Paul Wingo

'Seated Female Nude, ' by Paul Wingo, Charcoal/Conte Drawing

2004

Love Garden Party (Pussy Galore) is an original mixed-medium painting on Strathmore watercolor paper stock. The materials used are high quality acrylic paints, opaque, metallic, and neon inks, hand-cut collage, sourced from fashion magazines and Japanese cookbooks...

'Love Garden Party (Picnic #3)' is an original mixed-medium work of art composed of high quality acrylic paint, opaque, metallic and neon inks, and hand-cut collage, on 35.875"h x 23.875"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w.) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts two women gathered around a festive table filled with food and drink. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

'Love Garden Party (Picnic #2)' is an original mixed-medium work of art composed of high quality acrylics paint, opaque, metallic and neon inks, hand-cut collage, sealed with satin varnish on 36"h x 24"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w.) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts three women gathered around a festive table filled with food and drink. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

In this dramatic acrylic on wood painting by California artist, Sarah Folkman, a diving nude female is interwoven with a swan which envelopes ...

Lalu Prasad Shaw - Babu - 21 x 15 inches Charcoal and Conte on Paper, 2011 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples...

Le Ballon de Rouge Collage with colored pencil and conté on paper Signed, recto This collage is offered by CLAMP in New York City.

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...