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Reynolds Beal
Watch Hill Light. Sept. 19, 1940.

1940

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  • Colon [Panama]
    By Reynolds Beal
    Located in New York, NY
    Reynolds Beal painted this watercolor entitled “Colon” [Panama] in the spring of 1923. The paper size of this painting is 7 x 10" (17.7 x 25.3 cm). It is signed, titled, and dated ...
    Category

    Early 20th Century American Impressionist Landscape Drawings and Waterco...

    Materials

    Pencil, Watercolor

  • Oyster Bay Sloops.
    By Reynolds Beal
    Located in New York, NY
    This watercolor entitled “Oyster Bay Sloops“ is by Reynolds Beal (1867-1951). The watercolor paper size is 5 x 7 11/16" and the card size is 7 11/16 x 9 3/...
    Category

    Mid-20th Century American Impressionist Landscape Drawings and Watercolors

    Materials

    Watercolor

  • Caribbean Island [untitled].
    By Reynolds Beal
    Located in New York, NY
    The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...
    Category

    Early 20th Century American Impressionist Landscape Drawings and Waterco...

    Materials

    Oil Pastel

  • Sheffield Island Light off Norwalk, Conn.
    By Reynolds Beal
    Located in New York, NY
    “Sheffield Island Light off Norwalk, Conn.“ This pencil drawing is on a 5.50 x 9 inch sheet of laid paper. It is initialed and dated (June 30, 1887) in ...
    Category

    1880s Naturalistic Landscape Drawings and Watercolors

    Materials

    Graphite

  • Schooner St. Croix
    By Emilio Sanchez
    Located in New York, NY
    Emilio Sanchez (1921-1999) created the watercolor entitled “Schooner St. Croix” in 1952. This piece is signed in pen at the lower right and titled on the verso. The paper size is 16.88 x 22.25 inches. Stamped on verso "Estate of Emilio Sanchez." Good to very good condition. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
    Category

    1950s American Realist Landscape Drawings and Watercolors

    Materials

    Graphite, Watercolor

  • [untitled] Street Scene with Fruit Vendor.
    By Emilio Sanchez
    Located in New York, NY
    Emilio Sanchez (1921-1999) created [untitled] “STREET SCENE WITH FRUIT VENDOR” in circa 1950. This unsigned watercolor and came to us directly from the Sanchez estate. It is stamped on the verso "Estate of Emilio Sanchez." This piece is in good to very good condition and painted to the paper's edge. The paper size is 14.88 x 15.25 inches (37.6 x 38.6 cm). “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
    Category

    1950s American Modern Figurative Drawings and Watercolors

    Materials

    Graphite, Watercolor

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    Reflections in the Pond 19th Century Pencil Drawing by Alfred Villiers Farnsworth 19th century drawing in pencil of reflections in a pond ...
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    San Gabriel Mountain Landscape in Black and White - Graphite Pencil on Paper Detailed mountain landscape by Ralph Holmes (American, 1876-1963). Signed lower right corner "Ralph Hol...
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  • 'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism
    By Albert Groll
    Located in Myrtle Beach, SC
    Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...
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  • "Yesterday's Ladies" Figurative Drawing
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    Charming "Yesterday's Ladies" drawing by Aptos, California artist Virginia J Hughins,(Virginia Brubaker DeWolf), (American, 1923-2004). Presented in a rustic black wood frame. Signed...
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  • Morning Near Arizona, 1880s Summer Southwestern Desert Landscape Drawing
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    Morning Near Arizona, (Desert Landscape) is an original color pencil drawing from 1888 by George Elbert Burr (1859-1939). Portrays a spring/summer landscape with a tree and fauna, cl...
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  • Garland Studies I
    By John Singer Sargent
    Located in New York, NY
    Image dimensions: 7 ¼ x 10 ½ inches Framed dimensions: 16 ½ x 20 inches To produce his murals, Sargent painted monumental canvases in his studios in London and Boston, adhering them...
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    1920s American Impressionist Landscape Drawings and Watercolors

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    Paper, Pencil

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