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Fiona AckermanA World in Translation - large, bright, colourful, narrative, acrylic on canvas2018
2018
About the Item
Stenciled floral shapes and sprayed lines are balanced with brushed passages in this lively acrylic on canvas by Fiona Ackerman. The bold, square format composition titled "A World in Translation" is a narrative of color, texture and pattern. This painting is unframed.
Since completing her BFA through Concordia and the Emily Carr Institute of Art and Design, Fiona Ackerman has exhibited across Canada and in Germany and France. She received an honorable mention in the Kingston Prize for Canadian Portraiture in 2009 and in 2015 she was long listed for the prestigious Sobey Prize. In 2012, Ackerman spent six months working in Berlin. The Berlin paintings, and the work produced for the exhibition titled 'Heterotopia' at Winsor Gallery were published in a catalogue available through Winsor Gallery and Galerie Steinrötter. Recent projects include a commissioned video projection for the Facade Festival installed at the Vancouver Art Gallery. Ackerman's work is held in private and corporate collections including the Richard Ivey School of Business and Global Affairs Canada.
- Creator:Fiona Ackerman (1978, Canadian)
- Creation Year:2018
- Dimensions:Height: 59 in (149.86 cm)Width: 59 in (149.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU2912851003
Fiona Ackerman
Originally from Montreal, Fiona Ackerman studied paintings at Concordia University and completing a BFA at Emily Carr University of Art and Design in 2002. She currently lives and works in Vancouver BC and exhibits her work internationally (Canada, Europe, USA, UK and Asia). Fiona’s studio practice extends beyond painting to include several large-scale murals, video projections and other public art projects. In her free time, she writes and records music and videos, often working collaboratively with other musicians. Rooted in abstraction, I want to push my work in divergent directions, to surprise myself, and keep the possibilities for my painting wide open. Working in series, I develop a stylistic language specific to the mood or conceptual objectives I'm working on. Over the years, my work has seen many different stylistic evolutions. I see my arc of work much like that of an author. Each series is like a new book, different in tone, style, and story. But they are all part of a larger archive, and each a meaningful piece of the whole. - Ackerman
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