WICK ANTIQUES LTD Center Tables

The circular tilt top has a central field of book-matched, figured rosewood within a broad band of cut brass inlay. The edge is boldly carved with an acanthus and dart border. The central support is hexagonal in section with a broad central flange, raised on three powerful and ornately carved legs. The knees are presented as bold acanthus carved and gadrooned volutes. The lions’ paw feet have clearly defined knuckles and claws and enclose the original brass castors. English, circa 1825. See also S. Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors’ Club, Woodbridge, 2008, Vol II, pl. E.5, which shows a pattern for this table in a drawing room layout designed for G.Bamford about 1820-30. The drawing also shows a pair of bergères and a sofa which correspond to a suite supplied by Gillow & Co. in 1824 to Thomas Wynn...

A late George III revolving mahogany drum table attributed to Gillows, the circular top inset with a faded and gilt tooled green leather above four full and four dummy frieze drawers...

A Maltese pietra dura table top attributed to Joseph Darmanin & Sons, the circular top intricately inlaid with a central scene depicting a saddle...

A fine Victorian pollard oak centre table, in the manner of Bridgens, the circular top with radiating flame veneers set upon a cluster of pillars, flanked by four large C-scroll supp...

A George IV ebony-inlaid mahogany tilt-top centre table, the circular top with a flame-veneered cross-banded border above a moulded frieze with ebony stringing and four small rectang...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

An Important Regency Period Library Table Made After Designs by Thomas Hope and Identical to a Pair of Tables at Beechwood Park and Another Potentially From Malahide in Ireland A Regency oak drum...

A William IV Colonial padouk five-foot round table, the solid circular top with a pierced frieze of paired volute scrolls, with blind fretwork and e...

A Neoclassical pietra dura, micro mosaic and walnut centre table, the circular black marble top with a large central micro mosaic roundel depicting St Peter’s Square, Rome, surrounde...

A fine early Victorian amboyna centre table by Taprell and Holland & Sons, the circular top set on a gadrooned baluster support terminating in pet...

A Regency rosewood five-foot tilt-top centre table, the circular top decorated with striking book veneers and a moulded edge, raised upon a stepped parcel gilt tripod...

An exhibition quality burr walnut and ormolu-mounted centre table with superb quartered veneered top. Attributed to Holland and Sons or Gillows.

An early Victorian walnut marquetry centre table, attributed to Edward Holmes Baldock, of circular form with a superb quarter veneered burr waln...

An Unusual and attractive centre table by Maxie Lane, carved from solid elm with an irregular shaped top supported by four bowed legs and a circular crucifo...

A very attractive antique late Regency giltwood centre table attributed to Gillow of Lancaster and London, inset with an Italian Pietra Dura top, The central turned baluster supp...

This exhibition quality table is attributed to Holland and Sons. The octagonal top is supported by four turned knopped legs, all joint by a solid shaped stretcher centred on an urn. ...

A fine walnut and burr walnut orientalist centre table, of shaped rectangular form with a mirrored frieze, set upon carved cabriole legs terminating in acanthus feet, decorated with quarter veneered top inlaid in boxwood with scattered flower heads and butterflies centred on a spray of roses, each corner with a floral basket, framed within a raised border of boldly carved acanthus leaves and scrolls which continues around the frieze and onto the legs, the frieze further embellished with gilt brass Orientalist...

An early Victorian amboyna, burr walnut, ebonized, harewood and purplewood centre table possibly by Holland & Sons inlaid with fruitwood stringing, the circular tilt-top with harewoo...

A Regency rectangular rosewood tilt-top table attributed to Gillows, the rectangular top with bookmatched veneers set upon a shaped and reeded support with four splayed hip legs, Eng...

Late Regency Amboyna centre table, attributed to the workshop of Edward Holmes Baldock. The circular top with a shaped apron set upon a solid trif...