Items Similar to "Interior of a Stable" William Hart, Hudson River School Antique, Boy and Horse
Want more images or videos?
Request additional images or videos from the seller
1 of 12
William Hart"Interior of a Stable" William Hart, Hudson River School Antique, Boy and Horse
About the Item
William M. Hart (1823 - 1894)
Interior of a Stable
Oil on canvas
17 x 12 inches
Provenance
William Macbeth Gallery, New York
Mrs. Mabel Brady Garvan Collection
Christie's New York, Sporting Art, November 28, 1995, Lot 116
Ann Carter Stonesifer, Maryland
Estate of above
Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777
Exhibited
New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated.
New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18.
Literature
Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306.
Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated.
It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections.
Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors.
Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices.
In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles.
Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan Zee area that were both well executed and full of artistry.
In the 1870s and ’80s, Hart continued to receive much public attention. Earl Shinn noted in an 1876 review of Hart’s work his distinct use of color, stating: "He loves to struggle with one of the most difficult feats of landscape-painting, the dazzling tints of our forests in autumn. His pictures of those mounds of leafy bloom which the Adirondacks yield in November are veritable bouquets of florid color."
Consequently, Hart’s landscapes graced both auction houses and many of the largest collections during the latter half of the 19th century. Furthermore, Hart’s demand during this period is evidenced in the many engravings of his paintings for gift books and art journals, including 13 works which were featured in Picturesque America, the most popular of such publications of the 1870s.
- Creator:William Hart (1823 - 1894)
- Dimensions:Height: 28.5 in (72.39 cm)Width: 23.5 in (59.69 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Wax and linen lined, scattered inpaint.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU184129904192
William Hart
Born in Scotland, William Hart emigrated with his family to New York on the ship Camillus in 1830. He became known for serene, bucolic and romantic landscapes. Many of his paintings had cattle and realistic figures diminished in the landscape, a motif he began in the late 1880s. Hart was a second generation "Hudson River School" painter. George Inness and Asher Durand were major influences, although he was basically self-taught.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2022
1stDibs seller since 2022
104 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"A Quiet Afternoon" Enoch Wood Perry, Genre Scene Mother and Child Interior
By Enoch Wood Perry Jr.
Located in New York, NY
Enoch Wood Perry, Jr. (1831 - 1915)
A Quiet Afternoon, 1876
Oil on canvas
15 1/4 x 21 inches
Signed and dated lower right
Born in 1831 in Boston, Enoch Wood Perry, Jr, is internati...
Category
1870s Hudson River School Interior Paintings
Materials
Canvas, Oil
"Portrait of a Woman" Ernest Crichlow, Social Realist, Intimate Seated Portrait
By Ernest Crichlow
Located in New York, NY
Ernest Crichlow
Portrait of a Woman, 1968
Signed and dated lower right
Oil on canvas
55 x 40 inches
Provenance
Private Collection, Hempstead, New York
Estate of the above
A Harlem...
Category
1960s Realist Figurative Paintings
Materials
Canvas, Oil
"The Marriage Proposal (Family Gathering), " Leo Schutzman, Jewish Folk Art
By Leo Schutzman
Located in New York, NY
Leo Schutzman (1878 - 1962)
The Marriage Proposal, circa 1958
Oil on canvas
24 x 20 inches
Signed lower left
Leo (Kyle) Schutzman (1878-1962) developed ...
Category
1950s Folk Art Figurative Paintings
Materials
Canvas, Oil
"A Toast" Louis Charles Moeller, American 19th Century Realist Genre Painting
Located in New York, NY
Louis Charles Moeller
A Toast
Signed lower right
Oil on canvas
12 x 16 inches
Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finish...
Category
19th Century Realist Figurative Paintings
Materials
Canvas, Oil
"The Artist's Wife at the Loom, " Harry Hoffman, Bright American Impressionism
By Harry Leslie Hoffman
Located in New York, NY
Harry Leslie Hoffman (1871 - 1964)
The Artist's Wife (Beatrice Pope) at the Loom, circa 1915
Oil on canvas
30 x 32 inches
Housed in a period Newcomb-Macklin frame
Provenance:
Estate of the artist
Private Collection, Massachusetts
This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida.
Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien.
In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony.
In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...
Category
1910s American Impressionist Figurative Paintings
Materials
Canvas, Oil
"The Doubtful Bill" Charles Blauvelt, 19th Century Genre Painting Money Interior
Located in New York, NY
Charles Blauvelt
The Doubtful Bill, 1868
Signed and dated lower left
Oil on canvas
12 1/4 x 9 1/2 inches
Provenance:
Private Collection, Connecticut...
Category
1860s Figurative Paintings
Materials
Canvas, Oil
You May Also Like
Antique American Fluffy Pomeranian Dog Portrait Wide Gold Frame Oil Painting
Located in Buffalo, NY
Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.
Category
1870s Realist Animal Paintings
Materials
Canvas, Oil
Blue Light Original Oil Painting with Hourse by Andrei Sitsko
Located in Zofingen, AG
As an artist, I must have energy, intensity, and movement translate onto the canvas, which is deeply personal for my self-expression.
"…I am increasingly concerned about the cleanlin...
Category
2010s Art Nouveau Interior Paintings
Materials
Canvas, Oil
Sardines Painting Fish Stream Underwater Sardine Run
Located in Zofingen, AG
* Title:Sardines Painting Fish Stream Underwater Sardine Run
* Size: 30x40 inches (100x75cm)
* Materials: oil, rolled canvas, palette knife.
* Shippin...
Category
2010s Expressionist Interior Paintings
Materials
Canvas, Cotton Canvas, Oil
Hawaii Tropical Fish Painting Underwater Art
Located in Zofingen, AG
HawaiiTropical School of Fish
This stunning oil painting on canvas by Olga Nikitina captures the beauty of a school of fish swimming gracefully in the ocean depths. The vibrant blue ...
Category
2010s Abstract Interior Paintings
Materials
Canvas, Oil
Gray fluffy
Located in Zofingen, AG
In the creation of this artwork, I poured my soul into capturing the essence of serenity and mystery. As an artist, I sought to blend the realms of figurative grace and impressionist...
Category
2010s Expressionist Animal Paintings
Materials
Canvas, Oil, Cardboard, Giclée
"Abundance Mentality" Oil on canvas, cats, balloons, party scene
By Katherine Fraser
Located in Philadelphia, PA
This piece titled "Abundance Mentality" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 54" x 70" and is shipped in the pic...
Category
21st Century and Contemporary Contemporary Animal Paintings
Materials
Canvas, Oil
Recently Viewed
View AllMore Ways To Browse
A William Brown
Antique Stable
Hudson River Oil Painting
Hudson River Painters
80s Interior Design
Hudson River School Oil Paintings
William Price
Framed Horse Pictures
Frame For A 24x28 Painting
Hudson River School Antique
Horse Trading
19th Century Hudson River School Paintings
Paisley Art
Antique Early American School
Native American Horse
American School 19th Century Portrait Painting
Antique Native American Painting
Native American Art Horses