown velvet fabric seat. The condition is very good with minor signs of age a...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...