Benjamin Silva

'Massacre of Tlatelolco', Plaza de las Tres Culturas, Mexican Olympics, Rio MAM

1968

Signed lower right, 'Anton Sipos' (Bosnian-American, born 1938) and dated 1974. A very substantial Impressionist oil painting showing a view of two young women relaxing in a sunny garden with a peacock and a peahen. Born in Bosnia, Anton Sipos began drawing at an early age and left home in his teens to work as a film animation artist. He achieved immediate success with his first work, "Surrogate", which won an Academy Award for best-animated short subject under the direction of Yugoslav animator Dushon VuKotic. In 1964, Sipos moved to Montmartre to study at the École de Paris. During this early period, Sipos exhibited widely and with success including at the Salon d'Automne and Le Salon d'Artistes Françaises. While in France, he made numerous painting trips to Provence, Giverny, Rouen and the Cote d'Azur as well as to Italy. In 1970, Sipos arrived in California where he painted landscapes of Los Angeles and marine scenes of the harbor in San Diego. He also worked as an artist for the film industry, most notably with Eleanor Ettinger Studio in New York where he was given the responsibility of transferring Norman Rockwell...

Signed lower right, 'Lily Harmon' (American, 1912-1998) and painted circa 1945. Previously with: Associated American Artists Gallery (partial label verso) An exceptionally lyrical a...

Signed lower left, 'Frank N Ashley' (American, 1920-2007) and painted circa 1985. Additionally signed, verso, and titled, 'Steeplechase, Los Altos Hunt'. Bea...

A cabinet-size, grisaille oil on panel landscape showing a young Bretonne cowherd attempting to direct a reluctant Guernsey cow, which appears determined on a different direction. U...

Signed lower right 'Spazzali' for Luciano Spazzali (Italian, 1911-1997) and dated 1958. A complex and lyrical equestrian work by this notable Italian Modernist and exponent of Magi...

An interesting, American School Mid-century tempera painting showing a view of a seated clown rehearsing his dogs for a dance routine while a bareback rider in costume observes in th...

An original oil, oil stick and charcoal diptych painting on canvas by Contemporary female artist Dorothy Fitzgerald. This monumental work measures 60" (h) x 120" (w) This work was featured in the recent exhibition of The Corridors Gallery at Hotel Henry...

Oil paint and pastel on canvas Signed and dated by the artist

I realized nobody is coming to save you unless you save yourself! Light at the end of the tunnel awaits only those who dare to try again each time they fail Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist IDORENYIN UMANA...

OIl paint on canvas Hand-signed on the back by the artist “At first glance, we are invited to a colorful carnival. Everything is movement here! As if Julien Wolf had tried to captur...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. People are going through so much they are not courageous enough to speak about them because of societal prejudices. Our realities are no longer what it used to be! Often we are lost while trying to figure out ourselves and just in that moment, being lost could be a lovely place to find yourself. About Artist IDORENYIN UMANA...

Signed oil on canvas circa 1965 by French expressionist painter Andre Brasilier. The work depicts four military men in French naval uniform on black horses. A wonderful piece in the artist's distinctive style. Signature: Signed: Signed lower left Dimensions: Framed size: 28"x32" Unframed: 20"x24" Provenance: Private French collection André Brasilier was the son of the painter Jacques Brasilier. After studying in Saumur and St-Germain-en-Laye, he joined Brianchon's studio in 1949 at the École des Beaux-Arts in Paris. He was awarded the Prix Florence-Blumenthal in 1952 and the Grand Prix de Rome in 1953. He lived at the Villa de' Medicis from 1954 to 1957. He also received the Prix Charles-Morellet at the Salon de la Jeune Peinture in 1961 and the Prix de Villeneuve-sur-Lot in 1962. Brasilier's paintings are populated by beautiful, elegant women, respectable nudes and high-class gentlemen and are set in pleasant Val-de-Loire backgrounds, resplendent with landscapes and charming towns. Revealing the distant inspiration of Gauguin and the well-assimilated influence of certain other artists, Brasilier depicts a peaceful, comfortable world, free from care, in a very simple, stylish manner, with delicate harmonies bathed in accommodating sunlight. Brasilier took part in group exhibitions from 1956, including many in Paris: at the Salon de la Jeune Peinture; regularly at the Salon d'Automne; at the École de Paris exhibition at the Galerie Charpentier (1954-1957); at the Paris Biennale (1961 and 1963); and at the Salon Comparaisons (1961-1964). Mainly, however, he showed his work in solo exhibitions, including: at the Galerie Drouet in Paris (1959); at the Galerie Weil in Paris (1960 and 1964); at the David B. Finlay Gallery in New York (1962, 1971 and 1974); at the Atelier Mourlot in Paris (1964); at the Galerie Guiot in Paris (1967); at the Galerie de Paris (1969, 1972 and 1976); at the Yoshii Gallery in Tokyo (1969, 1974 and 1977); at the Galerie Matignon in Paris (1979); a first retrospective at the Château de Chenonceau in Paris (1980); at the Nichido Gallery in Tokyo (1983); a retrospective at the Musée Picasso in Antibes...