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Andy Mister
Disobedience

2019

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Splinters of a Secret Sky - Splinters
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Located in New York, NY
Signed (on verso): AF/2021
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The Circle is Cast, We Are Between the Worlds
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Located in New York, NY
In Angela Fraleigh’s dynamic paintings, female subjects culled from art history become active protagonists in newly imagined spaces. In their original contexts, these figures were largely painted as docile objects for the male gaze...
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A Word For What Binds
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Located in New York, NY
Unsigned
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2010s Contemporary Portrait Paintings

Materials

Canvas, Charcoal, Oil

In an Absent Dream
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One Afternoon in Tuscany
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A contemporary figurative painter whose art is rooted in both the past and the present, Alan Feltus specializes in enigmatic depictions of women. Notable for their purity and simplic...
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20th Century Contemporary Figurative Paintings

Materials

Canvas, Alkyd

At the Spring
By Joshua Shaw
Located in New York, NY
Joshua Shaw was a farmer’s son, born in Billingborough, Lincolnshire, and orphaned at the age of seven. After a boyhood of privation, he tried a number of occupations, until he finally apprenticed to a sign painter and found his métier. Shaw went to Manchester to study art, and by 1802 was in Bath, painting landscapes. In that year he began to exhibit his work at the Royal Academy in London. Essentially self-taught, Shaw achieved an impressive level of competence and versatility, producing portraits, floral compositions, still lifes, landscapes, and, cattle pieces. Shaw continued to send works for exhibition at the Royal Academy, the British Institution, and the Suffolk Street Gallery, all in London, until 1841. (Although Shaw is regularly mentioned and frequently illustrated in a host of general books on American art history, as well as included in numerous historical survey exhibitions, the only monographic study of this artist is Miriam Carroll Woods, “Joshua Shaw [1776–1860]: A Study of the Artist and his Paintings” [M.A. thesis, University of California at Los Angeles, 1971]. Apart from short biographical sketches in various dictionaries and museum collection catalogues, the two most interesting references, both contemporary, are John Sartain’s personal recollections in The Reminiscences of a Very Old Man, 1808–1897 [1899; reprint 1969] and an article in Scientific American from August 7, 1869, “Joshua Shaw, Artist and Inventor.” The article quotes extensively from an autobiographical document in the possession of Shaw’s grandson that Shaw prepared for William Dunlap...
Category

19th Century American Realist Landscape Paintings

Materials

Canvas, Oil

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