Warnock Fine Arts More Prints

Medium: mezzotint with aquatint Year: 2015 Edition: 35 copies, signed in pencil. Image Size: 10.25 x 8.66 inches The surreal illusions and reflections in Sietins prints often bring ...

Signed and numbered from an edition of 50. Playful gay pride play on a Cheerios box. The text is "Queerios - Love Your Heart so you can be who you are". D...

Signed, titled and numbered by the artist. Created as a fundraiser for the Sidestreet Project in Pasadena, CA. Cars are a frequent subject in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This is a signed and numbered print from the edition of 64. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Signed and titled and numbered AP #3/7. This is the last print available from the edition. Silkscreen print Created at Self Help Graphics in Los Angeles This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. It is one of the personal favorites of the artist, with a nod to Vincent Van gogh. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Signed and titled and numbered by the artist, (23/69). Silkscreen print on handmade paper (from Bhutan). This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Signed, titled artist proof. Edition of 135. Royal Palm with Turkish Design maintains the interplay between the twodimensionality of the architectural rendering and the modeled line work of the palm. The addition of a subtle fade of sky-like blue in the upper left-hand corner works with the atmospheric marks to further emphasize the illusion of volume in the palm. Conversely, by bordering the upper half of the print with a pattern from an early Ottoman brocade, Smith-Harrison reminds us that we are not to take a representation of three dimensions as realism. The small medallion in the lower center of the print, although it also is taken from an Ottoman brocade, doubles as an architectural element. The shape resembles the glyph-like mark used to represent a palm tree in plan view drawings. The ornate, curvilinear large medallion is the third of the Ottoman elements. Placed in the lower left of the print, both the shape and the etching in deep reds and blues create an allusion to a polychrome roundel. Both the shape and the placement provide balance to the colonnade and the angular rendering in the center of the right side of the print. David Smith-Harrison studied at Utah State University and served as studio assistant to Adrian Van Stuchelen and Moishe Smith. In 1983 he traveled in Europe and studied at the Art and Design Faculty of South Glamorgan Institute in Cardiff, Wales. Before leaving for Europe, Smith-Harrison began an intense professional association as a studio assistant to artist Trevor Southey. Smith-Harrison’s imagery is distinctive for its meticulous and studied execution and rigorous, demanding craftsmanship. The results are generally rich in subtle articulations and poetic spirit. His work is located in private collection in Japan, Taiwan, Republic of China, Spain and the United States. COLLECTIONS: The Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts, SF, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Utah State University, Logan, UT Brigham Young University Southwest Texas State University, San Marcos, TX Cadence Corporation, San Jose, CA Cooper and Lybrand, St. Louis. MO George Lucas, Lucasfilms Ltd., San Raphel, CA Michael Richards...

Signed, numbered, and titled by the artist from the edition of 200. Winter scene of cottonwoods in a field with a dusting of snow. Smith-Harrision's work very often features architectural elements, along with trees. This is one his largest prints, which took him two years to complete. The ornate imagery of spanish tile that borders the lower half of the print needs to be seen in person to be fully appreciated. The two palms are specific trees that Smith-Harrison encountered on a trip to Spain. David Smith...

By: David Smith-Harrison Medium: Intaglio Year: 2005 Image Size: 4.5" x 3.5" Paper Size: 8" x 6.25" Portrait of a citrus tree with a single lemon from an ...

Signed, titled and numbered by the artist in pencil. Reduction linocut, 2 colors, edition of 6. As a native-born Angeleno, artist Dave Lefner has always had a love for the city aro...

Signed, titled and numbered in pencil, from the edition of 30. An imaginary musical instrument combining elements of a trumpet and French Horn. Using traditional stone lithography,...

Signed, titled and numbered in pencil, from the edition of 30. This is one of a group of prints he completed during a residency in China. Using traditional stone lithography, Sustov...

Signed, titled and numbered by the artist. Portrait of rose, from an artist who specializes in botanical prints with architecture. Smith-Harrison is known for his meticulous depictions of trees and architecture. His prints have been winning awards and placement in significant collections for more than 30 years. PUBLIC COLLECTIONS (partial list): The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Cadence Corporation, San Jose, CA Coopers and Lybrand, St. Louis, MO George Lucas, Lucasfilms Ltd., San Rafael, CA Utah State University, Logan, UT Southwest Texas State University, San Marcos, TX Warner Brothers, Los Angeles, CA American Express Assurance Co., San Rafael, CA Johnson & Johnson, New York, NY Time Warner, New York, NY Cogent Data Technology, Inc., Friday Harbor, CA Merrill Lynch, Cupertino, CA Nordstrom, Seattle, WA Lifescan, Inc., a subsidiary of Johnson & Johnson Landor Associates, San Francisco, CA Michael Richards...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This is one of the smallest prints done by Siet...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This print is a slight departure from other ser...

This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedi...

This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the ...

This print is currently featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has ...

Signed, titled and numbered from the edition of 25. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their ...

Signed, titled and numbered in pencil, from the edition of 50. This is one of a group of prints he completed during a residency in China. Using traditional stone lithography, Sustov...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This print is from a recent series that explore...

Surreal constructions of Kastani (chestnuts) are a favor subject for Sietins, and the level of detail he creates in his mezzotints is nearly photographic. Guntars Sietins' prints co...

Elise Wagner painter, printmaker, and teacher, is a recent recipient of the Pollock Krasner Foundation Grant. Originally from Jersey City, New Jersey, Elise relocated to Portland, Or...

Signed, titled and numbered, edition of 35. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Re...

Childhood memories of a red tricycle led to this print by Chicano artist Xavier Viramontes. In the 1970's, Viramontes designed the poster for the United Farmworkers Union, 'Boyco...

Symbol of the founding of Mexico

The reflection of reality on a metallic sphere is one of Sietins' most frequently used motifs. He is fascinated by the possibility of opening an extra dimension in the dialogue ...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Reflection of real world on a metallic sphere ...

Signed and numbered. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Reflection of real world ...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Elements in his prints seem to defy gravity. Si...

An ex libris print with themes of ancient Greece and surrealist fantasy, showing elements from the Acropolis against a backdrop of the universe. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...