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From the bottom of my heart-line drawing heart with hyacinth flowers
By Mila Akopova
Located in Fort Lee, NJ
A gallery quality archival pigment print (of the original watercolor and ink painting) on Sommerset Velvet paper is 24x18 inches in size. From an edition of 20, numbered 3/20 and signed by the artist. Framed (white) with a styrene face on a double mat board in beige and red colors with size 30x24 inches.
Mila Akopova is New York artist.
She graduated from Moscow State University with a degree in History and Theory of Art.
Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best...
Category
2010s Minimalist Abstract Prints
Materials
Archival Pigment, Paper
Canon (facsimile print in black and white)
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
His pencil drawing is a technique so exquis...
Category
2010s Conceptual Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
Counting the energy of the shoe
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
Describing the work of Timofey Smirnov we can say that you will find here, a fragment of the Fragonard's "Swing" who were a student of famous Boucher and an old electric meter...
Category
2010s Conceptual Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
Last Call - the facsimile print
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
Describing the work of Timofey Smirnov we can say that you will find here a post-war telephone set and an ancient Egyptian relief...
Category
2010s Photorealist Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
Canon (facsimile print in black and white)
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
His pencil drawing is a technique so exquis...
Category
2010s Conceptual Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
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Untitled from Doctors of the World Portfolio, hand signed & numbered Pop realism
By Chuck Close
Located in New York, NY
Chuck Close
Untitled Daguerreotypes, 2001
Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper
22 × 29 1/4 inches
Signed in pencil, dated and numbered on the front from the edition of 100
Unframed
The present work is a pencil signed and numbered daguerreotype that is part of the 2001 “Doctors of the World” series. Close has said “I’m not interested in daguerreotypes because it’s an antiquarian process, I like them because from my point of view, photography never got any better than it was in 1840… Photographs are often so big now that twenty or thirty people can view one at the same time, but a daguerreotype is the most intimate image made with a camera, because it is small and only one person can look at it.”
Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions
Publisher: Doctors of the World / Art of this Century, NY
Literature: "The Art of Healing" which catalogues the works from the portfolio. Chuck Close Prints...
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Abstract Landscape Rajasthan Print Nature Multicultural Faces Earth Orange Brown
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
Early 2000s Abstract Abstract Prints
Materials
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H 27.56 in W 21.66 in
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Navy Primitive
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
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Archival Ink, Archival Paper, Linocut, Archival Pigment
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H 31.11 in W 21.66 in
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By Audrey Flack
Located in New York, NY
Audrey Flack
Rolls Royce Lady, 1984
Kodachrome 35mm Color Dye Transfer Print Dry, mounted to 4 ply 100% cotton fiber board
Signed and titled in ink on the front
19 3/5 × 23 3/5 inche...
Category
1980s Photorealist Figurative Prints
Materials
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Abstract India Edition 5/8 Linocut Print Nature Orange Black Red Love
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper
Edition: 5 of 8, 1999
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
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Archival Ink, Archival Paper, Linocut, Archival Pigment
Free Shipping
H 31.11 in W 21.66 in
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Located in Fresno, CA
Frank Arnold is widely regarded as a leading contemporary abstract figurative painter and sculptor. Acknowledged as a living master, his art seamlessly blends personal and universal ...
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2010s Abstract Abstract Prints
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MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
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Abstract Landscape India Edition 3/5 Linocut Print Nature Red Orange Black
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
"In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture"
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
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Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Free Shipping
H 31.11 in W 21.66 in
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By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Abstract Prints
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Archival Ink, Archival Paper, Linocut, Archival Pigment
Free Shipping
H 31.11 in W 21.66 in
Place Setting (bread basket, glasses, butter dish) signed/n, top realist painter
By John Moore
Located in New York, NY
John Moore (b.1941)
Place Setting, 1979
Lithograph on wove paper
Hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front
17 × 22 inches
Unframed
This elegant still life lithograph is hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front.
About John Moore:
John Moore is an acclaimed contemporary realist painter...
Category
1970s Realist Still-life Prints
Materials
Pencil, Lithograph