Late George III Revolving Mahogany Drum Table Attributed to Gillows

A Regency rectangular rosewood tilt-top table attributed to Gillows, the rectangular top with bookmatched veneers set upon a shaped and reeded support with four splayed hip legs, Eng...

The circular tilt top has a central field of book-matched, figured rosewood within a broad band of cut brass inlay. The edge is boldly carved with an acanthus and dart border. The central support is hexagonal in section with a broad central flange, raised on three powerful and ornately carved legs. The knees are presented as bold acanthus carved and gadrooned volutes. The lions’ paw feet have clearly defined knuckles and claws and enclose the original brass castors. English, circa 1825. See also S. Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors’ Club, Woodbridge, 2008, Vol II, pl. E.5, which shows a pattern for this table in a drawing room layout designed for G.Bamford about 1820-30. The drawing also shows a pair of bergères and a sofa which correspond to a suite supplied by Gillow & Co. in 1824 to Thomas Wynn...

An early Victorian Goncalo Alves card table attributed to Gillows, the hinged rectangular top with bead and reel edging, the green baize (replaced) interior within quarter veneered corners, the turned, knopped end supports gadrooned and set upon two feet with lion’s paw feet and disguised castors. English, circa 1850. For a pair of very similar Goncalo Alves card tables belonging to Miss K...

Each cistern is in the form of a fluted vase on a rectangular pedestal. The lead-lined vases have brass handles, removable lids with pineapple finials and taps. The crossbanded pedestals have cupboard doors enclosing slatted shelves for warming plates in one and a lead-lined slops drawers, a tambour fronted shelf and a cellaret in the other. Susan Stuart, 'Gillow of Lancaster and London', 2008 vol 1 p308-315 illustrates many pedestal urns including the drawings for Workington Hall, Cumbria, dated 1788. PLates 342 and 343 show pedestals with a similar arrangement of shelves and drawers. Thomas Sheraton explained the functions of dining room pedestals in his 'Drawing Book' of 1793: 'IN spacious dining rooms the sideboards are often made without drawers of any sort, having simply a rail, a little ornament...

A fine and rare English revolving drum-top library table in mahogany, attributed to Gillows of Lancaster, circa 1770. This is a rare, compact form of a George lll-period drum-top library table in superb condition, retaining excellent colour and patina throughout. The circular top fitted with green leather insert with gilt-embossed border rotates. The six working drawers retain their original brass handles - some of these frieze drawers with subdivisions for monies/ documents - faced with ivory numbers 1-6. The fully-rotating top retaining its original internal steel castors, raised on a cabinet base with a locking cupboard - with original lock, period key and original brass pull - and a shelf within. The moulded panel above a generous plinth. These are sometimes referred to as 'rent' tables when they have a recess for depositing cash. This library table has divisions in secure drawers fulfilling much the same purpose of receiving rent from an Estate's tenant(s). The base would typically contain larger account books...

Early 19th century George III revolving mahogany drum table with inset green leather top, kings-wood cross-banding, string inlay, four working drawers, column base with four splayed ...

A stunning early 19th century English Regency Pollard Oak drum /centre table Attributed to Gillows Of Lancaster & London. The circular top, inset with a gilt tooled leather writing s...

Finely made with a wonderful burl veneer top of serpentine shape raised on cluster column legs headed by blind fretwork and fretwork spandrels. The ...