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After Peter Paul Rubens, Christ On The Way To Calvary, Oil Painting

c. 1910

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Sam Uhrdin, The Twilight View
By Sam Uhrdin
Located in Cheltenham, GB
This beautiful mid-20th-century oil painting by Swedish artist Sam Uhrdin (1886-1964) depicts a woman playing the guitar in a gently lit room at twilight. Bathed in a warm radiance ...
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1950s Portrait Paintings

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William III Bromley, The Magpie’s Breakfast
Located in Cheltenham, GB
This charming late 19th-century oil painting by British artist William III Bromley (1816-1890) depicts a mother feeding a pet magpie while her daughters look on. It was shown at the ...
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1880s Victorian Figurative Paintings

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Oil, Canvas

David Teniers The Younger (After), Country Celebration
By David Teniers the Younger
Located in Cheltenham, GB
This charming mid-18th-century oil painting depicts a veritable array of revellers holding a feast by a tavern. It’s after a work by Flemish artist, David Teniers the Younger (1610-1...
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1750s Figurative Paintings

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Canvas, Oil

Edgar Bundy ARA RI RBA, A Country Cousin
Located in Cheltenham, GB
This witty early 20th-century oil painting by British artist Edgar Bundy ARA RI RBA (1862-1922) depicts a young country woman visiting the home of her wealthy relatives, to much dism...
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Early 1900s Victorian Figurative Paintings

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Oil, Canvas

William Adolphus Knell (Attributed), Yachting In The Mediterranean
Located in Cheltenham, GB
This mid-19th-century oil painting attributed to British artist William Adolphus Knell (1805-1875) depicts a sailing yacht before a Mediterranean coastline. Knell was one of the lead...
Category

1860s Victorian Landscape Paintings

Materials

Canvas, Oil

Edward William Cooke RA, West-Country Cove With Cottages, Family & Donkeys
By Edward William Cooke
Located in Cheltenham, GB
This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...
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1870s Victorian Landscape Paintings

Materials

Canvas, Oil

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