Francis Luis Mora

Blond Girl with Basket of Flowers "Rosemary's Playmate"

Circa 1912

You Got to be a Football Hero to Get Along with a Beautiful Girl. Masterfully composed and dynamic illustration that show a player getting punched in the jaw. During this period, there were no face...

Leon Kroll was above all an academician. To him "abstract art was merely the beginning of a picture. Structurally, "Portrait of a Young Woman recalls some of the portraits from the ...

The art world today does not value traditional academic skills in portrait painting. If it did, this portrait would replace the childlike student-level art that is now achieving two...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotion...

A charming portrait of a beautiful blue-eyed girl in a pink dress holding flowers in her hand. It's based on Renaissance portraits where the subject is pushed to the foreground and i...

Dressed in traditional clothing, a handsome Chinese man is depicted as he sits resolutely with one hand on his leg and the other holding a baton. Female Artist Joyce Ballantyne...

Léon François Comerre 1850-1916 French L'odalisque à l'éventail (The Odalisque with the Fan) Signed "Léon Comerre" (upper left) Oil on canvas Combinin...

Girl with Teddy bear / Tender innocence This is one of my favorite artworks painted from nature. Painting are on stretched canvas come ready to hang. This is the “hidden frame”...

Academic style figurative portrait painting of a handsome young man against a grey background "Gio Taking Off His Singlet", By Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargent) 14 x 11 inches 18.5 x 15.5 inches framed Excellent condition Signed by the artist, upper left "B. Sargeant" This vertical, portrait painting of a young man was made by Mark Beard under his fictitious artistic persona, Bruce Sargeant. Painted in a modern Academic style, the handsome man is posed stoically against a pale grey background as he gingerly removes his wrestling singlet...

Beautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...

"Zeus and Ganymede", oil and silver leaf on canvas, 39x39in / 100x100cm Inspired by the legend of Zeus and Ganymede. Shipped as it is, stretched, directly from the artist's studio.

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...